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Depuis désormais un quart de siècle, Lana et Lilly Wachowski se sont imposées comme des cinéastes originales et influentes du paysage hollywoodien. Que ce soit avec Matrix, Speed Racer, Cloud Atlas ou Sense8, elles ont repoussé les limites du cinéma afin de défendre une vision du monde singulière.
Le corpus wachowskien nous invite à repenser le rapport entre le global et le particulier, entre le groupe et l'individu, entre la majorité et la minorité. Les Wachowski n'ont cessé d'évoquer cette question dans leurs travaux, celle-ci étant particulièrement d'actualité avec le développement de la mondialisation et d'Internet, les questionnements sur la place des minorités et les interrogations sur les inégalités sociales engendrées par le capitalisme. Très loin de restreindre tous ces débats à un cadre binaire, les réalisatrices développent une vision dialectique du monde qui leur permet de transcender toutes les limites et d'inventer une nouvelle utopie cinématographique, tant politique qu'esthétique, pour le XXIe siècle.

Wachowski --- Cinéma --- Individu --- Collectif --- Capitalisme --- Polyphonie --- Japanimation --- Internet --- Mondialisation --- Homosexualité --- Transidentité --- LGBT --- Racisme --- Esclavage --- Totalitarisme --- Minorité --- Majorité --- Transculturalité --- Arts & sciences humaines > Arts du spectacle

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Animation (Cinematography) --- Animators --- Technological innovations. --- Breakthroughs, Technological --- Innovations, Industrial --- Innovations, Technological --- Technical innovations --- Technological breakthroughs --- Technological change --- Creative ability in technology --- Inventions --- Domestication of technology --- Innovation relay centers --- Research, Industrial --- Technology transfer --- Cartoon makers --- Anime (Cinematography) --- Japanese animation (Cinematography) --- Japanimation (Cinematography)

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"Hayao Miyazaki's career in animation has made him famous as not only the greatest director of animated features in Japan, the man behind classics as My Neighbour Totoro (1988) and Spirited Away (2001), but also as one of the most influential animators in the world, providing inspiration for animators in Disney, Pixar, Aardman, and many other leading studios. However, the animated features directed by Miyazaki represent only a portion of his 50-year career. Hayao Miyazaki examines his earliest projects in detail, alongside the works of both Japanese and non-Japanese animators and comics artists that Miyazaki encountered throughout his early career, demonstrating how they all contributed to the familiar elements that made Miyazaki's own films respected and admired among both the Japanese and the global audience."--Bloomsbury Publishing.

Animators --- Miyazaki, Hayao, --- Criticism and interpretation. --- Cartoon makers --- Animation (Cinematography) --- 宮崎駿, --- Animated films --- History and criticism. --- Animated cartoons (Motion pictures) --- Animated videos --- Cartoons, Animated (Motion pictures) --- Motion picture cartoons --- Moving-picture cartoons --- Caricatures and cartoons --- Motion pictures --- Abstract films --- Animation cels --- Anime (Cinematography) --- Japanese animation (Cinematography) --- Japanimation (Cinematography) --- History and criticism --- 宮崎, 駿 --- Film production: technical and background skills --- Film history, theory and criticism --- Japan. --- Empire du Japon --- Nihon-koku --- Zen-Nihon --- Zenkoku --- Nippon --- Japon --- Dainihon --- Dainippon --- Nihon --- Yapan --- Japão --- Japaner --- al-Yābān --- Giappone --- Government of Japan --- Iapōnia --- I͡Aponii͡ --- Japam --- Japani --- Japão --- Japonia --- Japonsko --- Japonya --- Jih-pen --- Mư̄ang Yīpun --- Nihonkoku --- Nippon-koku --- Nipponkoku --- Prathēt Yīpun --- Riben --- State of Japan --- Yābān --- Yīpun --- Zhāpān