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"William Moorcroft (1872-1945) was one of the most celebrated potters of the early twentieth century. His career extended from the Arts and Crafts movement of the late Victorian age to the Austerity aesthetics of the Second World War. Rejecting mass production and patronised by Royalty, Moorcroft's work was a synthesis of studio and factory, art and industry. He considered it his vocation to create an everyday art, both functional and decorative, affordable by more than a privileged few: 'If only the people in the world would concentrate upon making all things beautiful, and if all people concentrated on developing the arts of Peace, what a world it might be,' he wrote in a letter to his daughter in 1930. 'William Moorcroft, Potter: Individuality by Design' is a pioneering study by Jonathan Mallinson, Emeritus Fellow of Trinity College, Oxford. It follows the career of William Moorcroft through a wealth of private papers, letters and diaries, business correspondence and published reviews in newspapers, trade magazines and art journals. Richly illustrated with examples of his pottery, it explores what lay behind the unique impact of work sought by museums and treasured in homes the world over. The book examines an artist's very individual response to the turbulent half century in which he worked. It will appeal to both specialists and general readers with an interest in pottery, the decorative arts, and the cultural history of the times."--Publisher's website.
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Pottery, British. --- Pottery --- Marks.
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Tiles, Medieval --- Tiles --- Pottery, British --- Carreaux médiévaux --- Carreaux --- Céramique britannique --- History --- Histoire --- Carreaux médiévaux --- Céramique britannique --- Tuiles medievales --- Carreaux medievaux --- Angleterre
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The potters' views of Canada have a many-sided appeal, linking the world of artists, printmakers, and photographers to the ceramics industry. As part of material history, they reflect not only taste in the wares themselves - their bodies, colours, shapes - but also the changing ways of looking at things, from the romantic to the literal. Covering the period for the beginning of the nineteenth century to the end of Queen Victoria's reign, this volume focuses chiefly on wares made for the dinner table or the washstand. All are earthenware, decorated by transfer printing, and produced by British potters. The scenes they depict range from the awesome falls at Niagara to early steamboats on the St Lawrence, from igloos in the Arctic to a governor's residence in New Brunswick. Elizabeth Collard traces the evolution of these wares, placing them in their historical setting and identifying the sources from which many of the views were derived. She also provides much detail on the English and Scottish potters and on the artists whose work they adapted to their own use. One of the most important collections of these wares belong to the National Museum of Man, Ottawa, and it is from the national collection that illustrations for this book have been drawn. The more than 170 photographs also include such material as the published prints on which the potters' views were based, border designs, and potters' marks. This book will be an invaluable reference work not only for collectors and dealers but also for museum curators and material culture historians.
Pottery, British. --- British pottery --- National Museum of Man (Canada) --- National Museum of Canada. --- Canadian Museum of Civilization --- Canada. --- Musée national de l'homme (Canada) --- National Museum of Man --- National Museums of Canada. --- Canada --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kanada (Dominion) --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey --- Καναδάς --- Канада --- קאנאדע --- קנדה --- كندا --- کانادا --- カナダ --- 加拿大 --- 캐나다 --- Lower Canada --- Upper Canada --- Canada in art --- Pottery, British --- Kaineḍā
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Pottery, British --- 738.07 --- Keramiek ; 1980-2014 ; Edmund de Waal --- Keramiek ; klei ; in de beeldende kunst --- De Waal, Edmund (Edmund Arthur Lowndes de Waal) °1964 (°Nottingham, Groot-Brittannië) --- British pottery --- Keramiek ; keramiekkunstenaars, pottenbakkers --- De Waal, Edmund --- Waal, Edmund de --- Criticism and interpretation.
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Art pottery --- Pottery, English --- Pottery --- 738.038 --- Cardew, Michael --- Coper, Hans --- Groot-Brittannië ; Studio Pottery --- Keramiek ; Studio Pottery --- Leach, Bernard --- Londen ; Victoria and Albert Museum --- Rie, Lucie --- Studio Pottery beweging : uitloper van Arts and Crafts beweging --- Art pottery, British --- British art pottery --- English pottery --- Studio pottery --- Ceramic art --- Ceramics (Art) --- Chinaware --- Crockery --- Earthenware --- Pottery, Primitive --- Ceramics --- Decorative arts --- House furnishings --- Firing (Ceramics) --- Saggers --- Catalogs --- Keramiek ; 1950 - 2000 --- Victoria and Albert museum --- Victoria & Albert museum --- V&A --- South Kensington museum --- Museum of manufactures --- Applied arts. Arts and crafts --- earthenware --- ceramics [object genre] --- aardewerk --- keramiek --- Victoria & Albert Museum --- Viktoria und Albert Museum --- Great Britain. --- V & A (Museum) --- Muzeʼon Ṿiḳṭoryah-Alberṭ --- Muzeĭ Viktorii i Alʹberta --- Музей Виктории и Альберта --- South Kensington Museum --- Science Museum (Great Britain) --- Museum of Ornamental Art
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