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This book reveals the impact of vocalists and composers upon the poetic culture of early modern England by studying the media through which - and by whom - its songs were made. In a literary field that was never confined to writing, media were not limited to material texts. The author argues that the media of Renaissance poetry can be conceived as any node of transmission from singer's larynx to actor's body. Through his study of song, the author outlines a new approach to Renaissance poetry and drama that is grounded not simply in performance history or book history but in a more synthetic media history.
English poetry --- Music and literature --- POETRY / English, Irish, Scottish, Welsh. --- History and criticism --- History and criticism. --- Music --- Theatrical science --- Poetry --- English literature --- poetry --- songs [documents] --- musical performances --- anno 1500-1599 --- anno 1600-1699 --- England --- Literature and music --- Literature --- songs [musical compositions]
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"In Yeats and Afterwords, contributors articulate W. B. Yeats's powerful, multilayered sense of belatedness as part of his complex literary method. They explore how Yeats deliberately positioned himself at various historical endpoints-of Romanticism, of the Irish colonial experience, of the Ascendancy, of civilization itself-and, in doing so, created a distinctively modernist poetics of iteration capable of registering the experience of finality and loss. While the crafting of such a poetics remained a constant throughout Yeats's career, the particular shape it took varied over time, depending on which lost object Yeats was contemplating. By tracking these vicissitudes, the volume offers new ways of thinking about the overarching trajectory of Yeats's poetic engagements. Yeats and Afterwords proceeds in three stages, involving past-pastness, present-pastness, and future-pastness. The first, "The Last Romantics," examines how Yeats repeats classic motifs and verbal formulations from his literary forebears in order to express the circumscribed cultural options with which he struggles. The essays in this section often uncover Yeats's relation to sources and precursors that are surprising or have been relatively neglected by scholars. The second section, "Yeats and Afterwords," looks at how Yeats subjects his own past sentiments, insights, and styles to critical negation, crafting his own afterwords in various ways. The last section, "Yeats's Aftertimes," explores how, thanks to the stature Yeats achieved through its invention, his style of belatedness itself comes to be reiterated by other writers. Yeats is a towering figure in literary history, hard to follow and harder to avoid, and later writers often found themselves producing words that were, in some sense, his afterwords. "This is a groundbreaking collection that will have a major impact on Yeats studies and will be useful for scholars working more broadly in Irish and modernist studies." -Rob Doggett, SUNY Geneseo"--
POETRY / English, Irish, Scottish, Welsh. --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. --- Yeats, W. B. --- Yeats, William Butler --- D. E. D. I., --- Daemon Est Deus Inversus, --- Ganconagh, --- I., D. E. D., --- Йейтс, У. Б. --- Ĭeĭts, U. B. --- Йейтс, Уильям Батлер, --- Ĭeĭts, Uilʹi︠a︡m Batler, --- Weilian Batele Yezhi, --- Yeṭs, Ṿilyam Baṭler, --- יטס, יטלאם בטלר --- ייטס, ויליאם בטלר, --- 威廉,巴特勒,叶芝, --- Criticism and interpretation.
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