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Modernity has had so many meanings and tries to combine so many contradictory sets of attitudes and values that it has become impossible to use it to define the future. It has ended up crashing like an overloaded computer. Hence the idea is that modernity might need a sort of reset. Not a clean break, not a "tabula rasa," not another iconoclastic gesture, but rather a restart of the complicated programs that have been accumulated, over the course of history, in what is often called the "modernist project." This operation has become all the more urgent now that the ecological mutation is forcing us to reorient ourselves toward an experience of the material world for which we don't seem to have good recording devices. - Reset Modernity! is organized around six procedures that might induce the readers to reset some of those instruments. Once this reset has been completed, readers might be better prepared for a series of new encounters with other cultures. After having been thrown into the modernist maelstrom, those cultures have difficulties that are just as grave as ours in orienting themselves within the notion of modernity. It is not impossible that the course of those encounters might be altered after modernizers have reset their own way of recording their experience of the world. At the intersection of art, philosophy, and anthropology, Reset Modernity! has assembled close to sixty authors, most of whom have participated, in one way or another, in the Inquiry into Modes of Existence initiated by Bruno Latour. Together they try to see whether such a reset and such encounters have any practicality. Much like the two exhibitions Iconoclash and Making Things Public, this book documents and completes what could be called a "thought exhibition:" Reset Modernity! held at ZKM | Center for Art and Media Karlsruhe from April to August 2016. Like the two others, this book, generously illustrated, includes contributions, excerpts, and works from many authors and artists. Contributors: Jamie Allen, Terence Blake, Johannes Bruder, Dipesh Chakrabarty, Philip Conway, Michael Cuntz, Eduardo Viveiros de Castro, Didier Debaise, Gerard de Vries, Philippe Descola, Vinciane Despret, Jean-Michel Frodon, Martin Giraudeau, Sylvain Gouraud, Lesley Green, Martin Guinard-Terrin, Clive Hamilton, Graham Harman, Antoine Hennion, Andrés Jaque, Pablo Jensen, Bruno Karsenti, Sara Keel, Oleg Kharkhordin, Joseph Leo Koerner, Eduardo Kohn, Bruno Latour, Christophe Leclercq, Vincent-Antonin Lépinay, James Lovelock, Patrice Maniglier, Claudia Mareis, Claude Marzotto, Kyle McGee, Lorenza Mondada, Pierre Montebello, Stephen Muecke, Cyril Neyrat, Cormac O'Keeffe, Hans Ulrich Obrist, P3G, John Palmesino, Nicolas Prignot, Donato Ricci, Ann-Sofi Rönnskog, Maia Sambonet, Henning Schmidgen, Isabelle Stengers, Hanna Svensson, Thomas Thwaites, Nynke van Schepen, Consuelo Vásquez, Peter Weibel, Richard White, Aline Wiame, Jan Zalasiewicz
philosophy --- politics --- Sociology of culture --- Philosophy and psychology of culture --- globalization --- art [fine art] --- ecology --- Aesthetics --- History of civilization --- Art --- Art and technology --- Art and philosophy --- Art et technologie --- Art et philosophie --- Exhibitions --- Philosophy --- Expositions --- Philosophie --- kunst --- kunsttheorie --- filosofie --- antropologie --- twintigste eeuw --- eenentwintigste eeuw --- 7.039 --- Art and technology. --- Globalisierung. --- Kunst. --- Philosophy. --- Exhibitions. --- Art and technology - Exhibitions --- Art - Philosophy - Exhibitions --- Art - Philosophy --- art [discipline] --- toekomst (kunst)
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L'ouvrage "Peinture : obsolescence déprogrammée" donne à voir et à penser l'évolution du medium pictural et son renouvellement au contact des nouvelles technologies. L'omniprésence des écrans et l'intrusion des algorithmes dans la vie quotidienne, aussi récentes que fulgurantes, ont pour conséquence une évolution du regard que certains peintres s'attachent à traduire dans leurs œuvres. La prolifération des images et des 'fenêtres' numériques bouscule et interroge le dispositif du tableau-fenêtre défini à la Renaissance par Alberti, dispositif qui a fondé la conception de la peinture et de l'image occidentales à l'aube de l'époque moderne et jusqu'à aujourd'hui. Alors que l'hybridation de la peinture s'accélère au milieu du XXe siècle à la faveur de sa confrontation avec la photographie, le cinéma et l'art vidéo, c'est avec le numérique que s'opère l'une des émulations les plus fécondes à partir des années 1990-2000. L'enjeu de cette publication consiste à cerner les contours de la pratique actuelle de la peinture, en s'intéressant aux réinventions et récentes reconfigurations du medium pictural déployées dans un corpus d'œuvres très ouvert. En contrepoint, l'intégration de photographies, d'impressions numériques et d'installations permet d'apprécier à quel point la peinture est toujours susceptible d'irriguer et d'inspirer d'autres media. Cet ouvrage montre que, loin d'être fossilisée par les nouvelles technologies, la peinture s'en trouve revitalisée et 'déprogramme' cette obsolescence. Actes des colloques organisés à l'Esad Talm d'Angers et à l'INHA de Paris, publiés à l'occasion de l'exposition présentée au MASC, musée d'Art moderne et contemporain des Sables d'Olonne, du 7 février au 23 mai 2021.
Art numérique. --- Peinture --- Catalogues d'exposition. --- Painting, Modern --- Painting --- Computer art --- Digital techniques --- Art and technology --- Art, Modern --- Art numérique --- Philosophie de l'art --- Nouveau média --- Pornographie --- Photographie --- Algorithme --- History --- Benzaken, Caroline --- Boyer, Edouard --- Brauner, Victor --- Braun, Alex --- Caillaud, Bernard --- Colmer, Roy --- De Marco, Flavio --- Guyton, Wade --- Hurteau, Philippe --- Hysbergue, Rémy --- Jaquet, Alain --- Jugnet, Anne-Marie --- Clairet, Alain --- Kahrs, Johannes --- Kawano, Hiroshi --- Kolle, Régine --- Lallemant, Jean-Benoît --- Lefcourt, Daniel --- Bertrand, Amélie --- Childress, Nina, --- Cognée, Philippe, --- Hains, Raymond --- Maletas, Miltos --- Mohr, Manfred --- Molnar, Vera --- Morales, Emmanuel --- Raguénès, Loïc --- Matta, Roberto --- Reed, David --- Scheibitz, Thomas --- Schmitt, Antoine --- Tursic, Ida --- Mille, Wilfried --- Paik, Nam June --- Oehlen, Albert --- Raysse, Martial, --- Painting, Modern - 21st century - Exhibitions --- Painting, Modern - 20th century - History - Exhibitions --- Art and technology - Exhibitions --- Art, Modern - 21st century - Exhibitions --- Art, Modern - 20th century - Exhibitions --- Childress, Nina, 1961 --- Cognée, Philippe, 1957 --- -Hains, Raymond --- Raysse, Martial, 1936 --- -Painting, Modern
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