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In drawing or painting from live models and real landscapes, more was at stake for artists in early modern Italy than achieving greater naturalism. To work with the model in front of your eyes, and to retain their identity in the finished work of art, had an impact on concepts of artistry and authorship, the authority of the image as a source of knowledge, the boundaries between repetition and invention, and even the relation of images to words. This book focuses on artists who worked in Italy, both native Italians and migrants from northern Europe. The practice of depicting from life became a self-conscious departure from the norms of Italian arts. In the context of court culture in Rome and Florence, works by artists ranging from Caravaggio to Claude Lorrain, Pieter van Laer to Jacques Callot, reveal new aspects of their artistic practice and its critical implications.
Portrait drawing, Italian --- Portrait painting, Italian --- Art, Italian --- Art, European --- Italian portrait painting --- Italian portrait drawing --- History --- Bamboccianti. --- Caraavaggio. --- Claude Lorrain. --- Jacques Callot. --- ad vivum. --- realism.
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Drawing --- Graphic arts --- drawing [image-making] --- Art --- Callot, Jacques --- 76 CALLOT, JACQUES --- 76 <44> "16" --- Jacques Callot 1592-1635 (°Nancy). --- Grafiek ; 16de eeuw ; 17de eeuw ; J. Callot --- 76.07 --- (069) --- 76.071 CALLOT --- CDL --- Grafische kunsten. Grafiek. Prentkunst--CALLOT, JACQUES --- Grafische kunsten. Grafiek. Prentkunst--Frankrijk--17e eeuw. Periode 1600-1699 --- Grafische kunst ; grafische kunstenaars A-Z --- (Musea. Collecties) --- Exhibitions --- 76 <44> "16" Grafische kunsten. Grafiek. Prentkunst--Frankrijk--17e eeuw. Periode 1600-1699 --- 76 CALLOT, JACQUES Grafische kunsten. Grafiek. Prentkunst--CALLOT, JACQUES --- Jacques Callot 1592-1635 (°Nancy) --- prints [visual works] --- Callot, Jacques, --- Kallo, Zhak, --- Exhibitions. --- Callot (jacques), 1592-1635 --- Expositions
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"The early years of the seventeenth century saw a great flourishing of Dutch culture. In the arts, this was the era of Vermeer and Rembrandt, as well as the development of a local art market. Commerce extended around the world, with state-sponsored trading companies importing foreign goods. Politically, the Netherlands became the first nation-state in Europe, in 1648. In this book, Claudia Swan considers all these aspects together, examining the material culture of the period-the designed, manufactured, and hand-crafted materials and wares-to show how the Dutch encounter with so-called "exotic" goods played a fundamental role in the country's political formation"--
Art and society --- History --- Netherlands --- Commerce --- Abraham Ortelius. --- Ambrosius Bosschaert the Elder. --- Claes Jansz Visscher. --- Cristoffel van den Berghe. --- Dutch Golden Age. --- Dutch art. --- Emanuel de Witte. --- Hendrick Goltzius. --- Jacques Callot. --- Jan Lievens. --- Jan van der Heyden. --- Man in Oriental Clothing. --- Melchior Lorck. --- Michiel Jansz. --- Petrus Plancius, Map of the Moluccas. --- Portrait of Maurits. --- Prince of Orange. --- Rembrandt. --- Robert Peake the Elder. --- Still Life with Flowers in a Vase. --- Vase of Flowers in a Window. --- Vermeer. --- Willem Kalf. --- global art history. --- global history. --- material culture.
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Matthew's Gospel reveals little about the three wealthy visitors said to have presented gifts to the infant Jesus. Yet hundreds of generations of Christians have embellished that image of the Three Kings or Magi for a myriad of social and political as well as spiritual purposes. Here Richard Trexler closely examines how this story has been interpreted and used throughout the centuries. Biblically, the Journey of the Magi presents a positive image of worldly power, depicting the faithful in progress toward their God and conveying the importance of the gift-giving laity as legitimators of their deity. With this in mind, Trexler explains in particular how Western societies have molded the story to describe and augment their own power--before the infant God and among themselves.The author demonstrates how the magi as a group functioned in Christian society. For example, magi plays, processions, and images taught people how to pray and behave in reverential contexts; they featured monarchs and heads of republics who enacted the roles of the magi to legitimate their rule; and they constrained native Americans to fall in line behind the magi to instill in them loyalty toward the European world order. However, Trexler also shows these philosopher-kings as competitive among each other, as were groups of different ages, races, and genders in society at large. Originally modeled on representations of the Roman triumphs, the magi have reached the present day as street children wearing crowns of cardboard, proving again the universality of the image for constructing, reinforcing, and even challenging a social hierarchy.Originally published in 1997.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Magi --- Mages --- Cult --- History --- Culte --- Histoire --- History. --- 225*13 --- -Three Kings (Magi) --- Three Wise Men (Magi) --- Wise Men (Magi) --- Epiphany --- Kindsheidevangeliën. Verborgen leven van Jezus --- -History --- -Kindsheidevangeliën. Verborgen leven van Jezus --- 225*13 Kindsheidevangeliën. Verborgen leven van Jezus --- -225*13 Kindsheidevangeliën. Verborgen leven van Jezus --- Three Kings (Magi) --- Cult&delete& --- Magi - Cult - History. --- A.D. (miniseries). --- Adoration. --- Adventus (ceremony). --- Alcuin. --- Ancien Régime. --- Apostolic succession. --- Archbishop of Cologne. --- Basilica di Santa Maria Maggiore. --- Basilica. --- Biblical Magi. --- Book of hours. --- Boy bishop. --- Breviary. --- Charivari. --- Chi Rho. --- Christendom. --- Christian republic. --- Christianity. --- Christogram. --- Clement of Alexandria. --- Clergy. --- Confraternity. --- Consecration. --- Counter-Reformation. --- Crusades. --- Curate. --- Dieu. --- Early modern Europe. --- Early modern period. --- Egbert. --- Einhard. --- Evocation. --- Franciscans. --- Frankincense. --- Friar. --- Galerius. --- Henricus. --- Hermeticism. --- Herodian. --- Iconography. --- Imitation of Christ. --- Jacques Callot. --- Jahangir. --- Jan Steen. --- John of Hildesheim. --- John the Evangelist. --- Journey of the Magi. --- Judea. --- Labarum. --- Lactantius. --- Leitmotif. --- Litany. --- Liturgical drama. --- Liutprand of Cremona. --- Lord of the World. --- Magi. --- Major orders. --- Middle Ages. --- Missionary. --- Mithra. --- Mitla. --- Myrrh. --- Narcissism. --- Nativity play. --- Nativity scene. --- New Thought. --- Nicholas of Lyra. --- Offertory. --- Old Testament. --- Orosius. --- Ottonian art. --- Peter Chrysologus. --- Petrarch. --- Pietas. --- Pontiff. --- Pope Gregory VII. --- Pope Leo III. --- Pope. --- Prelate. --- Presbyter. --- Prester John. --- Procession. --- Pseudepigrapha. --- Reincarnation. --- Religion. --- Renaissance Papacy. --- Rite. --- Roland Barthes. --- Society of Jesus. --- Subdeacon. --- Tertullian. --- The Monastery. --- Thomas the Apostle. --- Toltec. --- Transvestism. --- Usury. --- Utrecht Psalter. --- Vestment. --- Wonders of the World. --- Zoroaster.
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