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A wide-ranging study of the painted panorama's influence on art, photography, and film. This ambitious volume presents a multifaceted account of the legacy of the circular painted panorama and its far-reaching influence on art, photography, film, and architecture. From its 18th-century origins, the panorama quickly became a global mass-cultural phenomenon, often linked to an imperial worldview. Yet it also transformed modes of viewing and exerted a lasting, visible impact on filmmaking techniques, museum displays, and contemporary installation art. On the Viewing Platform offers close readings of works ranging from proto-panoramic Renaissance cityscapes and 19th-century paintings and photographs to experimental films and a wide array of contemporary art. Extensively researched and spectacularly illustrated, this volume proposes an expansive new framework for understanding the histories of art, film, and spectatorship.

Panoramas --- Art --- Projection art --- Projected art works --- Projected images (Art) --- Projection pieces (Art) --- Projection works (Art) --- Projections (Art) --- Environment (Art) --- Light art --- Cosmoramas --- Cycloramas --- Diorama --- History --- Art history --- History of art

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In this book leading scholars from Europe and North-America trace expanded cinema from its origins in early abstract film to post-war happenings and live events in Europe and the US; the first video and multi-media experiments of the 1960s; the fusion of multi-screen art with sonic art and music from the 1970s onwards, right up to the digital age. It brings new perspectives to bear on the work of established American pioneers such as Carolee Schneemann and Stan Vanderbeek as well as exploring expanded cinema in Western and Central Europe, the influence of video art on new media technologies, and the role of British expanded cinema from the 1970s to the present day. It shows how artists challenged the conventions of spectatorship, the viewing space and the audience, to explore a new participatory and performative cinema beyond the single screen.

Motion pictures --- Performance art --- Projection art --- History. --- kunst --- film --- experimentele film --- performances --- expanded cinema --- installaties --- 791.43 --- 7.036 --- Projected art works --- Projected images (Art) --- Projection pieces (Art) --- Projection works (Art) --- Projections (Art) --- Environment (Art) --- Light art --- Arts, Modern --- Happenings (Art) --- Performing arts --- History --- History and criticism

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Projection art --- 7.038 --- Barry Robert --- Baumgarten Lothar --- Broodthaers Marcel --- Coleman James --- diaprojectie --- Dibbets Jan --- Doherty Willie --- eenentwintigste eeuw --- Fischli Peter --- Fischli & Weiss --- Floyer Ceal --- fotografie --- Goldin Nan --- Graham Dan --- kunst --- Lawler Louise --- Levitt Helen --- Melchert James --- Mendieta Ana --- Monk Jonathan --- Oppenheim Dennis --- projectie --- Smith Jack --- Smithson Robert --- twintigste eeuw --- Weiss David --- Wodiczko Krzysztof --- Projected art works --- Projected images (Art) --- Projection pieces (Art) --- Projection works (Art) --- Projections (Art) --- Environment (Art) --- Light art --- Exhibitions --- Art --- Photography --- photography [process] --- slides [photographs] --- art theory --- projections [visual works] --- Baumgarten, Lothar --- Broodthaers, Marcel --- Dibbets, Jan --- Oppenheim, Dennis --- Coleman, James --- Smithson, Robert --- Melchert, James --- Graham, Dan --- Fischli, Peter --- Goldin, Nan --- Lawler, Louise --- Weiss, David --- Monk, Jonathan --- Barry, Robert --- Doherty, Willie --- Floyer, Ceal --- Mendieta, Ana --- Smith, Jack --- Wodiczko, Krysztof --- Levitt, Helen --- video-stills --- Wodiczko, Krzysztof