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"Silent Films/Loud Music discusses contemporary scores for silent film as a rich vehicle for experimentation in the relationship between music, image, and narrative. Johnston offers an overview of the early history of music for silent film paired with his own first-hand view of the craft of creating new original scores for historical silent films: a unique form crossing musical boundaries of classical, jazz, rock, electronic, and folk. As the first book completely devoted to the study of contemporary scores for silent film, it tells the story of the historical and creative evolution of this art form and features an extended discussion and analysis of some of the most creative works of contemporary silent film scoring. Johnston draws upon his own career in both contemporary film music (working with directors Paul Mazursky, Henry Bean, Philip Haas and Doris Dörrie, among others) and in creating new scores for silent films by Browning, Méliès, Kinugasa, Murnau & Reiniger. Through this book, Johnston presents a discussion of music for silent films that contradicts long-held assumptions about what silent film music is and must be, with thought-provoking implications for both historical and contemporary film music"--

Silent film music --- Silent film music --- History and criticism. --- Analysis, appreciation.

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Silent film music --- Fosse, Paul, --- Gaumont Production (Firm)

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"Miyazaki Hayao's beloved animated film, My Neighbor Totoro (1988), expresses nostalgia for both an innocent past and a distant home, sentiments greatly enhanced by Joe Hisaishi's music"--

Animated film music --- History and criticism. --- Hisaishi, Jō, --- Tonari no Totoro (Motion picture)

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Film music often tells us how to feel, but it also guides us how to hear. Hollywood Harmony explores the inner workings of film music, bringing together tools from music theory, musicology, and music psychology. Harmony, and especially chromaticism, is emblematic of what we commonly recognize as film music sound and it is often used to evoke wonder, that most cinematic of feelings. To help parse this familiar but complex musical style, Hollywood Harmony offers a first-of-its kind introduction to neo-Riemannian theory, a recently developed and versatile method of understanding music as a dynamic and transformational process, rather than a series of inert notes on a page. This application of neo-Riemannian theory to film music is perfect way in for curious newcomers, while also constituting significant scholarly contribution to the larger discipline of music theory. Author Frank Lehman draws from his extensive knowledge of cinematic history with case-studies that range from classics of Golden Age Hollywood to massive contemporary franchises to obscure cult-films. Special emphasis is placed on scores for major blockbusters such as Lord of the Rings, Star Wars, and Inception. With over a hundred meticulously transcribed music examples and more than two hundred individual movies discussed, Hollywood Harmony will fascinate any fan of film and music.

Motion picture music --- Analysis, appreciation. --- Background music for motion pictures --- Film music --- Film scores --- Motion pictures --- Movie music --- Moving-picture music --- Dramatic music --- Music --- Analysis, appreciation

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This first extended biography of William Alwyn sets his works in full context and uses hitherto unpublished material to give a vivid account of his marriages, his operas and his relationship with Britten. This book is the first full-scale biography of William Alwyn since his death in 1985. Alwyn's early life as a flautist was altered when he became a leading composer of the Documentary Film Movement in the 1930s, going on to a prolific career in writing for feature films, including commissions for Walt Disney and Carol Reed. By the mid 1950s his reputation was established by the beginning of his four-symphony cycle, his many tone poems, concertos, chamber and piano pieces. An habitué of the London film studios and concert halls, and a prominent professor at the Royal Academy of Music, a major crisis in Alwyn's life precipitated an escape to the Suffolk coast in 1960, where he turnedhis back on film music and immersed himself in the writing of operas [including Miss Julie], poetry, essays, fiction and painting. Adrian Wright's book balances detailed analysis of Alwyn's work with a vivid account of his marriages to the musician Olive Pull and the composer Doreen Carwithen, relationships that profoundly affected the course of his career. Using a mass of hitherto unpublished material [including an unexpurgated version of his noted Ariel to Miranda] and interviews with prominent figures in Alwyn's life, the volume places his achievements in the musical context of his time, along the way dealing with his relationship with Benjamin Britten,and such hitherto almost unknown works as Don Juan, The Fairy Fiddler and the radio opera Farewell, Companions. ADRIAN WRIGHT is the author of the acclaimed Foreign Country: The Life of L.P. Hartley (1996) and John Lehmann: A Pagan Adventure (1998), and is a contributor to The New Dictionary of National Biography.

Composers --- Alwyn, William, --- Alban, Wilfred, --- Biography. --- Documentary Film Movement. --- Essays. --- Fiction. --- Film Music. --- Musicology. --- Painting. --- Poetry. --- Relationships. --- Walt Disney. --- William Alwyn.