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"Ob Dürer, Michelangelo oder van Gogh: Kaum ein großer Name der Kunstgeschichte, der nicht Betrügern und Kriminellen zum Opfer gefallen wäre. Die Liste prominenter Fälschungsfälle ist lang. Der Heidelberger Kunst-Experte Henry Keazor fragt nach und geht den Dingen auf den Grund. Wieso gibt es Kunstfälschungen überhaupt? Warum sind sie so erfolgreich? Mit welchen Methoden können sie enttarnt werden? Was treibt die Fälscher an? Geldgier? Eitelkeit? Größenwahn? Im Gang durch die Jahrhunderte werden Ursachen, Täter und Getäuschte konsequent benannt. Auch der sensationelle Coup des Wolfgang Beltracchi, aktueller Höhepunkt einer alten Geschichte, zeigt sich so in neuem Licht."
Art --- forgeries [derivative objects] --- Forgeries. --- Faux --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Forgeries --- Reproduction
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Exhibitions --- Art forgeries --- Decorative arts --- Imitation in art --- Forgery of works of art --- Art --- Pictures --- Appropriation (Art) --- Mimesis in art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Reproduction --- Copying
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Vases, Greek --- Art --- Vases grecs --- Expertising --- Forgeries --- Expertising. --- Forgeries. --- Expertises --- Faux --- Expertise --- Greek vases --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Expertising of art --- Reproduction --- Provenance --- Expertising of art objects
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The authenticity of art has always commanded the attention of experts, dealers, collectors and the art-minded public. This book of essays, edited by a lawyer specializing in art law and authenticity, proposes to make the question of authenticity more easily understood.
Art --- Law and art. --- Art and law --- Expertising of art objects --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Forgeries. --- Expertising. --- Collectors and collecting --- Law and legislation --- Provenance --- Reproduction --- Expertising of art
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Art and antiquity crime has usually assumed a place of low interest and priority. That situation has now slowly begun to change on both the local and international level as criminals, encouraged in part by the record sums now being paid for art treasures, are now seeking to exploit the art market more systematically by means of theft, fraud and looting. In this collection academics and practitioners from Australasia, Europe and North America combine to examine the challenges presented to the criminal justice system by these developments.
Art thefts --- Art --- Cultural property --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Art theft investigation --- Criminal investigation --- International law --- Criminal law --- Law and art --- Law and legislation. --- Investigation. --- Forgeries. --- Protection (International law) --- Reproduction
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Art --- Art and science. --- Analytical chemistry. --- Forgeries. --- Analysis, Chemical --- Analytic chemistry --- Chemical analysis --- Chemistry, Analytic --- Chemistry --- Science and art --- Science --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Reproduction
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Art --- -Art thefts --- 347.78 --- 7.061 --- 174.7 --- Art robberies --- Art stealing --- Plunder of the arts --- Theft --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Forgeries --- Thefts --- Art thefts. --- Forgeries. --- Art thefts --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Reproduction
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Art --- Law and art. --- Droit et art --- Forgeries. --- Expertising. --- Faux --- Expertise --- Law and art --- Art and law --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Expertising of art --- Expertising --- Forgeries --- Collectors and collecting --- Law and legislation --- Reproduction --- Provenance --- Expertising of art objects
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Forgery of antiquities --- Art, Classical --- Art --- Antiquités --- Art antique --- Reproduction --- Forgeries --- Faux --- -Art, Classical --- -Forgery of antiquities --- #BIBC:bibl.Reekmans --- Antiquities, Forgery of --- Archaeological forgeries --- Antiquities --- Classical art --- Classical antiquities --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- -Forgery of antiquities. --- Forgeries. --- Reproduction. --- Antiquités --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Reproduction of classical art
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Forgeries present a daunting problem to art historians, museums, galleries and curators who face challenges in determining the authenticity of paintings. Recent progress in science has led to the development of new methods for investigating works of art, and can provide new insights into the materials found in paintings. The rise in the value of paintings together with the knowledge and skills of forgers highlights the need to develop reliable scientific procedures to identify fakes. Given the complexity of materials in paintings and the convergence of various disciplines, a methodological approach for nvestigations of paintings is based on art historical, curatorial, aesthetic, technical and scientific evaluation. In this book sophisticated digital and analytical techniques are reviewed for the identification of materials (pigments, binders, varnishes, adhesives) and the physical characteristics of paintings such as brushstrokes, craquelure and canvas weaves. This book presents an updated overview of both non-invasive and micro-invasive techniques that enable the material characterization of paintings. The materials constituting a painting are reviewed, as are ways that changes in materials over time can provide insights into chronology and physical history. State-of the art digital metods including multi and hyper-spectral imaging and computational approaches to data treatment will be presented. Analytical techniques developed and optimized to characterize binders, varnishes, and pigments are reviewed, focusing on materials which can provide information on ageing or provenance. Case studies of applications of synchrotron-based methods and the analysis of paintings are given, as are chapters devoted to legal aspects related to authenticity. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Art --- Art and science. --- Analytical chemistry. --- Forgeries. --- Analysis, Chemical --- Analytic chemistry --- Chemical analysis --- Chemistry, Analytic --- Chemistry --- Science and art --- Science --- Art forgeries --- Forgery of works of art --- Counterfeits and counterfeiting --- Forgery of antiquities --- Reproduction --- Cultural property. --- Materials --- Forensic sciences. --- Materials science. --- Cultural Heritage. --- Characterization and Analytical Technique. --- Forensic Science. --- Materials Science. --- Analysis. --- Material science --- Physical sciences --- Criminalistics --- Forensic science --- Criminal investigation --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas
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