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Noble dreams, wicked pleasures explores complex American attitudes toward the Near East--as revealed in collected paintings, interior design, and multiple vernacular forms--at the formative moment of industrialization and the crystallization of a truly mass culture. Published to coincide with the multimedia exhibition that opens at the Sterling and Francine Clark Art Institute and travels to the Walters Art Gallery and the Mint Museum of Art, this catalogue considers how urban, mercantile, Protestant America represented the Islamic world of the Middle East and North Africa in ways that say more about itself than the foreign culture. This gorgeously illustrated volume first looks at the use of Orientalist stereotypes by some of the country's most important high art painters of the nineteenth century: Frederic Edwin Church's treatment of the exotic terrain through a lens of deep religiosity; a more cosmopolitan reading of the harem girl by John Singer Sargent; the perfumed alternative to industrial capitalism conjured in the landscapes and market scenes of Samuel Colman and Louis Comfort Tiffany; and interpretations of the Orient as emancipatory by Ella Pell, the only major woman Orientalist. The book next traces the popularization of Orientalism in the decorative arts (including a few treasures from Olana, Church's Moorish-style home on the Hudson), on Broadway, and in Hollywood, as well as through advertising that linked consumer products with visual suggestions of exotic sexuality and through cultural objects, such as the Shriners' fez. The generous color plates show both an innocent romanticization of the Orient and a darker, heavily eroticized version of Oriental "otherness." An excellent chronology and bibliography, in addition to expert essays by both Americanists and Islamicists, give context to absorbing images. Though a perfect companion for visitors to the exhibition, Noble Dreams, Wicked Pleasures is also for anyone seeking an uncommon take on the development of American self-understanding.
orientalisme --- 1870 - 1930 --- 19de eeuw --- 20ste eeuw --- Verenigde Staten --- Arts, American --- Orientalism in art --- Arts, American - 19th century - Exhibitions --- Arts, American - 20th century - Exhibitions --- Orientalism in art - United States - Exhibitions --- 1870 - 1930. --- 19de eeuw. --- 20ste eeuw. --- Verenigde Staten.
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The Culture of Spontaneity is the first comprehensive history of the postwar avant-garde. Daniel Belgrad integrates such diverse moments in American culture as abstract expressionism, bebop jazz, gestalt therapy, Black Mountain College, Jungian psychology, beat poetry, experimental dance, Zen Buddhism, Alfred North Whitehead's cosmology, and the anti-nuclear movement. Belgrad shows how a startling variety of artistic movements actually had one unifying theme: spontaneous improvisation. Through sensitive and skillful readings of the artistic works as well as deft explications of their social, political, and intellectual contexts, Belgrad reconstructs the mentality of this counterculture, recovers its particular vocabulary, and describes how the aesthetic of spontaneity contradicted the dominant consumer society of the 1950s. Focusing on the works of many key cultural figures such as Charles Olson, William Carlos Williams, Adolph Gottlieb, Robert Motherwell, Willem de Kooning, Helen Frankenthaler, Peter Voulkos, Merce Cunningham, Charlie Parker, Jack Kerouac, Allen Ginsberg, and LeRoi Jones, Belgrad substantially revises our understanding of the most significant voices of the period and convincingly argues that the art of spontaneity constituted the cutting edge of postwar American thought.
Arts [American ] --- Arts americains --- Improvisatie in de kunst --- Improvisation dans l'art --- Improvisation in art --- Kunsten [Amerikaanse ] --- Arts, American --- Arts, Modern --- Arts américains --- Arts modernes --- Improvisation in art. --- Arts américains --- Arts [Modern ] --- 20th century --- United States --- Olson, Charles --- Criticism and interpretation --- Williams, William Carlos --- de Kooning, Willem --- Pollock, Jackson --- Avant-Garde (Aesthetics) --- Arts, American - 20th century
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Performance: A Critical Introduction is the first survey to provide an overview of the modern concept of performance and how it has developed in various fields. In a highly accessible style Marvin Carlson introduces the reader to the contested interpretations of performance art as a theatrical activity and to the ways that performance has been understood by ethnographers, anthropologists, linguists and cultural theorists. Some of the topics he discusses include: * the evolution of performance art since the 1960s * developments of performance as a concept within the various social sciences * the relationships between performance, postmodernism and the politics of identity For any student of performance studies, visual and performing arts or theatre history, Performance: A Critical Introduction provides a vital insight into the diverse meanings and uses of performance
Art --- Sociology of culture --- Algonquin Round Table --- Catharctic Circle (Group of artists) --- Performance art --- Arts, American --- Performance art. --- Arts, Modern --- Happenings (Art) --- Performing arts --- Art de performance --- Arts américains --- Arts --- Performance art - United States --- Arts, American - 20th century --- Arts, Modern - 20th century
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Histoire de l'art --- --Art américain --- --1920-1950 --- --Surréalisme --- --Arts, American --- Surrealism --- Art styles --- avant-garde --- modern North American --- Surrealist --- anno 1920-1929 --- anno 1930-1939 --- anno 1940-1949 --- United States --- Art américain --- Surréalisme --- Arts, American - 20th century --- Surrealism - United States --- United States of America --- Arts, American
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Today it is widely recognized that gay men played a prominent role in defining the culture of mid-twentieth-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly ""American"" on the stage and screen. Even though few gay artists were ""out,"" their sexuality caused significant anxiety during a time of rampant antihomosexual attitudes. Michael Sherry offers a sophisticated analysis of the tension between the nation's simultaneous dependence on and fear of the cultural influence
Arts, American. --- Arts, American - 20th century. --- History. --- Homosexuality. --- Homosexuality - United States. --- Homosexuality and art - United States - History - 20th century. --- Homosexuality and art. --- Homosexuality and art --- Arts, American --- Homosexuality --- Fine Arts - General --- Art, Architecture & Applied Arts --- Same-sex attraction --- Sexual orientation --- Bisexuality --- American arts --- Art and homosexuality --- Art --- History
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Arts, American --- Politics and culture --- History --- United States --- Intellectual life --- 820 <73> "19" --- #KVHA:Verenigde Staten; geschiedenis --- #KVHA:Verenigde Staten; maatschappij --- Amerikaanse literatuur--20e eeuw. Periode 1900-1999 --- 820 <73> "19" Amerikaanse literatuur--20e eeuw. Periode 1900-1999 --- #KVHA:American Studies --- Arts, Modern --- Algonquin Round Table --- Catharctic Circle (Group of artists) --- Art --- Sociology of culture --- anno 1900-1999 --- Arts américains --- Arts modernes --- Politique et culture --- Histoire --- Etats-Unis --- Vie intellectuelle --- Arts, American - 20th century. --- Politics and culture - United States - History - 20th century. --- United States of America --- États-Unis --- 20e siècle --- États-Unis --- 20e siècle
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Fin de siècle : tel est le thème que s'était choisi le GRENA pour son 22e colloque annuel en cette année 2000 fortement symbolique. La réflexion n'était pas limitée à la fin du XXe siècle, mais s'appliquait aussi bien à la fin des XVIIe, XVIIIe et XIXe siècles. Fin de siècle, décadence, millénium, apocalypse : les perspectives sont ici multiples, et les articles rassemblés dans ce volume d'Actes empruntent aux domaines de la littérature, de l'histoire des idées, des études culturelles et cinématographiques.
