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Beloufa, Neïl

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This is the first monograph on the internationally acclaimed French Algerian artist Neïl Beloufa (born 1985). Love, hatred, war, technology, social unrest, bodies and words in crisis: this is the material of which Beloufa’s work is made. His films, sculptures and multimedia installations audaciously explore how art can address today’s issues, challenging contemporary representations of social relationships, power games, and political and economic structures. An artist favoring collaborations over authorship, and responsive strategies over predetermined intentions, Beloufa has invented his own work methods, and a particular approach to the studio.The catalog presents the artist’s projects over the past 12 years, including recent experiments with online platforms and NFTs; it takes as its starting point Beloufa’s solo show, Digital Mourning, at Pirelli HangarBicocca in Milan, and offers a non-conformist take on the genre of the monograph, thanks to Olivier Lebrun’s playful and inventive book design.

Beloufa’s work has been exhibited at the ICA, London; Palais de Tokyo, Paris; the Hammer Museum, Los Angeles; MoMA, New York; Schinkel Pavilion, Berlin; Schirn Kunsthalle, Frankfurt. He took part in the Venice Biennale in 2013 and 2019. His work is present in public and private collections including the Centre Pompidou, Paris; Museum of Modern Art, New York; Sammlung Goetz, Munich; and Julia Stoschek Collection, Düsseldorf & Berlin.

He is represented by François Ghebaly (Los Angeles / New York), Mendes Wood DM (Sao Paulo / Brussels / New York), kamel mennour (Paris / London), and Zero… (Milan).

Video art --- Installations (Art) --- kunst --- installaties --- kunst en economie --- kunst en politiek --- Beloufa Neïl --- 7.071 BELOUFA --- video-installaties --- videokunst --- video --- eenentwintigste eeuw --- Algerije --- Frankrijk --- Beloufa, Neïl, --- Exhibitions --- video artists --- Contemporary [style of art] --- installation artists --- multimedia artists --- maatschappijkritiek --- Beloufa, Neïl

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'Risquons-Tout' is an ambitious, thematic group exhibition that explores the potential of transgression and unpredictability. It examines how art challenges the homogenisation of thought in the now infamous echo chambers of our overcrowded info-sphere. 'Risquons-Tout' presents some of the most innovative and influential artists and authors from the Eurocore region, which extends between Amsterdam, Paris, Cologne, Dusseldorf and London, with Brussels at its centre. The title is borrowed from a place located on the Belgian-French border, a real yet liminal space of transition, passage and informal exchanges, notably smuggling. The invited artists negotiate different dynamics of bridging, passing, translating and transgressing. In doing so they burst the safe bubbles generated by prediction algorithms, designed to avoid any risk, whether intellectual, financial, emotional or physical. The exhibition's geographic and political scope addresses today's global connectivity, trans-national circulation and diasporic movements. 'Risquons-Tout' will occupy the entire WIELS building and range out into neighbouring exhibition and performance spaces. It will present the works of 38 internationally recognised or emerging artists. The exhibition proposes a rich array of practices that defy easy categorisation. 'Risquons-Tout' will also include a performative section and an Open School that will serve as a laboratory for artists and scholars to draw upon questions of risk, unpredictability and borders through a range of alternative methods for the transmission of knowledge. Exhibition: WIELS, Brussels, Belgium (12.09.2020 - 10.01.2021).

kunst --- eenentwintigste eeuw --- 7.01 --- 7.039 --- kunsttheorie --- kunst en politiek --- Exhibitions --- Art --- Contemporary [style of art] --- Kunst en politiek ; globalisering --- Kunst en maatschappij --- Kunstgeschiedenis ; 2000 - 2050 --- Grensverleggende kunst --- Kunst en transgressie --- Transgression (Ethics) in art --- Art, European --- Transgression --- Art européen --- Dans l'art. --- rules [administrative instructions] --- art [fine art] --- boundaries --- hazards --- artificial intelligence --- Kerckhoven, Van, Anne-Mie --- Heck, Kati --- Lohaus, Bernd --- Solh, Al, Mounira --- Beloufa, Neïl --- Dawood, Shezad --- Duclaux, Lise --- Ferrer, Esther --- Graf, Manuel --- Geys, Jef --- Himid, Lubaina --- Julien, Isaac --- Nys, Sophie --- Atkins, Ed --- Prouvost, Laure --- Lacoste, De, Jean --- Nyampeta, Christian --- Hinrichs, Heide --- Creuzet, Julien --- Snick, van, Philippe --- Ourahmane, Lydia --- Turato, Nora --- Kanga, Irene --- Seifee, Sina --- Stawarska-Beavan, Magda --- Taocheng Wang, Evelyn --- Lakhrissi, Tarek --- Kara, Melike --- Ayed, Alex --- Leung, Ghislaine --- Laâbissi, Latifa --- Stricker, Monika --- Tuerlinckx, Joëlle --- Buggenhout, Peter --- Kinoshita, Suchan --- Sturtevant, Elaine --- Boer, de, Manon --- Panamarenko --- Congolese Plantation Workers Art League [Lusanga] --- Transgression (Ethics) in art - Exhibitions --- Art, European - 21st century - Exhibitions --- rules [instructions] --- art [discipline] --- Art européen

