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Représentation (Philosophie). --- Sciences --- Philosophie. --- Philosophie.
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Representation (Philosophy) --- Représentation (Philosophie) --- Philosophical essay - 21st century --- Représentation (philosophie). --- représentation (philosophie) --- Connaissance de soi. --- Philosophie. --- Représentation. --- Représentation (philosophie) --- Représentation (Philosophie). --- représentation (philosophie). --- Representation (Philosophy). --- Représentation (Philosophie) --- Representationalism (Philosophy) --- Representationism (Philosophy) --- Culture --- Philosophy --- Philosophie
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Connaissance, Théorie de la. --- Representation (Philosophie) --- Philosophie.
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Le concept de représentation chez les philosophes occidentaux au XVIIe siècle est expliqué et relié à leurs conceptions des idées et de la vérité. Les figures de la Dioptrique et de la géométrie éclairent le contenu de l'idée sensible chez Descartes. Les anamorphoses expriment la relation des idées aux choses chez Locke. L'hexagramme renvoie à l'herméneutique des Pensées de Pascal.
Representation (Philosophy) --- Représentation (Philosophie) --- Philosophes --- Représentation (philosophie) --- Vérité --- Histoire et critique --- Représentation (Philosophie) --- Histoire et critique. --- Représentation (philosophie) --- Vérité
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Part One Performance and the Classical Paradigm. 1 The Nature of Artistic Performance. 1 Introduction. 2 What is a Performance? 3 Institutional Theories of Artistic Performance. 4 Aesthetic Theories of Artistic Performance. 5 Artistic Performance and Artistic Regard. 6 Overview. 2 The Classical Paradigm I: The Nature of the Performable Work. 1 Introduction: Berthold and Magda Go to the Symphony. 2 The Multiple Nature of Performable Works. 3 Performable Works as Types. 4 Varieties of Type Theories: Sonicism, Instrumentalism, and Contextualism. 5 Other Theories of the Performable Work. 3 The Classical Paradigm II: Appreciating Performable Works in Performance. 1 Introduction: Talking Appreciatively about Performable Works. 2 Can Performable Works Share Artistic Properties with Their Performances? 3 The Goodman Argument. 4 Answering the Goodman Argument. 4 Authenticity in Musical Performance. 1 Introduction. 2 Authenticity in the Arts. 3 Three Notions of Historically Authentic Performance. 5 Challenges to the Classical Paradigm in Music. 1 Introduction: The Classical Paradigm in the Performing Arts. 2 The Scope of the Paradigm in Classical Music. 3 Jazz, Rock, and the Classical Paradigm. 4 Non-Western Music and the Classical Paradigm. 6 The Scope of the Classical Paradigm: Theater, Dance, and Literature. 1 Introduction: Berthold and Magda Go to the Theater. 2 Theatrical Performances and Performable Works. 3 Challenges to the Classical Paradigm in Theater. 4 Dance and the Classical Paradigm. 5 The Novel as Performable Work? Part Two Performance as Art. 7 Performances as Artworks. 1 Introduction: Spontaneous Performance in the Arts. 2 The Artistic Status of Performances Outside the Classical Paradigm. 3 The Artistic Status of Performances Within the Classical Paradigm. 8 Elements of Performance I: Improvisation and Rehearsal. 1 Introduction. 2 The Nature of Improvisation. 3 Improvisation and Performable Works: Three Models. 4 Improvisation and Recording. 5 The Pl
Aesthetics --- Performing arts --- Philosophy. --- Philosophy --- Art --- Jeu (philosophie) --- Représentation (philosophie) --- Philosophie --- Représentation (philosophie)
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