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With the help of over 100 illustrations, many of them little known, Martin Henig shows that the art produced in Britannia--particularly in the golden age of Late Antiquity--rivals that of other provinces and deserves comparison with the art of metropolitan Rome. The originality and breadth of Henig's study is shown by its systematic coverage, embracing both the major arts--stone and bronze statuary, wall-painting and mosaics--and such applied arts as jewelery-making, silversmithing, furniture design, figure pottery, figurines and appliques. The author explains how the various workshops were organized, the part played by patronage and the changes that occurred in the fourth century.

Celtic influences. --- Art, Roman --- Art [Roman ] --- Great Britain --- Celtic influences

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Germanic languages --- Celts --- Germanic peoples --- Germains --- Etymology --- Names. --- Celtic influences. --- History. --- Histoire --- Celtic influences --- History --- Teutonic languages --- Indo-European languages --- Celtic peoples --- Gaels --- Ethnology --- Indo-Europeans --- Alpine race --- Etymology&delete& --- Names --- Germanic languages - Etymology - Names. --- Germanic languages - Celtic influences. --- Celts - Germany - History. --- Germanic peoples - History. --- Germanic languages - Celtic influences --- Celts - Germany - History --- Germanic peoples - History

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Christian saints, Celtic --- Monasticism and religious orders --- Biography --- History --- Columban, --- Europe --- Civilization --- Celtic influences.

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Cracker Culture is a provocative study of social life in the Old South that probes the origin of cultural differences between the South and the North throughout American history. Among Scotch-Irish settlers the term "Cracker" initially designated a person who boasted, but in American usage the word has come to designate poor whites. McWhiney uses the term to define culture rather than to signify an economic condition. Although all poor whites were Crackers, not all Crackers were poor whites; both, however, were Southerners. The author insists that Southerners and North

Southern States -- Civilization -- 1775-1865. --- Southern States -- Civilization -- Celtic influences. --- United States -- Southern states -- Poor white persons -- Social conditions, 1865-1970.

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English Romanticism and the Celtic World explores the way in which British Romantic writers responded to the national and cultural identities of the 'four nations' England, Ireland, Scotland and Wales. The essays collected here, by specialists in the field, interrogate the cultural centres as well as the peripheries of Romanticism, and the interactions between these. They underline 'Celticism' as an emergent strand of cultural ethnicity during the eighteenth century, examining the constructions of Celticness and Britishness in the Romantic period, including the ways in which the 'Celtic' countries viewed themselves in the light of Romanticism. Other topics include the development of Welsh antiquarianism, the Ossian controversy, Irish nationalism, Celtic landscapes, Romantic form and Orientalism. The collection covers writing by Blake, Wordsworth, Scott, Byron and Shelley, and will be of interest to scholars of Romanticism and Celtic studies.

Celts in literature --- Civilization, Celtic, in literature --- English literature --- Mythology, Celtic, in literature --- Romanticism --- Civilization, Celtic --- Celtic influences --- History and criticism --- Arts and Humanities --- Literature --- Celts in literature. --- Civilization, Celtic, in literature. --- Mythology, Celtic, in literature. --- History and criticism. --- Celtic influences.