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Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject - art in cinema, rather than the art of cinema - by considering films across genres, historical periods, and national cinemas in order to reflect on cinema's fluctuating imaginary of art and the art world. The book examines the intersection of art history with history in cinema; cinema's simultaneous affirmation and denigration of the idea of art as "truth"; the dominant, often contradictory ways in which artists have been represented on screen; and cinematic representations of the art world's tenuous position between commercial good and cultural capital.

Motion pictures and the arts. --- ART / Film & Video. --- Arts and motion pictures --- Moving-pictures and the arts --- Arts --- cinema, visual arts, aesthetics. --- Art in motion pictures. --- Motion pictures --- Art in moving-pictures

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Art and motion pictures. --- Art in motion pictures. --- Artists in motion pictures. --- Women in motion pictures. --- 82:791.43 --- Literatuur en film --- 82:791.43 Literatuur en film --- Art and motion pictures --- Art in motion pictures --- Artists in motion pictures --- Women in motion pictures --- Motion pictures --- Art in moving-pictures --- Art and moving-pictures --- Motion pictures and art

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Troubled Everyday offers the first detailed examination of the relationship between violence and the everyday in European art cinema. It calls for a re-evaluation of what gives these films such affective force, and such a prolonged grip on our imagination.

Motion pictures --- Art in motion pictures. --- Violence in motion pictures. --- Violence in moving-pictures --- Art in moving-pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Violence --- Au cinéma. --- Europe. --- Council of Europe countries --- Eastern Hemisphere --- Eurasia --- Au cinéma.

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Motion pictures --- Art in motion pictures. --- Experimental films. --- Motion picture industry --- #SBIB:309H1326 --- #SBIB:309H527 --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Video art --- Art in moving-pictures --- Direction of motion pictures --- Film-making (Motion pictures) --- Filmmaking (Motion pictures) --- Motion picture direction --- Motion picture plays --- Motion picture production --- Movie-making --- Moviemaking --- Production of motion pictures --- Production and direction. --- Marketing. --- Films met een amusementsfunctie en/of esthetische functie: genres en richtingen --- Audiovisuele communicatie: retoriek --- Production and direction --- Direction --- Transgression --- Sexualité --- Violence --- Industrie du cinéma --- Cinéma --- Art --- Au cinéma --- Marketing --- Production et réalisation --- Thèmes, motifs --- Au cinéma. --- Production et réalisation. --- Thèmes, motifs. --- Art in motion pictures --- Experimental films

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This innovative interdisciplinary study compares the uses of painting in literary texts and films. In developing a framework of four types of ekphrasis, the author argues for the expansion of the concept of ekphrasis by demonstrating its applicability as interpretive tool to films about the visual arts and artists. Analyzing selected works of art by Goya, Rembrandt, and Vermeer and their ekphrastic treatment in various texts and films, this book examines how the medium of ekphrasis affects the representation of the visual arts in order to show what the differences imply about issues such as gender roles and the function of art for the construction of a personal or social identity. Because of its highly cross-disciplinary nature, this book is of interest not only to scholars of literature and aesthetics, but also for scholars of film studies. By providing an innovative approach to discussing non-documentary films about artists, the author shows that ekphrasis is a useful tool for exploring both aesthetic concerns and ideological issues in film. This study also addresses art historians as it deals with the reception of major artists in European literature and film throughout the 20th century.

Ekphrasis. --- Art in literature. --- Art in motion pictures. --- Painting and motion pictures. --- Motion pictures and painting --- Motion pictures --- Ecphrasis --- Art in literature --- Description (Rhetoric) --- Art in moving-pictures --- Goya, Francisco, --- Rembrandt Harmenszoon van Rijn, --- Vermeer, Johannes, --- Vermeer, Johannes --- Van der Meer, Jan, --- Van der Meer van Delft, Jan, --- Vermeer, Jan, --- Vermeer van Delft, Jan, --- Meer, Jan van der, --- Der Meer, Jan van, --- Vermeer de Delft, Jan, --- Vermer Delftskiĭ, Ĭokhannes, --- Vermer, Ĭokhannes, --- Ferumēru, Yohanesu, --- フェルメール, ヨハネス, --- Goya, Francisco --- de Goya y Lucientes, Francisco --- Rāmbirānt, --- Rembrandt Garmens van Reĭn, --- Rembrandt van Rijn --- Rembrandt van Reĭn, --- Lun-po-lang, --- Rembrandt, --- Van Rijn, Rembrandt Harmenszoon, --- Rijn, Rembrandt Harmenszoon van, --- Rembrandt Harmensz van Rijn, --- Reimbrandt, --- Rembrandt van Rijn, --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Ko-ya, --- Goya y Lucientes, Francisco José de, --- Goĭa, Fransisko Khose de, --- Goĭi︠a︡, Fransisko Khose de, --- Goja, Francisko, --- Goĭi︠a︡-i-Lusientes, Fransisko, --- De Goya, Francisco, --- Goya y Lucientes, Francisco, --- Goya, Louis-Philippe, --- Goya y Lucientes, Jose de, --- Lucientes, Jose de Goya y, --- Paula, José Goya y Lucientes, Francisco de, --- Criticism and interpretation. --- Rembrandt --- Rembrandt Harmenszoon van Rijn --- Rembrandt Garmens van Reĭn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- גויה, פראנסיסקו, --- ゴヤ,