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Sylvia Huot points out the theatrical, performative quality of thirteenth- and fourteenth-century French illuminated manuscripts.

Narrative poetry, French. --- French narrative poetry --- French poetry --- Poetry

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Poetry --- Old French literature --- Fabliaux --- Tales --- French poetry --- Tales, Medieval --- Humorous poetry, French --- Narrative poetry, French --- History and criticism --- -Tales --- -French poetry --- -Tales, Medieval --- -Humorous poetry, French --- -Narrative poetry, French --- -French narrative poetry --- French humorous poetry --- French wit and humor --- Medieval tales --- French literature --- Folk tales --- Folktales --- Folk literature --- -History and criticism --- French narrative poetry --- Poésie française --- Histoire et critique --- Poésie française --- Histoire et critique. --- Fabliaux - History and criticism --- Tales - France - History and criticism --- French poetry - To 1500 - History and criticism --- Tales, Medieval - History and criticism --- Humorous poetry, French - History and criticism --- Narrative poetry, French - History and criticism

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As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of the lyric, was responsible for a progressive redefinition of lyric poetry as a written medium and the emergence of an explicitly written literary tradition uniting lyric and narrative poetics.Huot first investigates the nature of the vernacular book in the thirteenth and fourteenth centuries, analyzing organization, page layout, rubrication, and illumination in a series of manuscripts. She then describes the relationship between poetics and manuscript format in specific texts, including works by widely read medieval authors such as Guillaume de Lorris, Jean de Meun, and Guillaume de Machaut, as well as by lesser-known writers including Nicole de Margival and Watriquet de Couvin. Huot focuses on the writers' characteristic modifications of lyric poetics; their use of writing and performance as theme; their treatment of the poet as singer or writer; and of the lady as implied reader or listener; and the ways in which these features of the text were elaborated by scribes and illuminators. Her readings reveal how medieval poets and book-makers conceived their common project, and how they distinguished their respective roles.

Poetry --- Old French literature --- 840 "12/13" --- Books --- -French poetry --- -Manuscripts, French --- -Manuscripts, Medieval --- -Narrative poetry, French --- -Poetry --- -Scriptoria --- -Songs, French --- -French songs --- Copying rooms --- Writing rooms --- Rooms --- Illumination of books and manuscripts --- Manuscripts --- Monasteries --- Monastic libraries --- Poems --- Verses (Poetry) --- Literature --- French narrative poetry --- French poetry --- Medieval manuscripts --- French manuscripts --- French literature --- Library materials --- Publications --- Bibliography --- Cataloging --- International Standard Book Numbers --- Franse literatuur--?"12/13" --- History --- -History and criticism --- History and criticism --- Editing --- Reproduction --- Philosophy --- Manuscripts, French --- Manuscripts, Medieval --- Narrative poetry, French --- Scriptoria --- Songs, French --- History and criticism. --- Manuscripts. --- History. --- Editing. --- -Franse literatuur--?"12/13" --- 840 "12/13" Franse literatuur--?"12/13"

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French literature --- -Civilization, Medieval, in literature --- Narrative poetry, French --- -Proverbs in literature --- Proverbs, French --- French proverbs --- French poetry --- French narrative poetry --- History and criticism --- Old French literature --- Civilization, Medieval, in literature --- Proverbs in literature --- Civilization, Medieval, in literature. --- Proverbs in literature. --- Proverbs, French. --- History and criticism. --- Littérature française --- Poésie narrative française --- Proverbes dans la littérature --- Proverbes français --- Histoire et critique --- Franse roman [Middeleeuwen]. 12e-13e eeuw. --- Proverbes français. 12e-13e s. --- Roman [Moyen-âge] français. 12e-13e s. --- Spreekwoorden (Franse). 12e-13e eeuw. --- French literature - To 1500 - History and criticism --- Narrative poetry, French - History and criticism

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Twelfth-century France has been described as the key to many of the most important developments of medieval civilization. Nowhere is this description more accurate than in the domain of poetic invention. The years 1050 to 1200 witnessed the development of a brilliant body of vernacular narrative that not only expressed the complexity of its own time but also bequeathed to posterity a wide gamut of creative possibilities.Although much has been written about the works of this period, Karl Uitti offers the first critically orientated overview of this poetry as poetry. In the sections devoted to the Songs of Alexis and Roland he studies the narrative as it serves, in various ways, truths exterior to its own organization. These include the implications of Alexis' imitation of Christ and the way the Song of Roland is history conceived in literary and poetic terms. Although a number of devices are examined, the poems are seen in terms of their total significance.The second part of the book, dedicate principally to the œuvre of Chrétien de Troyes, discusses a new kind of poetry, poetry whose truth depends on the reader's submitting entirely to the internal coherence of each work-in a very meaningful sense the poem itself is the thing. What it says is specifically a matter of how it says it. No higher claim for the dignity of poetic activity has ever been made.Originally published in 1973.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Alexius, Saint -- Legends. --- Chanson de Roland. --- Chrétien, de Troyes, 12th cent. --- French poetry --- Rhetoric, Medieval --- Narrative poetry, French --- Roland (Legendary character) --- Christian saints --- Christian hagiography --- Arthurian romances --- Knights and knighthood in literature --- Christian saints in literature --- Myth in literature --- French Literature --- Romance Literatures --- Languages & Literatures --- History and criticism --- Romances --- History of doctrines --- Cult --- History --- Orlando (Legendary character) --- Roland --- French narrative poetry --- -Narrative poetry, French --- -Arthurian romances --- -Christian saints in literature --- -Orlando (Legendary character) --- Chrétien de Troyes --- Christian saints in literature. --- Myth in literature. --- Rhetoric, Medieval. --- Vie de saint Alexis. --- Chrestien de Troyes --- Christian von Troyes --- -French narrative poetry --- -Christian saints --- -History of doctrines --- -Congresses --- -History and criticism --- Criticism and interpretation. --- Knights and knighthood in literature. --- History and criticism. --- Chretien, --- Chrestien de Troyes, --- Chrestien, --- Chrétien, --- Kretʹen, --- Kretjen, --- Kristian, --- Troyes, Chrétien de, --- Кретјен, --- Roland (Poem) --- Rolandslied --- Song of Roland --- Roland-ének --- Chanson de Roland ou de Roncevaux --- Poetry --- Old French literature --- anno 1100-1199 --- anno 1000-1099 --- Legends --- Romances&delete& --- Chrétien, --- Orlando