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Indians of North America --- Geology --- Pecos River Valley (N.M. and Tex.) --- Antiquities.

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Pueblo Indians --- Pueblo pottery --- Plant remains (Archaeology) --- Animal remains (Archaeology) --- Antiquities. --- Henderson Site (N.M.) --- Pecos River Valley (N.M. and Tex.)

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"The archaeology and bioarcheology of the Roswell, New Mexico, area remains one of the most understudied in the American Southwest. Two prehistoric sites, Henderson and Bloom Mound, were excavated in an area some consider "marginal." These were communities that responded to cultural system stresses in ways that are detectable in the archaeological record. The inhabitants of these communities were farmers, but had less reliance on maize than contemporary Puebloan communities to the west. They had a mixed and diverse subsistence economy which included bison hunting and consumption by the early 1200s"--

Excavations (Archaeology) --- Burial --- Human remains (Archaeology) --- United States --- New Mexico --- Pecos River Valley (N.M. and Tex.) --- Bloom Mound (N.M.) --- Henderson Site (N.M.) --- Antiquities.

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The prehistoric hunter-gatherers of the Lower Pecos Canyonlands of Texas and Coahuila, Mexico, created some of the most spectacularly complex, colorful, extensive, and enduring rock art of the ancient world. Perhaps the greatest of these masterpieces is the White Shaman mural, an intricate painting that spans some twenty-six feet in length and thirteen feet in height on the wall of a shallow cave overlooking the Pecos River. In The White Shaman Mural, Carolyn E. Boyd takes us on a journey of discovery as she builds a convincing case that the mural tells a story of the birth of the sun and the beginning of time—making it possibly the oldest pictorial creation narrative in North America. Unlike previous scholars who have viewed Pecos rock art as random and indecipherable, Boyd demonstrates that the White Shaman mural was intentionally composed as a visual narrative, using a graphic vocabulary of images to communicate multiple levels of meaning and function. Drawing on twenty-five years of archaeological research and analysis, as well as insights from ethnohistory and art history, Boyd identifies patterns in the imagery that equate, in stunning detail, to the mythologies of Uto-Aztecan-speaking peoples, including the ancient Aztec and the present-day Huichol. This paradigm-shifting identification of core Mesoamerican beliefs in the Pecos rock art reveals that a shared ideological universe was already firmly established among foragers living in the Lower Pecos region as long as four thousand years ago.

Rock paintings --- Petroglyphs --- Indian art --- Indians of North America --- Antiquities. --- Pecos River Valley (N.M. and Tex.) --- American aborigines --- American Indians --- First Nations (North America) --- Indians of the United States --- Indigenous peoples --- Native Americans --- North American Indians --- Art, Indian --- Indian art, Modern --- Indians --- Pre-Columbian art --- Precolumbian art --- Art --- Carvings, Rock --- Engravings, Rock --- Rock carvings --- Rock engravings --- Rock inscriptions --- Stone inscriptions --- Inscriptions --- Picture-writing --- Paintings, Rock --- Pictured rocks --- Rock drawings --- Archaeology --- Art, Prehistoric --- Painting, Prehistoric --- Culture --- Ethnology --- Pecos Valley (N.M. and Tex.)