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Au lendemain de la Première Guerre mondiale, le mouvement de la Nouvelle Objectivité reflète les rapides mutations sociales, économiques et politiques que connaît l'Allemagne sous la République de Weimar. Cette anthologie, qui réunit 17 textes, dont 14 inédits en français, signés par les plus grandes plumes de l'époque, témoigne de la richesse et de l'acuité des regards critiques sur ce mouvement complexe et pluridisciplinaire, qui loin de se cantonner aux seuls arts traditionnels, embrasse les domaines du théâtre, de la musique, de l'architecture et du design

Neue Sachlichkeit (art)

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New objectivity (Art) --- Art, German --- Nouvelle objectivité (Art) --- Art allemand --- Neue Sachlichkeit (Art) --- Nouvelle objectivité (Art)

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One of the aims of the book is to shed more light on the notion Neue Sachlichkeit in its appearance in a variety of fields as painting, architecture, music, photography and literature, in order to get a clearer idea of its scope. Several contributions will do so by analysing the heterogeneity in the use of the term concerning its function in the fight for recognition in the art-fields around 1930 - in other words, Neue Sachlichkeit will be analysed as a positioning strategy. Especially its participation in the broader discourse on modernity, as well as its international and intermedial dimension will be highlighted, often using the historical avant-garde as point of reference. From this perspective, the present volume wants to be read as a plea for a differentiated description of the many shared aspects and some differences between the avant-garde and Neue Sachlichkeit .

Neue Sachlichkeit (Art) --- Neue Sachlichkeit (Art). --- Avant-garde (Aesthetics). --- Avant-garde (Aesthetics) --- Nach-Expressionismus (Art) --- New objectivity (Art) --- Nouvelle Objectivité (Art) --- Post-expressionism (Art) --- Art, Modern --- Magic realism (Art) --- Aesthetics --- Modernism (Art)

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In the 1920s Germany was in the grip of social and political turmoil: its citizens were disillusioned by defeat in World War I, the failure of revolution, the disintegration of their social system, and inflation of rampant proportions. Curiously, as this important book shows, these years of upheaval were also a time of creative ferment and innovative accomplishment in literature, theater, film, and art. 'Glitter and Doom 'is the first publication to focus exclusively on portraits dating from the short-lived Weimar Republic. It features forty paintings and sixty drawings by key artists, including Otto Dix, Max Beckmann, and George Grosz. Their works epitomize Neue Sachlichkeit (New Objectivity), in particular the branch of that new form of realism called Verism, which took as its subject contemporary phenomena such as war, social problems, and moral decay. Subjects of their incisive portraits are the artists' own contemporaries: actors, poets, prostitutes, and profiteers, as well as doctors, lawyers, businessmen, and other respectable citizens. The accompanying texts reveal how these portraits hold up a mirror to the glittering, vital, doomed society that was obliterated when Hitler came to power.

Art --- anno 1920-1929 --- Germany --- portretten --- Nieuwe Zakelijkheid --- 20ste eeuw --- Duitsland --- Neue Sachlichkeit (Art) --- Portrait painting, German --- portretten. --- Nieuwe Zakelijkheid. --- 20ste eeuw. --- Duitsland.

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Women artists --- Women authors, German --- Art, German --- German literature --- Feminism and the arts --- Neue Sachlichkeit (Art) --- Neue Sachlichkeit (Literature) --- Women and literature --- Biography. --- History