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Christian religion --- Sculpture --- Painting --- anno 1400-1499 --- anno 1500-1599 --- altarpieces --- Altaarstukken [Renaissance- ] --- Altarpieces [Renaissance ] --- Renaissance altarpieces --- Renaissance-altaarstukken --- Renaissanceretabels --- Retabels [Renaissance- ] --- Retables de la Renaissance --- Altarpieces, Renaissance --- 726.593 --- 247.2 --- 75:726.593 --- -Art, Christian --- Altaren --- Altaar. Tabernakel. Retabel. Ambon --- Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- -Altaren --- 75:726.593 Geschilderde altaarstukken. Retabels. Diptieken. Triptieken --- 247.2 Altaar. Tabernakel. Retabel. Ambon --- 726.593 Altaren --- -Renaissance altarpieces --- Christian art and symbolism --- Renaissance --- Iconography --- History of civilization --- Art et symbolisme chrétiens --- Modern period, 1500 --- -Altarpieces, Renaissance. --- Christian art and symbolism - Modern, 1500 --- -Altarpieces [Renaissance ] --- -Altarpieces, Renaissance --- -Christian religion --- Altarpieces, Renaissance.
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altarpieces --- Renaissance --- Iconography --- History of civilization --- anno 1500-1599 --- altaarstukken --- renaissance --- Antonello da Messina --- Titiaan --- Bellini, Giovanni --- 15de eeuw --- 16de eeuw --- Venetië --- Altarpieces, Renaissance --- -Altarpieces, Italian --- -Italian altarpieces --- Renaissance altarpieces --- Themes, motives --- -Themes, motives --- Altarpieces, Italian --- Italian altarpieces --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Venetiaanse school --- altaarstukken. --- Antonello da Messina. --- Titiaan. --- Bellini, Giovanni. --- 15de eeuw. --- 16de eeuw. --- Venetië.
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Altarpieces, German --- Altarpieces, Renaissance --- Retables allemands --- Retables Renaissance --- Dürer, Albrecht, --- Dürer, Albrecht, 1471-1528 --- Criticism and interpretation --- Critique et interprétation --- Dürer, Albrecht, --- Dürer, Albrecht, 1471-1528 --- Critique et interprétation --- German altarpieces --- Renaissance altarpieces --- Dürer, Albrecht --- Durer, Albert --- Criticism and interpretation.
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Es ist ein Schlüsselwerk der europäischen Kunstgeschichte, geschaffen von einem der rätselhaftesten Künstler der frühen niederländischen Malerei. Das jüngst restaurierte, auf beiden Seiten bemalte Gemäldefragment ist der einzig erhaltene Teil eines großformatigen Kreuzabnahme-Triptychons, das zu den bedeutendsten und einflussreichsten Werken seiner Zeit gehört hat. Neben den Ergebnissen der technologischen Untersuchung und Restaurierung des Gemäldes werden 13 ausgewählte Kunstwerke Vergleichsstücke präsentiert, darunter die namensgebenden "Flémaller Tafeln", die "Medici-Madonna" Rogier van der Weydens sowie gefasste und ungefasste Skulpturen des Meisters des Rimini-Altars und Hans Multschers. Sie lassen exemplarisch die wechselseitigen Bezugnahmen zwischen Mal- und Bildhauerkunst erkennen und tragen so zu einem tieferen Verständnis für den atemberaubenden Detailrealismus und die suggestive Wirkung des Retabels auf den zeitgenössischen Betrachter bei.
crucifixions --- easel paintings [paintings by form] --- Campin, Robert --- Altarpieces, Renaissance --- Painting, Netherlandish --- Netherlandish painting --- Renaissance altarpieces --- Conservation and restoration --- Maître de Flémalle, --- Exhibitions --- Städel Museum (Frankfurt) --- restauratie --- techniek --- Meester van Flémalle --- 15de eeuw --- techniek. --- restauratie. --- Städel Museum (Frankfurt). --- Meester van Flémalle. --- 15de eeuw.
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Over the course of his career, Andrea del Sarto (1486-1530) created altarpieces rich in theological complexity, elegant in formal execution, and dazzlingly brilliant in chromatic impact. This book investigates the spiritual dimensions of those works, focusing on six highly-significant panels. According to Steven J. Cody, the beauty and splendor of Andrea’s paintings speak to a profound engagement with Christian theories of spiritual renewal—an engagement that only intensified as Andrea matured into one of the most admired artists of his time. From this perspective, Andrea del Sarto — Splendor and Renewal in the Renaissance Altarpiece not only shines new light on a painter who has long deserved more scholarly attention; it also offers up fresh insights regarding the Renaissance altarpiece itself.
