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Ce livre offre la première vue d'ensemble du travail du duo d'artistes allemands, et présente neuf projets parmi leurs plus ambitieux : des films, installations et photographies sur le thème de la déconstruction ou de la réappropriation d'éléments de l'architecture idéaliste moderne (le German Palace à Berlin, la Bibliothèque Nationale de France à Paris, un nouvel immeuble de bureaux à Amsterdam...). Les œuvres, reproduites en couleur, sont présentées avec un dispositif original de cahiers sous doubles pages dépliantes. Elles sont accompagnées de contributions d'auteurs, de commissaires et d'experts internationaux. Nina Fischer et Maroan el Sani sont des artistes et réalisateurs basés à Berlin. Ils collaborent depuis 1993. Leur travail a été montré dans un grand nombre de biennales, de musées et de manifestations internationales. http://www.lespressesdureel.com/ouvrage.php?id=1184&menu=4
Fischer, Nina & Sani, Maroan el --- Déconstructivisme --- Film d'architecture --- Installation-art --- Livre d'artiste --- Photographie --- Rapport art-architecture --- El Sani, Maroan --- Fischer, Nina --- Film documentaire
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DeLuccia, Alyssa --- Fischer, Nina & Sani, Maroan el --- Florschuetz, Thomas --- (e.) Twin Gabriel --- Hemmert, Hans --- Hoffmann, Bettina --- Hornig, Sabine --- Mangos, Simone
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This publication documents the making of the film "Spelling Dystopia," which tells the story of the Japanese island Hashima. A site of rich coal deposits, Hashima was the center of a bustling mining operation from the late 1800s until it was completely abandoned in 1974, and today it is a notorious wasteland.
Film --- Ruine --- Ile --- Photographie --- Installation-art --- Cinéma --- Hashima Island (Japan) --- Japon --- Abandoned buildings --- Urban landscape architecture --- Photography, Artistic --- Fischer, Nina, --- Sani, Maroan el, --- Japan --- Île
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Iconography --- Art --- Photography --- Film --- art [discipline] --- photography [process] --- video art --- cities --- Kwade, Alicja --- Aminde, Ulf --- Bürkle, Stefanie --- Dellbrügge & de Moll --- Domke, Johanna --- Sani, el, Maroan --- Fischer, Nina --- Hauser, Tobias --- Hemmert, Hans --- Konrad, Karsten --- Kottmann, Norbert --- Kriemann, Susanne --- Mahling, Ute --- Majerus, Michel --- Merkel, Florian --- Messmer, Arwed --- Pop, Susi --- Reynolds, Reynold --- Rubin, Fred --- Schönfeld, Sarah --- Sefkow, Bettina --- Thiel, Frank --- Trantenroth, Tim --- Trasberger, Bernd --- Trasov, Vincent --- Baumann, Max --- Tillmans, Wolfgang --- Armleder, John M. --- Wesely, Michael --- Calle, Sophie --- Dean, Tacita --- Fetting, Rainer --- Hall, Doug --- Lamelas, David --- Melhus, Bjorn --- Rheinsberg, Raffael --- Salomé --- Weinberger, Lois --- Metzel, Olaf --- Berlin
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Art --- Architecture --- art [discipline] --- architecture [discipline] --- Andre, Carl --- LeWitt, Sol --- Absalon --- Pitz, Hermann --- Albrecht, Jürgen --- Döring, Wolfgang --- Sani, el, Maroan --- Fischer, Nina --- Florschuetz, Thomas --- Hablik, Wenzel August --- Jonas, Walter --- Khedoori, Rachel --- Taut, Bruno --- Leo, Ludwig --- Otto, Frei --- Pinckernelle, Ascan --- Roth, Björn --- Schäfer, Albrecht --- Taanila, Mika --- Roth, Dieter --- Zielony, Tobias --- Bahlo, Dieter --- Heinrichs, Georg --- Pichl, Andrea --- Siegmann, Gerhard --- Wall, Jeff --- Schütte, Thomas --- Graham, Dan --- Douglas, Stan --- Turrell, James --- Calle, Sophie --- Fischli, Peter --- Nauman, Bruce --- Rhoades, Jason --- Sala, Anri --- Weiss, David --- Pernice, Manfred --- Genzken, Isa --- Potrč, Marjetica --- Struth, Thomas --- Ondàk, Roman --- Matta-Clark, Gordon --- Archigram --- anno 1900-1999 --- anno 2000-2099
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Uitgave naar aanleiding van de gelijknamige tentoonstelling. Een dialoog tussen een essay, "Une brève histoire de l'avenir" van Jacques Attali, en de wereld van de hedendaagse kunst. Beginnen doen we met een woord vooraf en een interview met Jacques Attali, en vervolgens worden enkele thema's uit zijn essay in de kijker gezet en krijgen we te zien wat hedendaagse kunstenaars met dat thema hebben gedaan. Het hoofdstuk "Hyperconflicten" maakt indruk: Gonçalo Mabunda toont ons het werk "Le rève d'un monde meilleur", voorstellend een stoel gemaakt uit gerecycleerde wapens uit de Mozambikaanse burgeroorlog, Eugenio Merino presenteert ons het werk "All you need is love", bestaande uit de koran, de torah en de bijbel, bij elkaar gezet in een kastje en voorzien van de sticker "Love", en atheïst Al Farrow toont ons drie schaalmodellen, van een katholieke kerk, een moskee en een synagoge, die alle drie opgebouwd zijn uit wapens, kogels, kogelhulzen, been, ... Werken die je bijblijven wanneer je ze eenmaal gezien hebt.
