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Prini, Emilio

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Since the 1960s artists from various countries have positioned themselves increasingly within a system of art that is now global in its reach. However, Italian artists in particular have, with some exceptions, resisted expressing a certain putative artistic "Italian-ness," thus undermining the global system's tendency to identify artists, artworks, and movements according to nationality. The expression "Italian art" names quite an impervious referent: it exists in a kind of limbo, perpetually suspended between abysmal default and epiphanic excess, its identity as a subject neither ascertained nor denied. Italian artworks therefore neither correspond to a preexisting array of local attributes nor resonate with a discernible web of global meanings.

Anselmo, Giovanni, --- Benassi, Elisabetta, --- De Dominicis, Gino, --- Matarrese, Francesco, --- Merz, Marisa. --- Ontani, Luigi, --- Pietroiusti, Cesare. --- Pistoletto, Michelangelo, --- Prini, Emilio,

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Anselmo, Kiefer --- Boetti, Alighiero --- Fabro, Luciano --- Kounellis, Jannis --- Merz, Mario --- Paolini, Giulio --- Penone, Giuseppe --- Pistoletto, Michelangelo --- Prini, Emilio --- Salvo --- Zorio, Gilberto

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Iconography --- Art --- Drawing --- Photography --- prints [visual works] --- installations [visual works] --- drawing [image-making] --- photography [process] --- scripts [writing] --- Prini, Emilio --- anno 1900-1999 --- Italy

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Art --- Arte Povera --- performance art --- Fabro, Luciano --- Pistoletto, Michelangelo --- Mattiacci, Eliseo --- Penone, Giuseppe --- Paolini, Giulio --- Merz, Mario --- Zorio, Gilberto --- Anselmo, Giovanni --- Boetti, Alighiero --- Calzolari, Pier Paolo --- Kounellis, Jannis --- Merz, Marisa --- Pascali, Pino --- Prini, Emilio