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Canadian poetry --- Canadian poetry --- Poésie canadienne --- Poésie canadienne --- Asian authors --- Auteurs asiatiques
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Canadian poetry --- Canadian poetry --- American poetry --- American poetry --- Poésie canadienne --- Poésie canadienne --- Poésie américaine --- Poésie américaine --- Asian authors --- Asian authors --- Auteurs asiatiques --- Auteurs asiatiques
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Before Windrush: Recovering an Asian and Black Literary Heritage within Britain is an important intervention in the growing field of Black British literary studies. Composed of essays on non-white writers living in, or writing about, Britain in the period before the post-WW II wave of immigration, the anthology testifies to the existence of a British nation that has been multiracial and multicultural for centuries. Through an analysis of well-known figures such as Mary Prince, Mary Seacole, C. L. R. James, and Mulk Raj Anand as well as forgotten writers such as Helena Wells, Lucy Peacock, Olive Christian Malvery, Bhagvat Singh Jee, T. B. Pandian, and Lao She among others, the essays in Before Windrush shed light on an understudied aspect of Britain: its racial and ethnic complexity during the colonial period. The authors discussed here, whose work originates in and borrows from Romantic, Victorian, and Modernist conventions, challenge the implicit whiteness of English writing by showing the literary legacy of the Asian and black presence in Britain. Before Windrush places this hidden literary history of Asian and black literature within the social and cultural contexts of its British production.
LITTERATURE ANGLAISE --- LITTERATURE ANGLAISE --- Littérature anglaise --- AUTEURS NOIRS --- AUTEURS ASIATIQUES --- Auteurs du Commonwealth --- LITTERATURE ANGLAISE --- LITTERATURE ANGLAISE --- Littérature anglaise --- AUTEURS NOIRS --- AUTEURS ASIATIQUES --- HISTOIRE ET CRITIQUE --- Auteurs du Commonwealth
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LITTERATURE ANGLAISE --- NOIRS --- ASIATIQUES --- NOIRS DANS LA LITTERATURE --- ASIATIQUES DANS LA LITTERATURE --- AUTEURS NOIRS --- AUTEURS ASIATIQUES --- GRANDE-BRETAGNE --- HISTOIRE ET CRITIQUE --- VIE INTELLECTUELLE
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Canadian poetry --- Canadian poetry --- Canadian poetry --- Feminist poetry, Canadian (English) --- Poésie canadienne --- Ecrits de femmes canadiens --- Poésie canadienne --- Poésie féministe canadienne-anglaise --- Asian authors --- Women authors --- Auteurs asiatiques
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Focusing on late nineteenth- and twentieth-century stories of detection, policing, and espionage by British and South Asian writers, Yumna Siddiqi presents an original and compelling exploration of the cultural anxieties created by imperialism. She suggests that while colonial writers use narratives of intrigue to endorse imperial rule, postcolonial writers turn the generic conventions and topography of the fiction of intrigue on its head, launching a critique of imperial power that makes the repressive and emancipatory impulses of postcolonial modernity visible.Siddiqi devotes the first part of her book to the colonial fiction of Arthur Conan Doyle and John Buchan, in which the British regime's preoccupation with maintaining power found its voice. The rationalization of difference, pronouncedly expressed through the genre's strategies of representation and narrative resolution, helped to reinforce domination and, in some cases, allay fears concerning the loss of colonial power.In the second part, Siddiqi argues that late twentieth-century South Asian writers also underscore the state's insecurities, but unlike British imperial writers, they take a critical view of the state's authoritarian tendencies. Such writers as Amitav Ghosh, Michael Ondaatje, Arundhati Roy, and Salman Rushdie use the conventions of detective and spy fiction in creative ways to explore the coercive actions of the postcolonial state and the power dynamics of a postcolonial New Empire. Drawing on the work of leading theorists of imperialism such as Edward Said, Frantz Fanon, and the Subaltern Studies historians, Siddiqi reveals how British writers express the anxious workings of a will to maintain imperial power in their writing. She also illuminates the ways South Asian writers portray the paradoxes of postcolonial modernity and trace the ruses and uses of reason in a world where the modern marks a horizon not only of hope but also of economic, military, and ecological disaster.
LITTERATURE ANGLAISE --- LITTERATURE ANGLAISE --- LITTERATURE ANGLAISE --- INTRIGUES --- ESPIONNAGE --- LITTERATURE ET SOCIETE --- IMPERIALISME DANS LA LITTERATURE --- Postcolonialisme --- 20E SIECLE --- 19E SIECLE --- AUTEURS ASIATIQUES --- DANS LA LITTERATURE --- GRANDE-BRETAGNE --- Dans la littérature --- LITTERATURE ANGLAISE --- LITTERATURE ANGLAISE --- LITTERATURE ANGLAISE --- INTRIGUES --- ESPIONNAGE --- LITTERATURE ET SOCIETE --- IMPERIALISME DANS LA LITTERATURE --- Postcolonialisme --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- 19E SIECLE --- HISTOIRE ET CRITIQUE --- AUTEURS ASIATIQUES --- HISTOIRE ET CRITIQUE --- DANS LA LITTERATURE --- GRANDE-BRETAGNE --- Dans la littérature
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American literature --- American literature --- Canadian literature --- Canadian literature --- Asian American authors --- Asian Americans --- Asian Americans in literature --- Littérature américaine --- Littérature américaine --- Littérature canadienne --- Littérature canadienne --- Ecrivains américains d'origine asiatique --- Américains d'origine asiatique --- Américains d'origine asiatique dans la littérature --- Asian American authors --- Encyclopedias --- Asian American authors --- Bio-bibliography --- Dictionaries --- Asian authors --- Encyclopedias --- Asian authors --- Bio-bibliography --- Dictionaries --- Biography --- Dictionaries --- Intellectual life --- Encyclopedias --- Encyclopedias --- Auteurs américains d'origine asiatique --- Encyclopédies --- Auteurs américains d'origine asiatique --- Biobibliographie --- Dictionnaires anglais --- Auteurs asiatiques --- Encyclopédies --- Auteurs asiatiques --- Biobibliographie --- Dictionnaires anglais --- Biographies --- Dictionnaires anglais --- Vie intellectuelle --- Encyclopédies --- Encyclopédies
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