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"Once an overlooked figure in 20th-century philosophy, Susanne K. Langer has become a prominent figure among philosophers and artists, particularly because of her development of a new theory of art from symbolic logic. The Bloomsbury Handbook of Susanne K. Langer unites all major scholars on Langer in one collection and elucidates her transdisciplinary connections and insights across philosophy, psychology, literature, aesthetics, history, architecture and other arts. Adopting two approaches to Langer's life and philosophy, Part I places her historically, documenting her origins and extensions and acknowledging Langer's relationship to rich, ongoing traditions. Part II situates her work in conversation with current scholarship, expanding her ideas to provide new insights into current discussions about affect, materialism, embodied cognition, virtuality and the new media. By recognizing Langer's influences and contribution to contemporary knowledge, this international team of contributors positions her firmly in mainstream theory and asserts Langer's ongoing importance to intellectual histories. Langer's philosophical achievements, emerging from a web of key movements, make her a visionary of her time. For anyone looking to understand Langer's impact and relevance for postmodern sciences and culture studies, here is the place to start"--
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Aesthetics --- Drama --- Langer, Susanne Knauth
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This book is a comprehensive study of one of the most insightful and fertile but also most neglected philosophers of the twentieth century, Susanne Langer. Failure to recognise Langer's seminal philosophical sources has led to frequent misinterpretations and misunderstandings of her unique philosophical thought. Beginning with an overview of Langer's life and education, this study provides a much-needed explanation of how Langer's thinking was shaped by four seminal sources: her mentors Henry Sheffer and Alfred North Whitehead and the European philosophers Ernst Cassirer and Ludwig Wittgenstein. Langer's ability to unite seemingly disparate fields such logic, art, and embodied cognition around the notion of symbolic form, places aesthetics not at the margins of philosophy but at its very centre. By locating Langer's work in the broader context of major developments in twentieth-century European and American philosophy, Dengerink Chaplin shows how she was often ahead of her time. Shedding new light on Langer as an American philosopher whose innovative thought crosses the customary boundaries between analytic and continental philosophy, this book confirms why she continues to have relevance today.
Women philosophers --- Aesthetics --- Logic --- Langer, Susanne Katherina Knauth, --- Langer, Susanne Knauth --- Langer, Susanne Katherina Knauth, - 1895-1985
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Myth --- Cassirer, Ernst --- Langer, Susanne Katherina Knauth,
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Susanne Langer (1895 -- 1985) was one of American philosophy's most distinctive thinkers. Her philosophy was a deep exploration of human life as a continuous process of meaning-making through symbolic forms. Here, Robert E. Innis brings readers closer to Langer's precise and nuanced account of the symbolic mind. Innis shows how Langer's thought spans the sciences, aesthetics, psychology, religion, education, and music, and where it touches on concerns that were brought forward by American pragmatists such as John Dewey and William James. Innis reveals Langer's intense focus on making meaning clear as he covers her entire philosophical career. Highlighting what is of permanent value to American philosophy in Langer's work, he determines exactly what her positions were and why she proposed them. Readers will find a keen appreciation for and critical appraisal of Langer's unique philosophical vision.
Langer, Susanne Katherina Knauth, --- Lang-ko, Su-shan, --- Langer, Susanne, --- Langir, Sūzān, --- لنگر، سوزان
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Susanne Langer (1895 New York - 1985 Old Lyme, Connecticut), par trop inconnue en France, a développé une philosophie de l'art qui s'organise à partir de la question du symbolique, et accorde une place majeure à la notion, entièrement remaniée, du sentiment (feeling). L'art relève d'une connaissance et il a en cela un caractère toujours abstrait : ce n'est pas le sentiment de l'artiste, en sa personne, qui est donné à connaître, pas plus celui du spectateur. C'est la forme, en général, du sentiment qui est présentifiée dans l'art, laquelle se repère à un dynamisme d'un type particulier. Le présent volume propose la traduction de deux textes choisis extraits de Problems of Art (1957), l'un portant sur la danse, l'autre ayant pour thème la forme vivante. Y convergent les modalités d'une approche du mouvement et de la vie, permettant ainsi de prendre la mesure du travail mené dans les précédents livres de Susanne Langer, et d'entrevoir aussi ses prolongements ultérieurs, vers une philosophie de l'esprit en laquelle se transformera et s'élargira la question du sentiment. Une série d'études critiques portant sur divers aspects, philosophiques, artistiques et historiques, de cette œuvre contribuent à situer, approfondir et questionner une pensée qui reste à bien des égards à découvrir.
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