Listing 1 - 10 of 13 | << page >> |
Sort by
|
Choose an application
The papers in this volume offer examples of how historians, writers, playwrights, and painters in the early modern period used ancient history as a rich field of raw material that could be used, recycled, and adapted to new needs and purposes. They focused on classical antiquity as a source from which they could recreate the past as a way of understanding and legitimizing the present. The contributors to this volume have addressed a number of important, common issues that span a wide range of subjects from fifteenth-century Italian painting to the teaching of Greek history in eighteenth-century Germany. This volume is of interest for historians of the early modern period from all disciplines and for all those interested in the reception of classical antiquity. This publication has also been published in hardback, please click here for details.
Arts, Modern --- Civilization, Classical, in art --- History in art
Choose an application
This volume deals with the question: how did scholars and artists in the early modern period represent, or rather, recreate (Greek and Roman) history? It appears that ancient history was not just studied so as to reconstruct the past, it was used as a way of understanding and legitimizing the present. Sixteen authors from various disciplines have studied the works of scholars and artists in different media so as to reveal how they used ancient history as a rich field of raw material, that could be used, recycled and adapted to new needs and purposes. The studies in this volume are important for historians of the early modern period from all disciplines, and for all those interested in the reception of classical antiquity. Contributors include: Maria Berbera, Jan Bloemendal, Anton Boschloo, Jeanine De Landtsheer, Jan L. de Jong, Karl Enenkel, Marc Laureys, Olga van Marion, Alicia Montoya, Mark Morford, Bettina Noak, Sjaak Onderdelinden, Paul Smith, Wilfried Stroh, Francesca Terrenato, Arnoud Visser, and Bart Westerweel. This publication has also been published in paperback, please click here for details.
Civilization, Classical, in art --- History in art --- Physician, Contemporary --- Historical art --- Art and history
Choose an application
"Jacob Jordaens (1593-1678) was a Flemish Baroque painter whose work has largely been overshadowed by his contemporaries Peter Paul Rubens and Anthony van Dyck. Providing new insight on the artist as well as art historical context for his works, Jacob Jordaens and Antiquity emphasizes his strategic intelligence with respect to imagery and the art market and challenges the common characterization of Jordaens as a bourgeois artist of genre scenes. Jordaens's work is examined as an example of classical culture being introduced into the commercial and intellectual life of Antwerp. He was an artist with an unusual talent for conveying imagery from classical literature, ranging from Satyr and Peasant to Diogenes Searching for an Honest Man. Focusing on the theme of antiquity, this volume features eighty paintings, drawings, tapestries, and sculptures from private collections and major museums, including the Museo Nacional del Prado in Spain and the Statens Museum for Kunst in Denmark."--Publisher's website.
Jordaens, Jacob --- Jordaens, Jacques --- Art, Flemish --- Civilization, Classical, in art --- Classical antiquities in art --- Themes, motives --- Jordaens, Jacob,
Choose an application
Diego Velázquez' Gemälde Hilanderas / Spinnerinnen, das noch zu Beginn des 20. Jahrhunderts als "ältestes Arbeiter- oder Fabrikstück" galt, gehört zu den großen Rätselbildern der Kunstgeschichte. Erst 1927 erkannte Aby Warburg in der Hintergrundszene den Wettstreit zwischen Pallas und Arachne und interpretierte das Bild als "Allegorie der Webekunst". Diese spektakuläre Entdeckung wurde als Eintrag vom 18. Juli 1927 im Tagebuch der Kulturwissenschaftlichen Bibliothek Warburg erst nach dessen Publikation 2001 bekannt. Unter welchen Umständen ist Warburg, der sich nie intensiv mit Velázquez auseinandergesetzt hatte, zu dieser Deutung gelangt? Und wie konnte sie indirekt doch die wissenschaftliche Diskussion befruchten? Anhand erstmals systematisch ausgewerteter Quellen erfolgt die Rekonstruktion von "Velasquez-Gesprächen", die Warburg und sein Mitarbeiter Fritz Saxl zur Neuinterpretation des Gemäldes geführt haben. Deren Genese erweist sich als Schulbeispiel für das innovative methodische Vorgehen der beiden Gelehrten. In 1927, Aby Warburg and Fritz Saxl successfully interpreted Velázquez’s Hilanderas, one of the great mysteries of art history, as an “allegory of the art of weaving,” by recognizing in the background scene the depiction of the contest between Athena and Arachne. Their dialogue produced a microhistorical contribution to research on the legacy of antiquity, a key focus of the Warburg Library of Cultural Studies.
