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Theatre in Market Economies explores the complex relationship between theatre and the market economy since the 1990s. Bringing together research from the arts and social sciences, the book proposes that theatre has increasingly taken up the mission of the 'mixed economy' by seeking to combine economic efficiency with social security while promoting liberal democracy. McKinnie situates this analysis within a wider context, in which the welfare state's tools have been used to regulate, ever more closely, the lives of citizens rather than the operations of markets. In the process, the book invites us to think in new ways about longstanding economic and political problems in and through the theatre: the nature of industry, productivity, citizenship, security and economic confidence. Theatre in Market Economies depicts a theatre that is not only a familiar cultural institution but is, in unexpected and often ambiguous ways, an exemplary political-economic one as well.

Capitalism and theater. --- Theater and capitalism --- Theater --- Theater and society --- History --- Political aspects --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- Society and theater --- Social status --- Social aspects

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This book reads Martin Crimp's The Treatment (1993), Attempts on her Life (1997), The Country (2000), Face to the Wall (2002), Cruel and Tender (2004) and his adaptation of Chekhov's The Seagull (2006) in the context of contemporary, late capitalist societies of control or of 'spectacle', and explores how female collapse in particular works as a form of denunciation of the violence of globalized, technological neo-liberalism. The book contends that Crimp is a post-Holocaust writer, whose dramaturgy is pervaded by the ethical and aesthetic debates that the Holocaust has generated in the twentieth and twenty-first centuries. Its main claim is that, by interpellating spectators through the defamiliarized language of collapse and testimony, Crimp invites spectators to contribute to detecting the seeds of 'barbarism' as they may detect them in their context, thus warning them about the introduction of violence in supposedly civilized relationships and thereby also contributing to overcoming the contemporary ethical impasse. The book finally argues that female characters who pass on their testimony are shown to the audience in the 'process of becoming' ethical bodies - namely, they are emerge as ethical out of the perceived necessity to integrate both the Other as essential parts of their beings, thus recovering an innate, Baumian sense of responsibility towards the Other.

Theater and society. --- Capitalism. --- Market economy --- Economics --- Profit --- Capital --- Actors --- Society and theater --- Theater --- Social status --- Social aspects --- Crimp, Martin, --- Criticism and interpretation. --- Capitalism and theater. --- Theater and capitalism --- Violència en la literatura --- Capitalisme --- Temes en la literatura --- Motius en la literatura --- Temes i motius en la literatura --- Literatura --- Amor en la literatura --- Ciutats en la literatura --- Cristianisme en la literatura --- Decadència en la literatura --- Distopies en la literatura --- Doble en la literatura --- Dones en la literatura --- Erotisme en la literatura --- Guerra en la literatura --- Homes en la literatura --- Humanisme en la literatura --- Idealisme en la literatura --- Jo en la literatura --- Jueus en la literatura --- Llenguatge corporal en la literatura --- Matrimoni en la literatura --- Memòria en la literatura --- Mimesi en la literatura --- Mort en la literatura --- Nacionalisme en la literatura --- Naturalisme en la literatura --- Paisatge en la literatura --- Realisme en la literatura --- Sentimentalisme en la literatura --- Sexualitat en la literatura --- Simbolisme en la literatura --- Sobrenatural en la literatura --- Subjectivitat en la literatura --- Utopies en la literatura --- Viatge en la literatura --- Empreses capitalistes --- Economia --- Economia mixta --- Emprenedoria --- Tecnocràcia --- Capitalistes --- Democràcia --- Economia de mercat --- Industrials --- Imperialisme --- Lliure empresa --- Propietat --- Autobiografia en la literatura --- Ethics. --- Holocaust. --- Late Capitalism. --- Theatre Studies. --- Identitat col·lectiva en la literatura