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"Consumers today are invested in reality-based media, which in theory draw content from somewhere off-screen in our lived experience. This is perceived as more "authentic" than the predominantly fictional media. Yet much of reality TV and social media is known by both consumers and creators of content to be scripted or contrived"--
Mass media --- Authenticity (Philosophy) in mass media. --- Technological innovations.
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"This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Bringing together an international team of experts, The Middle Ages in Modern Culture considers the use of medieval models across a variety of contemporary media - ranging from television and film to architecture - and the significance of deploying an authentic medieval world to these representations. Rooted in this question of authenticity, this interdisciplinary study addresses three connected themes. Firstly, how does historical accuracy relate to authenticity, and whose version of authenticity is accepted? Secondly, how are the middle ages presented in modern media and why do inaccuracies emerge and persist in these works? Thirdly, how do creators of modern content attempt to produce authentic medieval environments, and what are the benefits and pitfalls of accurate portrayals? The result is nuanced study of medieval culture which sheds new light on the use (and misuse) of medieval history in modern media"--
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"This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Bringing together an international team of experts, The Middle Ages in Modern Culture considers the use of medieval models across a variety of contemporary media - ranging from television and film to architecture - and the significance of deploying an authentic medieval world to these representations. Rooted in this question of authenticity, this interdisciplinary study addresses three connected themes. Firstly, how does historical accuracy relate to authenticity, and whose version of authenticity is accepted? Secondly, how are the middle ages presented in modern media and why do inaccuracies emerge and persist in these works? Thirdly, how do creators of modern content attempt to produce authentic medieval environments, and what are the benefits and pitfalls of accurate portrayals? The result is nuanced study of medieval culture which sheds new light on the use (and misuse) of medieval history in modern media"--
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Authenticity is a highly-prized concept on social media, but given the history of the term, has it been adequately scrutinised? This book provides an alternative definition of authentic social media practice and suggests that, rather than being an achievable ideal, authenticity reveals itself as an unrepeatable temporary interval. Applying a post-structural lens of performativity, Taylor analyses the resurgence of the authentic as a cultural trend and argues that the professionalisation of social media has given rise to a 'neoliberal authentic' that equates productivity with self-actualisation, questioning whether society should present this as a cultural ideal. Using a new critical framework, Taylor recontextualises authenticity in a variety of social media practices. This includes authentic self-representation, authentic influence and its effect in influencer culture, as well as meme production as an attempt to find authenticity. Part-reader, part-manifesto, the book asks readers to reappraise authenticity and provides a working definition for future practice. Dr. Allan S. Taylor is Associate Professor of Media Production at De Montfort University, where he is Head of Subject in the Leicester Media School for Video, Imaging and Sonic Arts. His research interests span media, performance and visual culture, and his previously published work encompasses gender identity and drag, performance and performativity in visual culture, as well as the new performativities of social media.
Philosophy and psychology of culture --- Engineering sciences. Technology --- Mass communications --- Photography --- sociale media --- cultuur --- fotografie --- technologie --- Authenticity (Philosophy) in mass media.
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This volume explores how and why we deny, or manipulate, or convert, or enhance reality. Finding it important to come to terms with reality, with what is there before us, and, with reality however defined, to live responsibly, this collection takes a truly multidisciplinary approach to examining the idea that history, the truth, facts, and the events of the present time can be refashioned as prismatic, theatrical, something we can play with for agendas either noble or ignoble.An international team of contributors considers the issue of how and why, in dealing what is there before us, we play with reality by employing theatre, fiction, words, conspiracy theories, alternate realities, scenarios, and art itself. Chapters delve into issues of fake news, propaganda, virtual reality, theatre as real life, reality TV, and positive ways of refashioning and enhancing your own reality.Drawing on examples from film studies to sociology, from the social sciences to medicine, this volume will appeal to scholars and upper-level students in the areas of communication and media studies, comparative literature, film studies, economics, English, international affairs, journalism, philosophy, psychology, sociology, and theatre.