Painting, Spanish --- Civilization, Classical, in art --- Historiography --- Warburg, Aby, --- Saxl, Fritz, --- Velázquez, Diego, --- Criticism and interpretation.
Choose an application
Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.
Sex role in art. --- Civilization, Classical, in art. --- Civilization, Western --- Art and society --- Art --- Art and sociology --- Society and art --- Sociology and art --- Civilization, Classical --- Classical influences. --- History --- Social aspects
Choose an application
Applied arts. Arts and crafts --- Archeology --- Musée d'art et d'histoire [Geneva] --- Flanders --- tapijtkunst --- klassieke oudheid --- Musée d'Art et d'Histoire (Genève) --- 17de eeuw --- Vlaanderen --- Tapestry, Flemish --- Civilization, Classical in art --- History in art --- Classical antiquities --- Art, European --- Classical influences --- Exhibitions --- klassieke oudheid (historisch tijdvak) --- Musée d'Art et d'Histoire (MAH) (Genève) --- Tapestry, Flemish - 17th century - Exhibitions --- Civilization, Classical in art - Exhibitions --- History in art - Exhibitions --- Classical antiquities - Exhibitions --- Art, European - Classical influences - Exhibitions --- tapijtkunst. --- klassieke oudheid (historisch tijdvak). --- Musée d'Art et d'Histoire (MAH) (Genève). --- 17de eeuw. --- Vlaanderen.
Choose an application
Iconography --- anno 1400-1499 --- anno 1500-1599 --- anno 1300-1399 --- Europe --- Sex role in art. --- Civilization, Classical, in art. --- Civilization, Western --- Art and society --- Rôle selon le sexe dans l'art --- Civilisation ancienne dans l'art --- Civilisation occidentale --- Art et société --- Classical influences. --- History --- Influence ancienne --- Histoire --- Rôle selon le sexe dans l'art --- Art et société
Choose an application
Comparative religion --- Music --- anno 1500-1799 --- anno 1800-1999 --- Antiquity --- Beschaving [Klassieke ] in de kunst --- Civilisation classique dans l'art --- Civilization [Classical ] in art --- Classical civilization in art --- Klassieke beschaving in de kunst --- Music and mythology --- Musique et mythologie --- Muziek en mythologie --- Mythologie [Klassieke ] in de kunst --- Mythologie classique dans l'art --- Mythologie en muziek --- Mythologie et musique --- Mythology [Classical ] in art --- Mythology and music --- #gsdbM
Choose an application
Non-fiction --- Neo-Latin literature --- English literature --- French literature --- anno 1600-1699 --- anno 1500-1599 --- 937/938 --- 7.034 --- Geschiedenis van de Klassieke Oudheid --- Kunst van de renaissance; barok; rococo; koloniale stijl --- 7.034 Kunst van de renaissance; barok; rococo; koloniale stijl --- 937/938 Geschiedenis van de Klassieke Oudheid --- humanists [people] --- classics [discipline] --- Arts, Modern --- Civilization, Classical, in art --- History in art --- Modern arts --- Historical art --- Art and history --- neo-Latin [language]
Choose an application
Painting --- anno 1910-1919 --- anno 1900-1909 --- Antiquity --- anno 1800-1899 --- France --- Great Britain --- Painting, French --- Painting, English --- Civilization, Classical, in art. --- Classical antiquities in art. --- Historicism in art. --- Greeks in art. --- Romans in art. --- Genre painting, French --- Genre painting, British --- Peinture française --- Peinture anglaise --- Civilisation ancienne dans l'art --- Antiquités gréco-romaines dans l'art --- Historicisme dans l'art --- Grecs dans l'art --- Romains dans l'art --- Peinture de genre française --- Peinture de genre britannique --- Peinture française --- Antiquités gréco-romaines dans l'art --- Peinture de genre française
Listing 1 - 10 of 13 | << page >> |
Sort by
|