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Film --- Color cinematography --- Color motion pictures --- Cinéma en couleurs --- History. --- Histoire --- Cinéma en couleurs
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The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others.
Film --- Color motion pictures. --- Cinéma en couleurs --- Cinéma en couleurs
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Cinéma en noir et blanc. --- Cinéma en couleurs. --- Cinéma --- Technique.
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Color --- Aesthetics. --- Color cinematography. --- Esthétique --- Cinéma en couleurs --- Philosophy. --- Color (Philosophy) --- Esthétique --- Cinéma en couleurs --- Colors --- Painting --- CDL --- 7.017 --- Philosophy --- Colours --- Cinema --- Couleur --- Discours --- Harmonie --- Image --- Peinture --- Science
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Le premier film en couleur date de 1935. En 1968, la couleur est partout. A travers l'analyse de films majeurs de l'histoire du cinéma, de genres cinématographiques ou d'écoles (de la comédie américaine à l'esthétique publicitaire), l'auteur explore l'aventure de la couleur au cinéma.
Color cinematography --- Colors in motion pictures --- Cinéma en couleurs --- Couleurs au cinéma --- Cinéma en couleurs --- Couleurs au cinéma --- Color motion pictures --- Histoire du cinéma --- Couleur --- History --- Color cinematography - History --- Color motion pictures - History --- Cinéma
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Une histoire de la couleur au cinéma, depuis le noir et blanc jusqu'à la technologie numérique en passant par le premier film en couleur sorti en 1935. L'auteur s'attarde tout particulièrement sur l'apport de cette innovation dans l'expérience du spectateur ainsi que sur ses relations avec la culture scientifique, matérielle et visuelle de la couleur. ©Electre 2020
Color photography --- Films --- History --- Social aspects --- Colors in motion pictures --- Color photography - Films - History --- Color photography - Films - Social aspects --- Couleur (philosophie). --- Cinéma --- Cinéma en couleurs --- Couleur --- Esthétique --- Esthétique. --- Colorisation
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"The story of Eastmancolor's arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history. Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour. Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python's Life of Brian (1979), from Lawrence of Arabia (1962) to My Beautiful Laundrette (1985), and from Goldfinger (1964) to Dance with a Stranger (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges"--
Color motion pictures --- Cinéma en couleurs --- Color cinematography --- Color cinematography --- Motion picture industry --- Colors in motion pictures. --- Cinéma --- History. --- History. --- Processing --- History. --- History --- Couleur --- Eastman Kodak Company. --- Grande-Bretagne
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"This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color such as Hitchcock, Jarman and Sirk as well as others whose use of color has not yet been explored in such detail including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large"
Film --- Aesthetics of art --- Color motion pictures --- Color cinematography --- PERFORMING ARTS / Film & Video / History & Criticism. --- PERFORMING ARTS / Film & Video / General. --- SOCIAL SCIENCE / Media Studies. --- History. --- Cinéma --- Cinéma en couleurs --- Cinéma en noir et blanc --- Couleur --- Histoire et critique --- Cinéma --- Cinéma en couleurs --- Cinéma en noir et blanc
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Color motion pictures --- Motion pictures --- Cinéma en couleurs --- Cinéma --- Congresses --- Aesthetics --- Congrès --- Esthétique --- Colors in motion pictures --- Color cinematography --- Cinematography --- History --- Technique --- Color and cinema --- Cinéma en couleurs --- Cinéma --- Congrès --- Esthétique --- Colors in motion pictures - Congresses --- Color cinematography - History - Congresses --- Color motion pictures - History - Congresses --- Cinematography - History - Congresses --- Motion pictures - Technique - Congresses --- Motion pictures - History - Congresses
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