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Film --- Filmteori. --- Motion pictures --- Motion pictures --- Historia. --- History.
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Nora M. Alter reveals the essay film to be a hybrid genre that fuses the categories of feature, art, and documentary film. Like its literary predecessor, the essay film draws on a variety of forms and approaches; in the process, it fundamentally alters the shape of cinema. The Essay Film After Fact and Fiction locates the genre's origins in early silent cinema and follows its transformation with the advent of sound, its legitimation in the postwar period, and its multifaceted development at the turn of the millennium. In addition to exploring the broader history of the essay film, Alter addresses the innovative ways contemporary artists such as Martha Rosler, Isaac Julien, Harun Farocki, John Akomfrah, and Hito Steyerl have taken up the essay film in their work.
Experimental films --- Documentary films --- History and criticism. --- dokumentarfilmer --- eksperimentell film --- filmteori --- filmhistorie --- filmkritikk --- History and criticism --- E-books
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This study guide is intended to provide a starting point for those seeking to use film as a source. It is aimed at those who want to use film and moving image as the basis for research and offers advice on research methods, theory and methodology, archival work and film-based analysis.
Motion pictures. --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Research. --- History and criticism --- #SBIB:309H520 --- #SBIB:309H529 --- Research&delete& --- Methodology --- Audiovisuele communicatie: algemene werken --- Audiovisuele communicatie: andere benaderingen --- Film --- Filmteori --- Filmteori. --- Forskning. --- Performing Arts. --- Theory. --- forskning. --- Research
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Motion picture audiences. --- Eye tracking. --- Visual perception. --- Filmteori. --- Cinéma --- Oeil --- Perception visuelle --- Publics --- Mouvements --- Au cinéma --- Cognitive psychology --- Artificial intelligence. Robotics. Simulation. Graphics --- Perception visuelle. --- Publics. --- Au cinéma. --- Cinéma --- Au cinéma.
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An anthology of essays exploring the relationship between film and art, within and across the domains of theory and practice, from the late nineteenth century to the present. An anthology of essays exploring the relationship between film and art, within and across the domains of theory and practice, from the late nineteenth century to the present. In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization Review: 'A provocative interrogation of the multidimensional relations among the visual arts. Consistently lucid, informed and original, these essays reveal unexpected and hitherto unexplored aspects of modernity and visual culture that suggest fresh and creative ways of rethinking these phenomena. An outstanding collection.' - Ronald Bogue, University of Georgia, USA "An anthology of essays exploring the relationship between film and art, within and across the domains of theory and practice, from the late nineteenth century to the present."--Publisher's website.
Museology --- Art --- Film --- anno 1900-1999 --- Motion pictures and history. --- Museums --- Arts, Modern --- Arts and society --- ART --- PERFORMING ARTS --- Visuelle Medien. --- Film. --- Fotografie. --- Filmästhetik. --- Kunst. --- Filmteori. --- Filmen och konsten. --- Filosofi och film. --- Arts and society. --- Arts, Modern. --- Performing Arts. --- Forecasting. --- History --- Contemporary (1945- ). --- Museum Studies. --- Film & Video --- History & Criticism. --- Historia. --- 1900-1999. --- 791.41 --- filmtheorie --- kunsttheorie --- 791.43 --- 7.03 --- 7.01 --- film --- kunst en film --- kunst
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This book explores the epistemological potential of meta- and inter-images. Since the 1990s, when the question of the visual became central in various arts and humanities disciplines, images that refer to themselves as such or to other images have enjoyed an increasing interest. Meta- and Inter-Images in Contemporary Visual Art and Culture partakes in, enriches and updates these debates. It investigates what meta- and inter-images can make known about the visual, in its own terms, by its own means. This book tackles meta- and inter-images in an array of creative artefacts, practices, and media. It unfolds the epistemological potential of every meta- and inter-image discussed to raise questions such as: What are images? How do they work? By whom, to what purpose, to what effect and in what context/s are they used? How are they created and understood? And how do they challenge our (pre)conceptions of images and the ways we study them?
Communication visuelle --- Illustrations, images, etc. --- Interprétation --- Art and motion pictures. --- Art et cinéma --- mediatheorie --- Scorsese Martin --- Viola Bill --- Kabakov Ilya --- Macuga Goshka --- Hazanavicius Michel --- Matta Roberto --- Balthus Anne --- Schuiten François --- Peeters Benoît --- Art et cinéma --- kunst --- kunsttheorie --- esthetica --- cultuurfilosofie --- film --- filmtheorie --- literatuur --- media --- fotografie --- fotografietheorie --- Lawler Louise --- Sugimoto Hiroshi --- Bochner Mel --- Rauschenberg Robert --- Baldessari John --- 7.039 --- 7.01 --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Art --- Aesthetics of art --- Art, Modern --- Art and society --- Image (Philosophy) --- Art et société --- Image (Philosophie) --- History --- Histoire --- Communication visuelle. --- Interprétation. --- Art and society. --- Art, Modern. --- Filmteori. --- Image (Philosophy). --- Intermedialitet. --- Konstteori. --- 2000-2099. --- Illustrations
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This timely collection brings feminist critique to bear on contemporary 'postfeminist' mass media culture, analysing phenomena ranging from female action films to the 'girling' of ageing women in productions such as the movie "Something's Gotta Give" and the British television series "10 Years Younger". Broadly defined, 'postfeminism' encompasses a set of assumptions that feminism accomplished its goals and is now a thing of the past. Yet, as the essays show, postfeminist discourses of transformation and empowerment are based on a limited vision of gender equality as already achieved yet somehow still unsatisfactory. Postfeminism is defined by class, age, and racial exclusions; it is youth-obsessed and white and middle-class by default. Anchored in consumption as a strategy and leisure as a site for the production of the self, postfeminist mass media takes for granted that the pleasures and lifestyles with which it is associated are somehow universally shared and, perhaps more significantly, universally accessible. Essays by feminist film, media, and literature scholars based in the United States and United Kingdom provide an array of perspectives on the social and political implications of postfeminism. Among several essays investigating the origins of this pervasive cultural phenomenon is a compelling argument that postfeminism is more than a simple backlash against second-wave feminism. Other essays engage with specific media forms, including magazines, mainstream and independent cinema, popular music, and broadcast genres from primetime drama to reality television.
Feminist theory --- Mass media and women --- Popular culture --- Sex role --- Gender role --- Sex (Psychology) --- Sex differences (Psychology) --- Social role --- Gender expression --- Sexism --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Culture --- Women and mass media --- Women --- Feminism --- Feminist philosophy --- Feminist sociology --- Theory of feminism --- Philosophy --- Feminist theory. --- Popular culture. --- Sex role. --- Mass media and women. --- Feminismus. --- Frau. --- Massenkultur. --- Massenmedien. --- Feminisme. --- Sekseverschillen. --- Populaire cultuur. --- Massamedia. --- Populärkultur --- Film --- Feministisk teori. --- Feministisk filmteori. --- Populärkultur. --- Kvinnor och massmedia. --- Kvinnor och film. --- Könsroller på film. --- Postfeminism. --- Radio & TV. --- Geschichte 1990-2007. --- Gender roles --- Gendered role --- Gendered roles --- Role, Gender --- Role, Gendered --- Role, Sex --- Roles, Gender --- Roles, Gendered --- Roles, Sex --- Sex roles
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