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We are living in a time of inflationary media. While technological change has periodically altered and advanced the ways humans process and transmit knowledge, for the last 100 years the media with which we produce, transmit, and record ideas have multiplied in kind, speed, and power. Saturation in media is provoking a crisis in how we perceive and understand reality. Media become inflationary when the scope of their representation of the world outgrows the confines of their culture's prior grasp of reality. We call the resulting concept of reality that emerges the culture's medialogy. Medialogies offers a highly innovative approach to the contemporary construction of reality in cultural, political, and economic domains. Castillo and Egginton, both luminary scholars, combine a very accessible style with profound theoretical analysis, relying not only on works of philosophy and political theory but also on novels, Hollywood films, and mass media phenomena. The book invites us to reconsider the way reality is constructed, and how truth, sovereignty, agency, and authority are understood from the everyday, philosophical, and political points of view. A powerful analysis of actuality, with its roots in early modernity, this work is crucial to understanding reality in the information age. - Provided by publisher.
Authenticity (Philosophy) in mass media. --- Reality in mass media. --- Mass media --- Perception (Philosophy) --- Social aspects. --- Technological innovations. --- Philosophy --- #SBIB:309H022 --- #SBIB:309H520 --- Massacommunicatie --- Audiovisuele communicatie: algemene werken --- media --- massamedia --- filosofie --- cultuurfilosofie --- nieuwe media --- 130.2 --- Authenticity (Philosophy) in mass media --- Reality in mass media --- Social aspects --- Technological innovations
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This book explores the paradox of mediated authenticity - the idea that our understanding of society is based on mediated representations of reality. Enli argues that mediated authenticity is established through negotiations between producers and audiences in what is coined the 'authenticity contract'. Sometimes the contract is broken, leading to authenticity scandals and the need to renegotiate this contract. These moments of truth, some of which are analysed in this book, are important moments in media history. Through case studies, this book examines mediated authenticity in broadcast and online media, from the infamous War of the Worlds broadcast, quiz show scandals, to manufactured reality - TV shows, blog hoaxes and fake social media, and the construction of Obama as an authentic politician. The book demonstrates that authenticity has become an increasingly important factor in the media, and that solving 'authenticity puzzles' - separating the fake from the real - has become an inherent practice of media use.
Mass media --- Authenticity (Philosophy) in mass media. --- Mass media and culture. --- Social aspects. --- Technological innovations. --- Authenticity (Philosophy) in mass media --- Authenticité (Philosophie) dans les médias --- Authenticité (Philosophie) dans les médias --- Mass media and culture --- Social aspects --- Technological innovations --- Médias --- Médias et culture --- Aspect social --- Innovations --- Mass media - Social aspects --- Mass media - Technological innovations
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Des vêtements que l'on porte aux chansons que l'on écoute, l'esthétique du second degré a envahi notre quotidien. Sur internet, l'ironie est devenue le paramètre par défaut de la plupart de nos interactions sociales, à grand renfort d'emojis et de mèmes qui dédoublent notre langage. En sondant les formes actuelles d'interactions entre chacun, cet essai interroge, au fond, notre rapport renouvelé à la sincérité. Comment l'ironie s'oppose-t-elle au besoin, réaffirmé aujourd'hui, d'«authenticité»? Est-elle véritablement le signe d'une époque qui cherche à dévaluer sans cesse la vérité? Quel est le rôle d'internet dans cette nouvelle forme de communication? «Cet essai analyse l'ambivalence omniprésente des discours tenus sur les réseaux sociaux, et pointe certaines facilités de l'époque, cyniques et paresseuses.» 24heures «La docteure en littérature déchiffre la façon dont les réseaux sociaux influencent nos discours et formatent notre façon de manier l'humour. Un essai brillamment charpenté.» Le Point «Remarquable.» Corse Matin Alexandra Profizi est docteure en littérature comparée. Ses recherches portent sur les récits de soi. Elle travaille aujourd'hui dans l'édition.
