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Jean-Léon Gérôme (1824?1904) was an undisputed professional success during his lifetime. Crowds flocked to see his vividly rendered historical and Orientalist compositions, and thanks to the mass marketing of his work through mechanical reproduction, he reached audiences on an unprecedented scale. From the outset, however, his success met with critical hostility. Émile Zola, champion of Édouard Manet, dismissed Gérôme as a cynical manufacturer of anecdotal images for popular consumption?a critique repeatedly echoed by historians of modern art. In light of revisionist and postmodern trends over the past four decades, however, Gérôme's work is now being approached with unprecedented seriousness and refreshing creativity. The ten essays in this volume go far in challenging critical biases against the artist and suggesting new avenues of research. These papers indeed suggest that we are just beginning to learn how to "read" Gérôme's paintings in their full complexity. Reconsidering Gérôme was published to accompany the exhibition The Spectacular Art of Jean-Léon Gérôme, on view at the J. Paul Getty Museum from June 15 through September 12, 2010

Gérôme, Jean Léon --- Gérôme, Jean Léon, --- Gérôme, Jean Léon, --- History painting, French --- Orientalism in art --- Academic art --- Painting, French --- Peinture d'histoire française --- Orientalisme dans l'art --- Académisme --- Criticism and interpretation.

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"Der Historienmaler Paul Delaroche (1797-1856) inszenierte in seinen Bildern wirkungsvoll die schicksalhaften Momente gekronter Haupter der englischen und franzosischen Geschichte. Damit wurde er nicht nur in Europa, sondern auch in Nordamerika zu einem gefeierten Kunstler. Lisa Hackmann beleuchtet erstmals die auaergewohnliche Beruhmtheit dieses Malers. Ihr Fokus liegt auf der wachsenden Rolle der Kunstoffentlichkeit, der Kunstkritik und dem rasant expandierenden Kunstmarkt. Damit eroffnet sie einen neuen Blick auf sich verandernde gesellschaftliche und mediale Rahmenbedingungen fur Kunstlerkarrieren in der ersten Halfte des 19. Jahrhunderts."--

Art criticism --- Art --- Painters --- History painting, French --- Critique d'art --- Peintres --- Peinture d'histoire française --- History --- Collectors and collecting --- Histoire --- Collectionneurs et collections --- Delaroche, Paul, --- Aesthetics of art --- Painting --- paintings [visual works] --- history paintings --- art market --- art criticism --- art collections --- Delaroche, Paul --- France