Altarpieces, Renaissance --- Renaissance altarpieces --- Sarto, Andrea del, --- Del Sarto, Andrea, --- Andrea d'Agnolo, --- Agnolo, Andrea d', --- Andrea del Sarto, --- Vannucchi, Andrea, --- Sarto, André del, --- Criticism and interpretation. --- Altarpieces, Renaissance - Italy - 16th century --- Altarpieces, Italian - 16th century --- Christian art and symbolism - Italy - Renaissance, 1450-1600 --- Sarto, Andrea del, - 1486-1530 - Criticism and interpretation --- Altarpieces, Italian --- Christian art and symbolism --- Sarto, Andrea del, - 1486-1530
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Altarpieces, Medieval --- Altarpieces, Renaissance --- Altarpieces --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Renaissance altarpieces --- Medieval altarpieces --- Musée des arts décoratifs (France) --- Musée des arts décoratifs, Paris --- Paris. --- Musée des arts décoratifs de Paris --- France. --- Musée national des arts décoratifs (France) --- Union centrale des arts décoratifs (Paris, France). --- Musée des arts décoratifs di Parigi --- Museum of Decorative Arts (France) --- Sculpture --- Painting --- retables [altar appendage] --- Musée des arts décoratifs [Paris]
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"Maerten van Heemskerck (1498-1574) was one of the most active and inventive Dutch painters of the sixteenth century. Over the course of his long career, he created lively mythological scenes, dramatic altarpieces for guilds, and smaller works for wealthy individuals. Several of his religious paintings were destroyed by Protestant iconoclasts in 1566. One of his extant masterpieces, the Ecce Homo triptych of 1544, once graced the family chapel of Jan van Drenckwaerdt, a wealthy merchant and sheriff, in Dordrecht's Augustinian church. This unusually complete triptych, with its original decorated frame, was brought from the National Museum in Warsaw, Poland, for treatment and study at the J. Paul Getty Museum as part of the Conservation Partnership program. Richly illustrated, the book documents the dramatic process of revealing the brilliance of a sixteenth-century masterpiece, and it sheds light on the artist's technique, iconography, and the role of the altarpiece in the turbulent history of the era. Drama and Devotion accompanies an exhibition at the J. Paul Getty Museum that opens June 5, 2012"--
altarpieces --- Conservation. Restoration --- painting techniques --- ecce homo --- Heemskerck, van, Maarten --- Altarpieces, Renaissance --- Panel painting, Renaissance --- Panel painting, Dutch --- Altarpieces --- Panel painting --- Painting --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Dutch panel painting --- Renaissance panel painting --- Renaissance altarpieces --- Conservation and restoration --- Heemskerk, Martin van, --- Retables de la Renaissance -- Pays-Bas -- Dordrecht (Pays-Bas) -- Catalogues d'exposition --- Peinture sur panneau de la Renaissance -- Pays-Bas -- Dordrecht (Pays-Bas) -- Catalogues d'exposition --- Retables -- Conservation et restauration -- États-Unis -- Californie (États-Unis) --- Peinture sur panneau -- Conservation et restauration -- États-Unis -- Californie (États-Unis)
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Altaarstukken [Italiaanse ] --- Altarpieces [Italian ] --- Italiaanse altaarstukken --- Italiaanse retabels --- Italian altarpieces --- Retabels [Italiaanse ] --- Retables italiens --- Altarpieces --- History --- Histoire --- Panel painting, Medieval --- Altarpieces, Italian --- Panel painting, Renaissance --- Panel painting, Italian --- Altarpieces, Medieval --- Altarpieces, Renaissance --- Catalogs --- -Altarpieces, Medieval --- -Altarpieces, Renaissance --- -Panel painting, Italian --- -Panel painting, Medieval --- -Panel painting, Renaissance --- -Renaissance panel painting --- Medieval panel painting --- Italian panel painting --- Renaissance altarpieces --- Medieval altarpieces --- -Catalogs --- Renaissance panel painting --- Altarpieces [Medieval ] --- Italy --- Panel painting, Medieval - Italy - Catalogs --- Altarpieces, Italian - Catalogs --- Panel painting, Renaissance - Italy - Catalogs --- Panel painting, Italian - Catalogs --- Altarpieces, Medieval - Italy - Catalogs --- Altarpieces, Renaissance - Italy - Catalogs --- Catalogs.
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Judgment Day in art --- Panel painting, Flemish --- Panel painting, Renaissance --- Panel painting --- Altarpieces, Flemish --- Altarpieces, Renaissance --- Altarpieces --- Weyden, Rogier van der, --- Hôtel-Dieu de Beaune (Museum) --- Altarpieces, Flemish. --- Judgment Day in art. --- Panel painting, Flemish. --- Judgment Day --- Christian art and symbolism --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Renaissance altarpieces --- Painting --- Renaissance panel painting --- Flemish altarpieces --- Flemish panel painting --- Musée de l'Hôtel-Dieu (Beaune, France) --- Hôtel-Dieu Museum (Beaune, France) --- Panel painting, Renaissance - Flanders --- Panel painting - France - Beaune --- Altarpieces, Renaissance - Flanders --- Altarpieces - France - Beaune --- Weyden, Rogier van der, - 1399 or 1400-1464 - Last Judgment
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