Ironie --- Authenticité (philosophie) --- Réseaux sociaux (Internet) --- Internautes --- Langage et Internet --- Dans les médias --- Langage --- Internet --- média --- NTIC --- réseaux sociaux --- Authenticity (Philosophy) in mass media --- Irony --- Social media --- Social interaction --- Language and the Internet --- Internet users --- Discourse analysis --- In mass media --- Influence --- In mass media.
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"A critical history of the social media influencer's rise to global prominence Before there were Instagram likes, Twitter hashtags, or TikTok trends, there were bloggers who seemed to have the passion and authenticity that traditional media lacked. The Influencer Industry tells the story of how early digital creators scrambling for work amid the Great Recession gave rise to the multibillion-dollar industry that has fundamentally reshaped culture, the flow of information, and the way we relate to ourselves and each other. Drawing on dozens of in-depth interviews with leading social media influencers, brand executives, marketers, talent managers, trend forecasters, and others, Emily Hund shows how early industry participants focused on creating and monetizing digital personal brands as a means of exerting control over their professional destinies in a time of acute economic uncertainty. Over time, their activities coalesced into an industry whose impact has reached far beyond the dreams of its progenitors-and beyond their control. Hund illustrates how the methods they developed for creating, monetizing, and marketing social media content have permeated our lives and untangles the unforeseen cultural and economic costs. The Influencer Industry reveals how, in an increasingly fractured and profit-driven communications environment, the people we think of as "real" are merely those who have learned to exploit the industry's ever-shifting constructions of authenticity."--
Internet personalities --- Social media --- Authenticity (Philosophy) in mass media. --- Mass media --- Authorship --- Influencers (Internet personalities) --- Internet celebrities --- Social media influencers --- Celebrities --- Authorship. --- Influence (Psychology) --- Psychology --- Conformity --- Example --- Persuasion (Psychology) --- Absolute value. --- Activation. --- Afterhyperpolarization. --- Anonymity. --- Association of National Advertisers. --- Beauty. --- Big business. --- Blog. --- Business ethics. --- Business guru. --- Capacitor. --- Cations, Divalent. --- Chlorine. --- Circular orbit. --- Commodification. --- Common knowledge. --- Community leader. --- Company. --- Conformational change. --- Conjunction (astronomy). --- Constant term. --- Cyberspace. --- Dark matter. --- Dedoose. --- Direct marketing. --- Economic power. --- Electronic circuit. --- Elementary particle. --- Email. --- Employment. --- Estimation. --- Eva Chen. --- Facebook. --- Finance. --- Freelancers Union. --- Gmax. --- Google News. --- Hair care. --- Harvard Business School. --- Immigration. --- Industry. --- Influencer marketing. --- Information source. --- Insider. --- Instagram. --- InterViews. --- Jet Ski. --- Kamala Harris. --- Klout. --- Likert scale. --- Marketing plan. --- Marketing. --- Medium theory. --- Membrane potential. --- Mobile media. --- Nernst equation. --- New product development. --- Numerical analysis. --- Oppression. --- Optimism. --- Paul Lazarsfeld. --- Pension. --- Personality. --- Perversion. --- Pew Research Center. --- Phase lag (rotorcraft). --- Physical chemistry. --- Plus-size model. --- Politician. --- Precarity. --- Promoter (entertainment). --- Proprietary software. --- Public interest. --- Publicity stunt. --- Qualitative research. --- Quid Pro Quo. --- Raw material. --- Receptionist. --- Revenue model. --- Résumé. --- SAG-AFTRA. --- Self-brand. --- Sextus Empiricus. --- Shit. --- Social actions. --- Solar mass. --- Sponsor (commercial). --- Terminology. --- Three-body problem. --- Tidal force. --- Trade association. --- Trajectory. --- Transducer. --- Trove. --- Twitter. --- Understanding. --- Volt. --- Voltage divider. --- Voltage source. --- Webcam.
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