American literature --- End of the world in literature --- Motion pictures --- Littérature américaine --- Fin du monde dans la littérature --- Cinéma --- Themes, motives --- Congresses --- History --- Thèmes, motifs --- Congrès --- Histoire --- Arts, American --- United States --- Civilization --- -American arts --- -Arts, American --- -United States --- -American literature --- Littérature américaine --- Fin du monde dans la littérature --- Cinéma --- Thèmes, motifs --- Congrès --- U.S.A. --- Jungtinės Amerikos valstybės --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Zlucheni Derz︠h︡avy --- USA --- US --- Arhab --- Ar. ha-B. --- Artsot ha-Berit --- ولايات المتحدة الامريكية --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- ABSh --- Amerika Birlăshmish Shtatlary --- ABŞ --- Amerika Birlăşmi Ştatları --- Forente stater --- Spojené staty americké --- Severo-Amerikanskie Shtaty --- Sjedinjene Američke Države --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Amerikai Egyesült Államok --- Yhdysvallat --- Verenigde Staten --- Egyesült Államok --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Estados Unidos de América --- United States of America --- Fareyniḳṭe Shṭaṭn --- Artzois Ha'bris --- Estados Unidos da América do Norte --- SShA --- Soedinennye Shtaty Ameriki --- VSA --- États-Unis d'Amérique --- Vereinigte Staaten von Amerika --- Stati Uniti d'America --- Estados Unidos --- EE.UU. --- Stany Zjednoczone --- ĒPA --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- SAD --- Saharat ʻAmērikā --- Hēnomenai Politeiai Amerikēs --- ZSA --- Mei-kuo --- Meiguo --- Mei guo --- ZDA --- Združene države Amerike --- U.S. --- America (Republic) --- Amirika Carékat --- Verenigde State van Amerika --- VS --- ولايات المتحدة --- Wilāyāt al-Muttaḥidah --- ولايات المتّحدة الأمريكيّة --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Estatos Unitos --- Estatos Unitos d'America --- Ètats-Unis d'Amèrica --- Estaos Xuníos d'América --- Estaos Xuníos --- Tetã peteĩ reko Amérikagua --- Istadus Unidus --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Bí-kok --- Amerika Qushma Shtattary --- AQSh --- Злучаныя Штаты Амерыкі --- Zluchanyi︠a︡ Shtaty Ameryki --- Yunaeted Stet blong Amerika --- Yunaeted Stet --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Stadoù-Unanet Amerika --- Sŭedineni amerikanski shtati --- САЩ --- SASht --- Съединените щати --- Sŭedinenite shtati --- Америка (Republic) --- Amerika (Republic) --- Estats Units d'Amèrica --- Америкӑри Пӗрлешӳллӗ Штатсем --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Stati Uniti --- SUA (Stati Uniti d'America) --- Unol Daleithiau America --- Unol Daleithiau --- Amerikas Forenede Stater --- Vereinigte Staaten --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Zjadnośone staty Ameriki --- Ameerika Ühendriigid --- Ηνωμένες Πολιτείες της Αμερικής --- Hēnōmenes Politeies tēs Amerikēs --- Η.Π.Α. --- Ē.P.A. --- Usono --- Unuiĝintaj Ŝtatoj de Ameriko --- Американь Вейтьсэндявкс Штаттнэ --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Ameriketako Estatu Batuak --- Feriene Steaten --- Feriene Steaten fan Amearika --- FS --- Stâts Unîts di Americhe --- Stâts Unîts --- Stáit Aontaithe Mheiriceá --- Steatyn Unnaneysit America --- Steatyn Unnaneysit --- S.U.A. --- Na Stàitean Aonaichte --- NSA --- Mî-koet --- 미국 --- Miguk --- Amerikayi Miatsʻyal Nahangner --- Miatsʻyal Nahangner --- American arts --- Американь Вейтьсэндявкс Штаттнэ --- Spojené obce severoamerické --- États-Unis --- É.-U. --- ÉU --- Arts, American - 20th century - Congresses. --- United States - Civilization - 1970- - Congresses.
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