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This study will focus on the Indonesian jilbab, an ubiquitous piece of cloth that covers the hair and neck of women tightly, leaving no skin unconcealed. Achievement and role of jilbab after the authoritarian regime of Soeharto in 1998 is hardly known. The author examines women perception but also the Sharia Ordinances and the narratives of censorship. Voices of both women and sexual minorities (transgenders, gays, lesbians, bisexuals and queers) finally demonstrate awareness of the politics of representation in contemporary Indonesia, highlighting the links between religion, politics and identity.

Hijab (Islamic clothing) --- Muslim women --- Clothing --- Islamic women --- Women, Muslim --- Women --- Head scarves, Islamic --- Head scarves, Muslim --- Headscarves, Islamic --- Headscarves, Muslim --- Islamic head scarves --- Islamic headscarves --- Islamic scarves --- Muslim head scarves --- Muslim headscarves --- Muslim scarves --- Scarves, Islamic --- Scarves, Muslim --- Islamic clothing and dress --- Burqas (Islamic clothing) --- Kerchiefs --- Purdah --- Veils --- politics --- Civil Society --- gender --- sexuality --- rights --- freedoms --- democracy --- Indonesia --- Muslimahs

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The tradition of the veil, which refers to various cloth coverings of the head, face, and body, has been little studied in Africa, where Islam has been present for more than a thousand years. These lively essays raise questions about what is distinctive about veiling in Africa, what religious histories or practices are reflected in particular uses of the veil, and how styles of veils have changed in response to contemporary events. Together, they explore the diversity of meanings and experiences with the veil, revealing it as both an object of Muslim piety and an expression of glamorous fas

Muslim women --- Veils --- Hijab (Islamic clothing) --- Islamic women --- Women, Muslim --- Women --- Headgear --- Head scarves, Islamic --- Head scarves, Muslim --- Headscarves, Islamic --- Headscarves, Muslim --- Islamic head scarves --- Islamic headscarves --- Islamic scarves --- Muslim head scarves --- Muslim headscarves --- Muslim scarves --- Scarves, Islamic --- Scarves, Muslim --- Islamic clothing and dress --- Burqas (Islamic clothing) --- Kerchiefs --- Purdah --- Social conditions --- Clothing --- Social aspects --- Muslimahs

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In her book, Juliane Kanitz not only examines the frequently asked question of why Muslim women wear a headscarf, but also concentrates on how it is worn. She is concerned with the cultural, aesthetic and fashionable preferences of women and not primarily with the religious motives that are otherwise often the focus of attention. In addition to a contribution to research on the Muslim headscarf, the author presents theoretical and empirical supplements to Islamic fashion and Islam in Germany as a whole. She also discusses the debate on Europeanization, in which arguments against Muslims are put forward, and develops some perspectives on the topic of the headscarf in Germany that have not yet been taken into account, made possible by the new perspective of fashion. Juliane Kanitz is a European ethnologist and works for the Protestant Interdisciplinary Research Center in Heidelberg (FEST) in the project "Religion in new city quaters."

Muslim women --- Hijab (Islamic clothing) --- Clothing --- Social aspects --- Head scarves, Islamic --- Head scarves, Muslim --- Headscarves, Islamic --- Headscarves, Muslim --- Islamic head scarves --- Islamic headscarves --- Islamic scarves --- Muslim head scarves --- Muslim headscarves --- Muslim scarves --- Scarves, Islamic --- Scarves, Muslim --- Islamic clothing and dress --- Burqas (Islamic clothing) --- Kerchiefs --- Purdah --- Veils --- Islamic women --- Women, Muslim --- Women --- Muslimahs --- Germany. --- Germany

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Mass media --- Hijab (Islamic clothing) --- Islam in mass media. --- Law and legislation --- Head scarves, Islamic --- Head scarves, Muslim --- Headscarves, Islamic --- Headscarves, Muslim --- Islamic head scarves --- Islamic headscarves --- Islamic scarves --- Muslim head scarves --- Muslim headscarves --- Muslim scarves --- Scarves, Islamic --- Scarves, Muslim --- Islamic clothing and dress --- Muslim women --- Burqas (Islamic clothing) --- Kerchiefs --- Purdah --- Veils --- Clothing

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Et si, aujourd'hui, Antigone s'appelait Aïcha ? Et si son objection de conscience prenait la forme du hijab ?
Essayons : le vénérable texte de Sophocle résiste étonnamment bien à l'exercice. Les personnages n'ont rien perdu de leur jeunesse, les dialogues de leur actualité.
Aujourd'hui, comme il y a vingt-cinq siècles, lorsque Athènes faisait l'expérience de la démocratie, le religieux relance nos interrogations : où passe, en régime d'autonomie et d'égalité, la limite du permis et de l'interdit ? Où placer les dieux dans cet agencement du collectif ? Où s'arrête le ressort de la cité et où commence l'empire du foyer ?
Mais le théâtre, c'est d'abord et surtout la mise en intrigue de l'humain. Car le voile n'est ni une abstraction, ni un dogme, mais l'énigme d'une femme chaque fois différente. Chaque Aïcha voilée, c'est une humanité qui se cherche. Et la cité qui doit réinventer les formes de sa civilité.
(editions.larcier.com)

Hijab (Islamic clothing) --- Public schools --- Laicism --- Drama. --- 842 --- Literature French drama --- Common schools --- Grammar schools --- School funds --- Secondary schools --- Schools --- Laïcité --- Laicity --- Laity --- Secularism --- Head scarves, Islamic --- Head scarves, Muslim --- Headscarves, Islamic --- Headscarves, Muslim --- Islamic head scarves --- Islamic headscarves --- Islamic scarves --- Muslim head scarves --- Muslim headscarves --- Muslim scarves --- Scarves, Islamic --- Scarves, Muslim --- Islamic clothing and dress --- Muslim women --- Burqas (Islamic clothing) --- Kerchiefs --- Purdah --- Veils --- Catholic Church --- Clothing --- Hijab (Islamic clothing) - France - Drama --- Public schools - France - Drama --- Laicism - France - Drama