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Ce livre est en quelque sorte une autobiographie intellectuelle qui relate les premiers pas de Frank Popper en tant qu'historien de l'art contemporain, critique d'art, enseignant, chercheur, et organisateur de grandes expositions muséales. On y découvre les raisons de ses choix artistiques qui motivent, dès les années 1960-70, son intérêt pour des formes d'art comme l'art optique, l'art cinétique, l'art technologique et l'art virtuel qui mènent à ce qu'il a appelé l'art démocratique ou l'art de la participation active et, plus récemment, l'art de l'interactivité. Parallèlement, au cours des années 1970-80, il s'est intéressé à toutes les formes d'art de la rue : le happening, les graffiti, l'art mural qui, on le voit aujourd'hui, ont fini par avoir droit de cité, au point que l'on pourrait assister actuellement à l'éclatement ou tout au moins à l'assouplissement des barrières entre l'art contemporain (muséal), l'art populaire (urbain) et l'art on-line (sur l'ordinateur). Cet ouvrage se compose de deux parties : la première, en forme d'entretiens avec Aline Dallier, délivre des informations professionnelles et des remarques personnelles sur le sujet ; la seconde est constituée d'une sélection d'articles de Frank Popper, du plus ancien au plus récent.

Art --- Popper, Frank, - 1918 --- -Art --- Popper, Frank, - 1918-

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