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Photojournalists --- Beals, Jessie Tarbox.

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Iraq War, 2003-2011 --- Photojournalists

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Un regard personnel sur le monde du photojournalisme, de la Seconde Guerre mondiale à nos jours, par celui qui fut le rédacteur photo de "Life" à partir de 1944, et travailla, entre autres, pour le "New York Times" et le "National Geographic" pour lesquels il publia les reportages des plus grands photographesde ce siècle : Robert Capa, Lee Miller, Cartier-Bresson ...

Photojournalism --- Photojournalists --- History --- Morris, John G.

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"An incisive biography of the prolific photo-essayist W. Eugene Smith; In an interview with Philippe Halsman, W. Eugene Smith remarked: "I didn't write the rules, why should I follow them?" Famously unabashed, Smith is photography's most celebrated humanist. During his reign as a photo-essayist at Life magazine in the 1940s and 1950s, he established himself as an intimate chronicler of human culture. His photographs of jazz musicians, disasters, doctors, and midwives revolutionized the role that image-making played in journalism, transforming photography for decades to come. In 1997, lured by the intoxicating trail of people that emerged from Smith's stupefying archive, Sam Stephenson set out to research those who knew him from various angles. In Gene Smith's Sink, Stephenson revives Smith's life and legacy, merging traditional biography with highly untraditional digressions. Traveling across twenty-nine states, Japan, and the Pacific, Stephenson tracks down a lively cast of characters, including the playwright Tennessee Williams, to whom Smith likened himself; the avant-garde filmmaker Stan Brakhage, with whom he once shared a chalet; the artist Mary Frank, who was married to his friend Robert Frank; and Thelonious Monk and Sonny Clark, whom Smith recorded on surreptitious tapes. The result of twenty years of research, Gene Smith's Sink is an unprecedented look into the photographer's beguiling legacy and the subjects around him"--

Photojournalists --- Smith, W. Eugene, --- Friends and associates.

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Photographe de l'extrême, Yan Morvan ne vit que pour le goût du risque. Capable de se balader avec sa chambre photographique en pleine guerre du Liban pour tirer le portrait de combattants, il sera condamné à mort à deux reprises, y réchappant toujours de façon miraculeuse. Iran-Irak, Liban, Irlande du Nord, Philippines, chute du mur de Berlin, Rwanda, Kosovo... Correspondant permanent de l'hebdomadaire américain Newsweek, puis de l'agence Sipa, passé par Le Figaro et Paris Match, Yan Morvan a couvert pendant trente ans les principaux conflits mondiaux. En France, il travaille également sur les gangs, ce qui lui vaut de vivre trois semaines d'horreur absolue avec le serial killer Guy Georges. Aux Etats-Unis, il n'hésite pas à partir à la découverte du monde des bikers et d'une Amérique totalement déjantée. Depuis 2004, il enchaîne les reportages sur des sujets de fond : les banlieues et les victimes de guerre ou de la route.

Photojournalists --- War correspondents --- Photojournalism --- War photography --- Morvan, Yan