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Sculpture --- utopias --- kleinsculptuur --- Vo, Danh --- Pisano, Falke --- Djordjadze, Thea --- Antunes, Leonor --- Hopf, Judith --- Phinthong, Pratchaya --- Gaba, Meschac --- Tayou, Pascale Marthine --- Friedman, Yona --- Andrade Tudela, Armando --- Arakawa, Ei --- Artaker, Anna --- Beloufa, Neïl --- BLESS --- Camnitzer, Luis --- Canell, Nina --- Coley, Nathan --- Farmer, Geoffrey --- Gambaroff, Nikolas --- Garaicoa, Carlos --- Grcic, Konstantin --- Yang, Haegue --- Hernández, Diango --- Issa, Iman --- Khedoori, Rachel --- Kolding, Jakob --- Leinhoss, Manuela --- Leisz, Anita --- Man, Victor --- Nasseri, Timo --- Sottsass, Ettore --- Richter, Vjenceslav --- Sapountzis, Yorgos --- Schultz, Nora --- Maiolino, Anna Maria --- Ponce de Léon, Rita --- Burga, Teresa --- Menna, Di, Michele --- Eichwald, Michaela --- Ensslin, Felix --- Moth, Charlotte --- Schulze-Fielitz, Eckhard --- Tuerlinckx, Joëlle --- Piscator, Erwin --- Meireles, Cildo --- Clark, Lygia --- Eichhorn, Maria --- Kingelez, Bodys Isek --- Bakic, Vojin --- Pernice, Manfred --- Genzken, Isa --- Melián, Michaela --- Jankowski, Christian --- Sone, Yutaka --- Haese, Günter --- Brandlhuber, Arno --- Jochen Schmith

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Art, Modern --- kunst --- 7.039 --- kunst en politiek --- eenentwintigste eeuw --- biënnale van Venetië --- biennale di Venezia --- Exhibitions --- Biënnale van Venetië (58ste ; 2019) --- Kunsttentoonstellingen ; internationale --- Beeldende kunst ; 21ste eeuw --- Kunstgeschiedenis ; 2000 - 2050 --- Beeldende kunst ; 1ste helft 21e eeuw --- Art --- art [fine art] --- Weerasethakul, Achichatpong --- Vo, Danh --- Jamie, Cameron --- Moulène, Jean-Luc --- Saraceno, Tomás --- Hein, Jeppe --- Lee, Bul --- Altindere, Halil --- Atoui, Tarek --- Bader, Darren --- Baghramian, Nairy --- Beloufa, Neïl --- Bircken, Alexandra --- Bove, Carol --- Büchel, Christoph --- Condo, George --- Eisenman, Nicole --- Epaminonda, Haris --- Favaretto, Lara --- Gaillard, Cyprien --- Gill, Gauri --- Gupta, Shilpa --- Hamilton, Anthea --- Hernandez, Anthony --- Ikeda, Ryoji --- Liu Wei --- Loboda, Maria --- Margolles, Teresa --- Muholi, Zanele --- Nkanga, Otobong --- Sun Yuan & Peng Yu --- Saputra, Handiwirman --- Steyerl, Hito --- Upson, Kaari --- Ursuţa, Andra --- Wa Lehulere, Kemang --- Yin Xiuzhen --- Abu Hamdan, Lawrence --- Atkins, Ed --- Yu Ji --- Rico Jiménez, Gabriel --- Smith, Michael E. --- Taylor, Henry --- Strachan, Tavares --- Rafman, Jon --- Cheng, Ian --- Yi, Anicka --- Serapinas, Augustas --- Singer, Avery --- Catala, Antoine --- Gutierrez, Martine --- Minoliti, Ad --- Akunyili Crosby, Njideka --- Armitage, Michael --- Arunanondchai, Korakrit --- Carbotta, Ludovica --- Da Corte, Alex --- Darling, Jesse --- Gupta, Soham --- Halawani, Rula --- Jafa, Arthur --- Joseph, Kahlil --- Kadyrova, Zhanna --- Kang, Suki Seokyeong --- Katayama, Mari --- Lolis, Andreas --- Mulleady, Jill --- Müller, Ulrike --- Nabuqi --- Norbu, Khyentse --- Orupabo, Frida --- Wertheim, Margaret --- Wertheim, Christine --- Durham, Jimmie --- Douglas, Stan --- Trockel, Rosemarie --- Marclay, Christian --- Gonzalez-Foerster, Dominique --- Mehretu, Julie --- Slavs and Tatars --- MAD-faculty 19 --- hedendaagse kunst --- Biënnale van Venetië --- catalogus --- Corte, Da, Alex --- Ji, Yu --- art [discipline]