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Material culture in literature.

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"Wai-yee Li asks fundamental questions about the relationship between aesthetics and politics as categories of experience and significance by exploring the intersections of material culture, aesthetics, literature, and intellectual history in the late Ming and High Qing (late sixteenth to mid eighteenth century). While prevailing theories see the rise of aesthetic culture during this period to be connected to perceived threat to elites from a rising mercantile class, Li sees see the discourse of taste as being driven by personal and regional competition, the need to cross boundaries, and the productive tension between individuality and group identity. And she anchors this argument in readings of some of the period's most canonical texts, including Dream of the Red Chamber and the Plum Blossom Fan. Li begins in chapter 1 with an exploration of the relationship between people and things, and in defining "things," she looks at the history of aesthetic theory in China and the changing vocabulary and attitudes toward objects. In chapter two, she looks at the question of value and the interrogation of the concepts of elegance and vulgarity that occurs at this time. The fascinating literati trickster Li Yu takes center stage--just as he would like--in chapter 3, where Li takes on the distinction between the real and the fake. And in chapter 4, Li turns to the terrain she traversed so successfully in Plum Shadows and Plank Bridge, the Ming-Qing transition and subsequent nostalgia for the deposed regime. Ultimately Li argues that claims of aesthetic existence and its material basis encode or resist social change, political crisis, and personal loss"-

Material culture in literature. --- Chinese literature --- History and criticism. --- Material culture in literature --- History and criticism

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"The "golden age" of children's literature in the late 19th and early 20th century coincided with a boom in the production and trade of commodities. The first book-length study to situate children's literature within the consumer culture of this period, Children's Literature and Material Culture explores the intersection of children's books, their consumerism and the representation of commodities within British children's literature. In tracing the role of objects in key texts from the turn of the century, Jane Suzanne Carroll uncovers the connections between these fictional objects and the real objects that child consumers bought, used, cherished, broke, and threw away. Beginning with the Great Exhibition of 1851, this book takes stock of the changing attitudes towards consumer culture - a movement from celebration to suspicion - to demonstrate that children's literature was a key consumer product, one that influenced young people's views of and relationships with other kinds of commodities. Drawing on a wide spectrum of well-known and less familiar texts from Britain and Ireland, this book examines works from Lewis Carroll's Through the Looking Glass, and What Alice Found There and E. Nesbit's Five Children & It to Christina Rossetti's Speaking Likenesses and Mrs Molesworth's The Cuckoo Clock. Placing children's fiction alongside historical documents, shop catalogues, lost property records, and advertisements, Carroll provides fresh critical insight into children's relationships with material culture and reveals that even the most fantastic texts had roots in the ordinary, everyday things"--

Child consumers --- Children --- Children's literature, English --- Material culture in literature. --- History --- Books and reading --- History and criticism. --- Irish authors --- Material culture in literature --- History and criticism

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Cinderella's Glass Slipper studies Renaissance material cultures through the literary prism of fairy-tale objects. The literary fairy-tale first arose in Renaissance Venice, originating from oral story-telling traditions that would later become the Arabian Nights, and subsequently in the Parisian salons of Louis XIV. Largely written by, for, and in the name of women, these literary fairy-tales took a lightly comic view of life's vicissitudes, especially female fortune in marriage. Connecting literary representations of bridal goods - dress, jewellery, carriages, toiletries, banqueting and confectionary foods - to the craft histories of their making, this Element offers a newly-contextualised socio-economic account of Renaissance luxe, from architectural interiors to sartorial fashioning and design. By coupling Renaissance luxury wares with their fairy-tale representation, it locates the recherché materialities of bridal goods - gold, silver, diamonds and silk - within expanding colonialist markets of a newly-global early modern economy in the age of discovery.

Anthropology --- Social Science --- Material culture --- Fairy tales --- Material culture in literature. --- Renaissance. --- Social aspects --- History

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"Picturing Worlds examines the uses that a range of Anishinaabe authors make of art and artists. It examines the ways these authors establish frameworks for continuity, resistance, and sovereignty in that "space" where conventional narratives of settlement read rupture"--

Ojibwa literature --- Visual perception in literature. --- Material culture in literature. --- History and criticism.