Contemporary [style of art] --- fine arts --- Art --- anno 2000-2099 --- kunst --- eenentwintigste eeuw --- 7.039 --- Yongliang Yang --- Wolf Michael --- Warhol Andy --- Vanden Eynde Maarten --- Tran Thu Van --- Turk Gavin --- Titchner MArk --- Sugimoto Hiroshi --- Stelarc --- Staehle Wolfgang --- Snelling Tracey --- Shoninare Yinka --- Serrano Andres --- Semjan Jens --- Ruscha Edward --- Ruff Thomas --- Rovner Michal --- Romano Gustavo --- Rahbar Sara --- Parmiggiani Claudio --- Orozco Gabriel --- Opalka Roman --- Op de Beeck Hans --- Josh On & Futurefarmers --- Napier Mark --- Mundt Wilhelm --- Mukendi Jean Katambayi --- Merino Eugenio --- Mattes Franco --- Mattes Eva --- Mabunda Gonçalo --- Lombardi Mark --- Little Sun --- Lafontaine Marie-Jo --- LaChapelle David --- Kosuth Joseph --- Kokkinias Panos --- Fujino Kouji --- Kohmura Masao --- Kawashima Takashi --- Koblin Aaron --- Kingelez Bodys Isek --- Kawara On --- Isaacs John --- Hatoum Mona --- Gursky Andreas --- Green Gregory --- Flick Robbert --- el Sani Maroan --- Fischer Nina --- Fend Peter --- Farrow Al --- Hel-le --- Hansen Heiko --- Evans Helen --- Dicorcia Philip-Lorca --- Shaffer James --- Csuri Charles --- Chevalier Miguel --- Chapman Dinos --- Chapman Jake --- Burtynsky Edward --- Burden Chris --- Bunting Heath --- Brial Jennifer --- Bourgeois Louise --- Boetti Alighiero --- Arman --- Amae Ryula --- Alÿs Francis --- Altmejd David --- Alberola Jean-Michel --- Al Karim Haïm --- AES+F --- Los Angeles --- computerkunst --- twintigste eeuw --- tijdelijkheid --- tijd --- kunst en ecologie --- kunst en economie --- kunst en politiek --- kunst en technologie --- utopie --- nieuwe media --- Exhibitions --- fine arts [discipline]
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curators Iara Boubnova, Nuria Enguita Mayo, Stéphanie Moisdon Trembley --- kunst --- Manifesta --- Frankfurt am Main --- 0100101110101101.org --- Altindere Halil --- Andujar Daniel Garcia --- Apsolutino --- twintigste eeuw --- video --- videokunst --- eenentwintigste eeuw --- Aranberri Ibon --- Bardin Olivier --- Bartana Yael --- Bartolini Massimo --- Bijl MArc --- Bismuth Pierre --- Bleda y Rosa --- BLESS --- Boyadjiev Luchezar --- van den Brink Jasper --- Fernando Brice --- Byrne Gerard --- The Construction & --- Deconstruction Institute --- Cuoghi Roberto --- Dahlberg Jonas --- Euba Jon Mikel --- Faust Jeanne --- Filipovic Zlatan --- finger --- Fink Christoph --- Fischer Nina --- el Sani Maroan --- Fleischmann Dirk --- Fogarasi Andreas --- Fowler Luke --- Geyer Andrea --- Grassi Davide --- Grubic Igor --- Gudmunsdottir Anna --- Hajdinaj Anna --- Harlev Lise --- Hoffmann Jens --- Sadr Haghinian Natascha --- Sehgal Tino --- Institut für Kulturanthropologie und Europäische Ethnologie --- Koganezawa Takehito --- Kuluncic Andreja --- Lakner Antal --- Litvin Anton --- Mancuska Jan --- Mercier Matthieu --- Motti Gianni --- Musovik Oliver --- OHIO Photomagazine --- Papadimitriou Maria --- Pumhosl Florian --- Putrin Tobias --- RADEK Community --- Randolph Sal --- Revolver --- Archiv für Revolver --- aktuelle kunst --- Rönicke Pia --- RDR Revolutions on Request --- rraum-rraum02-ideoblast --- Schabus Hans --- Serapionov Kalin --- Serralongue Bruno --- Sosnowska Monika --- Stasiulyte Laura --- Urbonas Nomeda --- Urbonas Gediminas --- Vejselovic Edin --- wemgehoertdiestadt --- Wrange Mans --- Yang Haegue --- Yang Jun --- ZAPP magazine --- 7.038 --- Art
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