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Täuschend echt! Eine Geschichte der Kunstfälschung
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ISBN: 9783806230321 3806230323 9783806200508 3806200505 Year: 2015 Publisher: Darmstadt Theiss

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"Ob Dürer, Michelangelo oder van Gogh: Kaum ein großer Name der Kunstgeschichte, der nicht Betrügern und Kriminellen zum Opfer gefallen wäre. Die Liste prominenter Fälschungsfälle ist lang. Der Heidelberger Kunst-Experte Henry Keazor fragt nach und geht den Dingen auf den Grund. Wieso gibt es Kunstfälschungen überhaupt? Warum sind sie so erfolgreich? Mit welchen Methoden können sie enttarnt werden? Was treibt die Fälscher an? Geldgier? Eitelkeit? Größenwahn? Im Gang durch die Jahrhunderte werden Ursachen, Täter und Getäuschte konsequent benannt. Auch der sensationelle Coup des Wolfgang Beltracchi, aktueller Höhepunkt einer alten Geschichte, zeigt sich so in neuem Licht."


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Wa(h)re Originale : Das Original in der angewandten Kunst.
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ISBN: 3980138860 Year: 1999 Publisher: Bremen Bremer Landesmuseum für Kunst und Kulturgeschichte

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La galleria dei falsi : dal vasaio al mercato di antiquariato.
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ISBN: 887062840X Year: 1993 Publisher: Roma Bretschneider

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The expert versus the object : judging fakes and false attributions in the visual arts
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ISBN: 1280532157 0195349032 1423720067 9781423720065 9780195147353 0195147359 9780195349030 9781280532153 9786610532155 661053215X 0199881960 0197712932 Year: 2004 Publisher: New York : Oxford University Press,

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The authenticity of art has always commanded the attention of experts, dealers, collectors and the art-minded public. This book of essays, edited by a lawyer specializing in art law and authenticity, proposes to make the question of authenticity more easily understood.


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Contemporary Perspectives on the Detection, Investigation and Prosecution of Art Crime
Authors: ---
ISBN: 1317160568 1409463141 9781409463146 9781409463139 1409463133 9781315573922 9781317160557 9781317160564 9781138637696 1138637696 1317160576 131557392X Year: 2014 Publisher: Farnham

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Art and antiquity crime has usually assumed a place of low interest and priority. That situation has now slowly begun to change on both the local and international level as criminals, encouraged in part by the record sums now being paid for art treasures, are now seeking to exploit the art market more systematically by means of theft, fraud and looting. In this collection academics and practitioners from Australasia, Europe and North America combine to examine the challenges presented to the criminal justice system by these developments.


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Analytical Chemistry for the Study of Paintings and the Detection of Forgeries
Authors: --- --- ---
ISBN: 9783030868659 Year: 2022 Publisher: Cham Springer International Publishing :Imprint: Springer


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Kunstmaffia : moord, diefstal, oplichting en witwaspraktijken in de kunstwereld
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ISBN: 902906577X Year: 2000 Publisher: Amsterdam Meulenhoff

The expert versus the object: judging fakes and false attributions in the visual arts
Author:
ISBN: 0195147359 9780195147353 Year: 2004 Publisher: Oxford Oxford University Press


Book
Analytical Chemistry for the Study of Paintings and the Detection of Forgeries
Authors: --- ---
ISBN: 3030868648 3030868656 Year: 2022 Publisher: Cham : Springer International Publishing : Imprint: Springer,

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Forgeries present a daunting problem to art historians, museums, galleries and curators who face challenges in determining the authenticity of paintings. Recent progress in science has led to the development of new methods for investigating works of art, and can provide new insights into the materials found in paintings. The rise in the value of paintings together with the knowledge and skills of forgers highlights the need to develop reliable scientific procedures to identify fakes. Given the complexity of materials in paintings and the convergence of various disciplines, a methodological approach for nvestigations of paintings is based on art historical, curatorial, aesthetic, technical and scientific evaluation. In this book sophisticated digital and analytical techniques are reviewed for the identification of materials (pigments, binders, varnishes, adhesives) and the physical characteristics of paintings such as brushstrokes, craquelure and canvas weaves. This book presents an updated overview of both non-invasive and micro-invasive techniques that enable the material characterization of paintings. The materials constituting a painting are reviewed, as are ways that changes in materials over time can provide insights into chronology and physical history. State-of the art digital metods including multi and hyper-spectral imaging and computational approaches to data treatment will be presented. Analytical techniques developed and optimized to characterize binders, varnishes, and pigments are reviewed, focusing on materials which can provide information on ageing or provenance. Case studies of applications of synchrotron-based methods and the analysis of paintings are given, as are chapters devoted to legal aspects related to authenticity. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

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