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Cytter, Keren --- Graf, Manuel --- Dybbroe Moller, Simon --- Vonna-Michell, Tris

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Ever since the Rudolf Steiner's panel drawings were first exhibited in a contemporary art context in the summer of 1992 at the Galerie Monika Sprüth in Cologne, they went on tour as the transmitter of an 'anthroposophy for the future' through the best known museums in the world. In addition to his paintings, drawings and sculptures, these panel pictures are clearly located at the junction between art and science, programmatically pointing to the key interrelationship between mankind and the cosmos. It was always Steiner's extraordinary way of seeing objects and non-objects that led to sustainable reform projects in such fields as agriculture, education and medicine. This book examines for the first time Anthroposophist thought as reflected in contemporary art and to what extent its integral concepts and aesthetic ideas are realized in the visual arts.

kunst --- twintigste eeuw --- eenentwintigste eeuw --- Steiner Rudolf --- antroposofie --- kunst en religie --- Merz Mario --- Beuys Joseph --- Penone Giuseppe --- Kapoor Anish --- Federle Helmut --- Cragg Tony --- Eliasson Olafur --- Finch Spencer --- Grosse Katharina --- Nicolai Carsten --- Albers Jan --- Angioletti Meris --- Lindena Kalin --- Dybbroe Moller Simon --- Wieser Claudia --- Graf Manuel --- Ribbeck Bernd --- 7.038/039 --- Exhibitions --- Art and anthroposophy --- Art, Modern --- Art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Anthroposophy and art --- Anthroposophy --- Philosophy --- Steiner, Rudolf, --- Shteĭner, Rudolʹf, --- Shṭainer, Rudolf, --- Štajner, Rudolf, --- Стеинер, Рудолф, --- שטיינר, רודולף, --- Influence --- Steiner, Rudolf --- Art, Primitive

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'Risquons-Tout' is an ambitious, thematic group exhibition that explores the potential of transgression and unpredictability. It examines how art challenges the homogenisation of thought in the now infamous echo chambers of our overcrowded info-sphere. 'Risquons-Tout' presents some of the most innovative and influential artists and authors from the Eurocore region, which extends between Amsterdam, Paris, Cologne, Dusseldorf and London, with Brussels at its centre. The title is borrowed from a place located on the Belgian-French border, a real yet liminal space of transition, passage and informal exchanges, notably smuggling. The invited artists negotiate different dynamics of bridging, passing, translating and transgressing. In doing so they burst the safe bubbles generated by prediction algorithms, designed to avoid any risk, whether intellectual, financial, emotional or physical. The exhibition's geographic and political scope addresses today's global connectivity, trans-national circulation and diasporic movements. 'Risquons-Tout' will occupy the entire WIELS building and range out into neighbouring exhibition and performance spaces. It will present the works of 38 internationally recognised or emerging artists. The exhibition proposes a rich array of practices that defy easy categorisation. 'Risquons-Tout' will also include a performative section and an Open School that will serve as a laboratory for artists and scholars to draw upon questions of risk, unpredictability and borders through a range of alternative methods for the transmission of knowledge. Exhibition: WIELS, Brussels, Belgium (12.09.2020 - 10.01.2021).

kunst --- eenentwintigste eeuw --- 7.01 --- 7.039 --- kunsttheorie --- kunst en politiek --- Exhibitions --- Art --- Contemporary [style of art] --- Kunst en politiek ; globalisering --- Kunst en maatschappij --- Kunstgeschiedenis ; 2000 - 2050 --- Grensverleggende kunst --- Kunst en transgressie --- Transgression (Ethics) in art --- Art, European --- Transgression --- Art européen --- Dans l'art. --- rules [administrative instructions] --- art [fine art] --- boundaries --- hazards --- artificial intelligence --- Kerckhoven, Van, Anne-Mie --- Heck, Kati --- Lohaus, Bernd --- Solh, Al, Mounira --- Beloufa, Neïl --- Dawood, Shezad --- Duclaux, Lise --- Ferrer, Esther --- Graf, Manuel --- Geys, Jef --- Himid, Lubaina --- Julien, Isaac --- Nys, Sophie --- Atkins, Ed --- Prouvost, Laure --- Lacoste, De, Jean --- Nyampeta, Christian --- Hinrichs, Heide --- Creuzet, Julien --- Snick, van, Philippe --- Ourahmane, Lydia --- Turato, Nora --- Kanga, Irene --- Seifee, Sina --- Stawarska-Beavan, Magda --- Taocheng Wang, Evelyn --- Lakhrissi, Tarek --- Kara, Melike --- Ayed, Alex --- Leung, Ghislaine --- Laâbissi, Latifa --- Stricker, Monika --- Tuerlinckx, Joëlle --- Buggenhout, Peter --- Kinoshita, Suchan --- Sturtevant, Elaine --- Boer, de, Manon --- Panamarenko --- Congolese Plantation Workers Art League [Lusanga] --- Transgression (Ethics) in art - Exhibitions --- Art, European - 21st century - Exhibitions --- rules [instructions] --- art [discipline] --- Art européen