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Building on recent transformative theories of influence, John Foster explores the many ways Nietzsche's intellectual and artistic example helped shape an interconnected series of major literary projects from 1900 to the 1940s. He portrays Nietzsche as a stimulating but disturbing force who left a well-defined legacy of concerns that modernists appropriated for their fiction. The author focuses particularly on Gide, D. H. Lawrence, Malraux, and Mann, analyzing their strategies of acceptance, revision, and subversion.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Comparative literature --- Nietzsche, Friedrich W. --- anno 1900-1999 --- Literature, Modern --- Modernism (Literature) --- Philosophy in literature. --- History and criticism. --- Nietzsche, Friedrich Wilhelm, --- Influence. --- Modernism (Literature). --- Nietzsche, Friedrich --- Crepuscolarismo --- Literary movements --- History and criticism&delete& --- History and criticism --- Aestheticism. --- Allusion. --- Anguish. --- Antithesis. --- Apathy. --- Aphorism. --- Apollonian and Dionysian. --- Art for art's sake. --- Arthur Schopenhauer. --- Beyond Good and Evil. --- Black rage (law). --- Career. --- Catharsis. --- Consciousness. --- Criticism. --- Critique. --- Cultural Bolshevism. --- D. H. Lawrence. --- Death in Venice. --- Decadence. --- Dionysus. --- Disenchantment. --- Disgust. --- Distrust. --- Doctor Faustus (novel). --- Doctor Faustus (play). --- E. M. Forster. --- Epigram. --- Existence. --- Existentialism. --- Faust. --- Friedrich Nietzsche. --- Geoffrey Hartman. --- Gesta Romanorum. --- God is dead. --- Good and evil. --- Hans Vaihinger. --- Henri Bergson. --- Iconoclasm. --- Imagery. --- Irony. --- Jacques Derrida. --- Jude the Obscure. --- Karl Jaspers. --- Last man. --- Literary modernism. --- Literature. --- Man's Fate. --- Master–slave morality. --- Mephistopheles. --- Modernism. --- Morality. --- Necessitarianism. --- New Thought. --- Nietzschean affirmation. --- Nihilism. --- On the Aesthetic Education of Man. --- On the Genealogy of Morality. --- Out of Revolution. --- Paradox. --- Parody. --- Philosopher. --- Philosophy of Friedrich Nietzsche. --- Philosophy. --- Picaresque novel. --- Pity. --- Polemic. --- Posthumanism. --- Psychoanalysis. --- Psychology. --- Rainer Maria Rilke. --- Religion. --- Ressentiment. --- Result. --- Robert Musil. --- Romanticism. --- Scientism. --- Self-denial. --- Self-fulfillment. --- Superiority (short story). --- Søren Kierkegaard. --- The Birth of Tragedy. --- The Case of Wagner. --- The Counterfeiters (novel). --- The Cult of the Self. --- The Four Great Errors. --- The Goths. --- The Philosopher. --- The Work of Art in the Age of Mechanical Reproduction. --- Theodor W. Adorno. --- Thought. --- Thus Spoke Zarathustra. --- Tragedy. --- Twilight of the Idols. --- Utilitarianism. --- Will to power. --- Women in Love. --- Word and Object. --- Writer. --- Writing.
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A reexamination of Austen’s unpublished writings that uncovers their continuity with her celebrated novels—and that challenges distinctions between the writer’s “early” and “late” periodsJane Austen’s six novels, published toward the end of her short life, represent a body of work that is as brilliant as it is compact. Her earlier writings have routinely been dismissed as mere juvenilia, or stepping stones to mature proficiency and greatness. Austen’s first biographer described them as “childish effusions.” Was he right to do so? Can the novels be definitively separated from the unpublished works? In Jane Austen, Early and Late, Freya Johnston argues that they cannot.Examining the three manuscript volumes in which Austen collected her earliest writings, Johnston finds that Austen’s regard and affection for them are revealed by her continuing to revisit and revise them throughout her adult life. The teenage works share the milieu and the humour of the novels, while revealing more clearly the sources and influences upon which Austen drew. Johnston upends the conventional narrative according to which Austen discarded the satire and fantasy of her first writings in favour of the irony and realism of the novels. By demonstrating a stylistic and thematic continuity across the full range of Austen’s work, Johnston asks whether it makes sense to speak of an early and a late Austen at all.Jane Austen, Early and Late offers a new picture of the author in all her complexity and ambiguity, and shows us that it is not necessarily true that early work yields to later, better things.--
Austen, Jane, --- Criticism and interpretation. --- Amendment. --- Anna Maria Porter. --- Anne Elliot. --- Author. --- Book. --- Bree (Middle-earth). --- Cassandra Austen. --- Catholic Church. --- Charlotte Lennox. --- Claire Tomalin. --- Clarissa. --- Claudia L. Johnson. --- Correction (novel). --- Debut novel. --- Diary. --- E. M. Forster. --- Early Period. --- Edition (book). --- Elinor Dashwood. --- Eliza de Feuillide. --- Elizabeth Bennet. --- Elizabeth Bishop. --- Emma (novel). --- Emma Woodhouse. --- Emmeline. --- Epigraph (literature). --- Epistle. --- Essay. --- Evelina. --- Fairy tale. --- Fanny Hill. --- Fanny Price. --- Felicia Hemans. --- Fiction. --- Fictional universe. --- First Story. --- Frances Burney. --- G. K. Chesterton. --- Hannah More. --- Hester Thrale. --- Historical romance. --- Inception. --- Intention. --- J. M. Barrie. --- Jane Austen. --- Janet Todd. --- John Cleland. --- Jude the Obscure. --- Juvenilia. --- Lady Susan. --- Life and Letters. --- Literary genre. --- Literary modernism. --- Mansfield Park. --- Manuscript. --- Margaret Tudor. --- Maria Edgeworth. --- Marianne Dashwood. --- Marriage plot. --- Martha Lloyd. --- Mary Brunton. --- Mary Crawford (Mansfield Park). --- Mary Musgrove. --- Mary Russell Mitford. --- Mary Wollstonecraft. --- Memoir. --- Middle age. --- Miss Bates. --- Mrs. --- N. (novella). --- North America. --- Northanger Abbey. --- Novel. --- Novelist. --- Parody. --- Persuasion (novel). --- Poetry. --- Point of Origin (novel). --- Prediction. --- Preface. --- Publication. --- Regency novel. --- Routledge. --- Samuel Taylor Coleridge. --- Sanditon. --- Sense and Sensibility. --- Sentimental novel. --- Sequel. --- Sir Francis Drake (TV series). --- Susan Gubar. --- The Beautifull Cassandra. --- The Female Quixote. --- The History of England (Austen). --- The History of England (Hume). --- The Light of Day (Graham Swift novel). --- The Years. --- Waverley Novels. --- William Hone. --- Writer. --- Writing. --- England --- -Social life and customs --- Social life and customs
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