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Over two decades, Gregory Halpern has been photographing in and around his hometown of Buffalo, New York, meticulously crafting the series of photographs that forms his latest monograph. King, Queen, Knave is an idiosyncratic vision of a city amidst its contradictions, defying familiar narratives of post-industrial decline and embracing an enigmatic strain of reality verging on surrealism. Halpern’s mesmerising sequence unfurls as a stage across which distinct and unpredictable characters appear in and amongst solitary buildings, snowdrifts, and sun-bleached scenes of everyday transcendence. The images often locate their subjects within the specificities of the season and balance a historical project with the immediacy of a moment in its individual radiance. Embracing themes of reversal and ascension, Halpern confronts the complexities of his birthplace and of contemporary America at large, seeing beauty intertwined with ugliness and redemption with despair. This lyrical new work is testament to the endless complexity of a place at once familiar and unknown.
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"The pictures in this book begin in the desert east of Los Angeles and move west through the city, ending at the Pacific. This general westward movement alludes to a thirst for water, as well as the original expansion of America, which was born in the East and which hungrily drove itself West until reaching the Pacific, thereby fulfilling its 'manifest' destiny"--Publisher's Web site, accessed September 1, 2016. "The early settlers dubbed California The Golden State, and The Land of Milk and Honey. Today there are the obvious ironies -- sprawl, spaghetti junctions and skid row--but the place is not so easily distilled or visualized, either as a clichéd paradise or as its demise. There's a strange kind of harmony when it's all seen together--the sublime, the psychedelic, the self-destructive. Like all places, it's unpredictable and contradictory, but to greater extremes. Cultures and histories coexist, the beautiful sits next to the ugly, the redemptive next to the despairing, and all under a strange and singular light, as transcendent as it is harsh. The pictures in this book begin in the desert east of Los Angeles and move west through the city, ending at the Pacific. This general westward movement alludes to a thirst for water, as well as the original expansion of America, which was born in the East and which hungrily drove itself West until reaching the Pacific, thereby fulfilling its "manifest" destiny."--Publisher's description.
Halpern, Gregory --- fotografie --- eenentwintigste eeuw --- Halpern Gregory --- portretfotografie --- documentaire fotografie --- landschapsfotografie --- Los Angeles --- Verenigde Staten --- 77.071 HALPERN --- Gregory Halpern --- Fotografen --- Foto's --- Photography, Artistic --- Photographie --- Halpern, Greg --- Fotograaf --- Foto --- Photography, Artistic - 21st century --- Halpern, Gregory 1977 --- -documentary photography --- Los Angeles, City --- -Halpern, Greg --- documentary photography
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In 'Let the Sun Beheaded Be', photographer Gregory Halpern focuses on the French Caribbean archipelago of Guadeloupe, a French overseas region with a complicated and violent colonial history. Renowned for his photographic meditations on place, Halpern presents a compelling portrait of Guadeloupe and its inhabits, focusing on local histories and experiences. 'Let the Sun Beheaded Be' commingles life and death, nature and culture, and beauty and decay in enigmatic color images of the archipelago's residents and lush landscape, as well as monuments related to the brutality of its past. The project is part of 'Immersion', a program of the Fondation d'entreprise Hermès, in partnership with the San Francisco Museum of Modern Art and the Fondation Henri Cartier-Bresson.
Photography, Artistic --- fotografie --- landschapsfotografie --- portretfotografie --- documentaire fotografie --- eenentwintigste eeuw --- Halpern Gregory --- Guadeloupe --- Verenigde Staten --- 77.071 HALPERN --- Halpern, Greg --- Halpern, Gregory --- Exhibitions --- Interview --- Wolukau-Wanambwa, Stanley --- Gwadloup --- Department of Guadeloupe --- Département de la Guadeloupe --- Photography, Artistic - Exhibitions --- Halpern, Greg - Interviews --- Halpern, Greg - Exhibitions --- Halpern, Gregory 1977 --- -Wolukau-Wanambwa, Stanley --- Guadeloupe - Pictorial works - Exhibitions
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For the last fifteen years, Gregory Halpern has been photographing in Omaha, Nebraska, steadily compiling a lyrical, if equivocal, response to the American Heartland. In loosely-collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in cognitive dissonance and unexpected harmonies, playing on a sense of simultaneous repulsion and attraction to the place. Omaha Sketchbook is ultimately a meditation on America, on the men and boys who inhabit it, and on the mechanics of aggression, inadequacy, and power--Publisher's website.
Documentary photography --- Photography, Artistic --- fotografie --- portretfotografie --- documentaire fotografie --- eenentwintigste eeuw --- Halpern Gregory --- Verenigde Staten --- 77.071 HALPERN --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Photography, Documentary --- Aesthetics --- Omaha (Neb.) --- Omaha City (Neb.) --- City of Omaha (Neb.) --- Photographie --- Halpern, Greg --- Halpern, Gregory --- Documentary photography - Nebraska - Omaha. --- Halpern, Gregory 1977 --- -Documentary photography --- -Halpern, Greg
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Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is. Included are Gregory Halpern's Californian waking dream ZZYZX; Vanessa Winship's peripatetic exercise in empathy she dances on Jackson; the human assemblages of Curran Hatleberg's Lost Coast; Stanley Wolukau-Wanambwa's rich and multitudinous One Wall a Web; the mortality-tinged America of Richard Choi's What Remains; RaMell Ross' visionary documentary work South County; the collaborative project Index G by Emanuele Bruti & Piergiorgio Casotti; and Kristine Potter's disorientating exploration of the American landscape and masculinity in Manifest. All these works are brought together in harmony and enlightening dissonance, as Graham teases out a new photographic form.
Photography, Artistic --- fotografie --- documentaire fotografie --- landschapsfotografie --- portretfotografie --- eenentwintigste eeuw --- 77.039 --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Exhibitions --- documentary photography --- Video art --- History --- Photographie --- Brutti, Emanuele --- Casotti, Piergiorgio --- Choi, Richard --- Halpern, Gregory --- Hatleberg, Curran --- Potter, Kristine --- Ross, RaMell --- Winship, Vanessa --- Wolukau-Wanambwa, Stanley --- Photography, Artistic - 21st century - Exhibitions --- Video art - History - 21st century - Exhibitions --- Halpern, Gregory 1977 --- -Hatleberg, Curran
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