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architectuur --- ontwerpen --- Architecture --- Building design --- anno 1960-1969 --- anno 1970-1979 --- Florence --- Design --- History --- Exhibitions. --- Exhibitions --- Histoire --- Expositions --- Archizoom associati --- Archizoom associati. --- architecture [discipline] --- Archizoom Associati
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Après son introduction, l'auteur met en place le contexte c'est-à-dire l'Italie dans les années soixante. Ensuite, il analyse les mouvements du design italien dit "d'avant-garde": le mouvement Radical avec une analyse de la production du groupe Archizoom, Alchimia, Memphis et les Bolidistes. (M.D.)
Histoire du design --- Design --- Avant-garde --- Archizoom --- Memphis --- Alchimia --- Italie
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Dans l'agencement de bureaux et de grands magasins de la fin des années 1960, les cloisonnements modulaires ou les systèmes artificiels d'éclairage et d'air conditionné intégrés aux plafonds créent une idée d'espace flexible héritier du plan libre : l'open space. Sur fond de contestation des jeunes et des ouvriers d'Italie, des avant-gardes florentines transposent ces systèmes à l'échelle de l'espace public. C'est dans ce contexte, rendu particulier en Italie par les analyses marxistes de phénomènes métropolitains et territoriaux, que naît le projet des Archizoom de la No-Stop City, Residential Parkings, Climatic Universal System (1969-1972).
Architecture radicale --- Architecture --- Archizoom associati --- Utopie urbaine --- Années 1970 --- Espace de travail --- Grand magasin --- Parking --- Organisation de l'espace intérieur --- Ecrit d'architecte --- Archizoom
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“The relations between art and design are not easy to theorize, because they are always spontaneous and discontinuous. At one time art produced new languages and design used them. Today, though, we see artists using languages invented by design, while designers are invited to exhibit at Documenta, and in galleries and museums. It’s clear, then, that this theory of a one-way transfer of languages is obsolete...“ (A. Branzi) At the heart of the debates which over the past twenty years have made design what it is, the work developed by Andrea Branzi stands out as that of a theorician of design, as much in terms of his production, his writing and lecturing.
Branzi, Andrea --- Italië --- Branzi Andrea --- Archizoom --- Alchymia --- 745.071 BRANZI --- Design --- Architectuur --- eigen tijd --- design --- interieurvormgeving --- meubelkunst --- twintigste eeuw --- designtheorie --- kunsttheorie --- productdesign --- Memphis
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Architecture --- Radical architecture --- Design --- History --- Exhibitions --- Buti, Remo --- Pettena, Gianni --- Archizoom associati --- 9999 (Firm) --- Superstudio (Group) --- UFO (Design firm) --- Zziggurat (Firm) --- Exhibitions.
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En 1969, conjointement à son travail expérimental dans le domaine du design, le groupe Archizoom entreprit une recherche sur la ville, l'environnement et la culture de masse, qui aboutit au projet No-Stop City. Regroupant l'ensemble des textes et des dessins, il nous dévoile cette " Ville sans fin " qui mêle objet, société de consommation triomphante et architecture, une grille de lecture où la répétition d'un même ensemble central, un bâtiment ou un groupe d'objets, via un jeu de miroirs compose un environnement catatonique, un supermarché sans limites, un futur à composer et désormais atteint... No-Stop City est une ville sans qualités, dans laquelle l'individu peut réaliser son habitat comme une activité créatrice, libérée et personnelle. Ce projet théorique fut d'abord publié dans la revue Casabella en 1970 sous le titre : " Ville chaîne de montage du social, idéologie et théorie de la métropole ".Il met en œuvre, comme le déclare Andrea Branzi, " l'idée de la disparition de l'architecture à l'intérieur de la métropole ". No-Stop City est une utopie critique, un modèle d'urbanisation globale, où le design est conçu comme l'outil conceptuel fondamental pour modifier les modes de vie et le territoire. "Considérant l'architecture comme une catégorie intermédiaire d'organisation urbaine qu'il fallait dépasser, No-Stop City opère une liaison directe entre la métropole et les objets d'ameublement : la ville devient une succession de lits, de tables, de chaises et d'armoires, le mobilier domestique et le mobilier urbain coïncident totalement. Aux utopies qualitatives, nous répondons par la seule utopie possible : celle de la Quantité. " (Andrea Branzi) extrait de http://www.editions-hyx.com/site/web/fr/librairie/horscollection/horscollection11.html
City planning --- Radical architecture. --- Repetition (Aesthetics) --- Urbanisme --- Architecture radicale --- Répétition (Esthétique) --- Forecasting. --- Prévision --- Archizoom associati. --- Architecte --- Groupe d'architectes --- Mouvement artistique --- Théorie de l'urbanisme --- Utopie architecturale --- Utopie urbaine --- Branzi, Andrea --- 72.07 --- 711.4(C) --- Architectuur ; stedenbouw ; 1960-2006 ; Archizoom --- Architectuur ; stedenbouw ; visionaire ; futuristische --- Branzi, Andrea °1938 (°Firenze, Italië) --- Archizoom --- Architecten. Stedenbouwkundigen A - Z --- Stedenbouw. Ruimtelijke ordening ; vormgeving en analyse van de stad --- Répétition (Esthétique) --- Prévision --- Radical architecture --- Aesthetics --- Architecture, Modern --- Cities and towns --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- Forecasting --- Government policy --- Management --- Archizoom Group --- Studio Archizoom --- Analyse de l'urbanisme
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This volume emphasizes the multiple correspondences between well-known radical design groups like Arte Povera, Archizoom, and Superstudio, and figures such as Ettore Sottsass and Alessandro Mendini, and previously overlooked spaces, works, and performances generated by Zoo, Gruppo 9999, and Cavart. Newly commissioned interviews and essays by historians, curators and critics shed new light on the era under scrutiny, while contemporary practitioners, discuss its complex legacy
performance art --- avant-garde --- installations [visual works] --- Arte Povera --- Conceptual --- Art --- anno 1960-1969 --- anno 1970-1979 --- Italy --- kunst --- Italië --- twintigste eeuw --- mei 68 --- kunst en politiek --- tijdschriften --- magazines --- Domus --- Ambasz Emilio --- architectuur --- kunst en architectuur --- Cavart --- design --- Sottsass Ettore --- Gruppo 9999 --- Studio Formafantasma --- Trimarchi Andrea --- Farresin Simone --- Vitale Ettore --- grafisch design --- grafisch ontwerp --- grafische vormgeving --- affiches --- posters --- Archizoom --- arte povera --- Pistoletto Michelangelo --- 7.038
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"From radical research to contemporary design, this book collects Andrea Branzi’s work about city-design and a new opportunity to interpret and anticipate the next dynamics of society. Territories that are conceptual categories, through spaces that are offered up by reality such that design can act and perform cognitively: in this sense, the city becomes a critical concept capable of overcoming its own image. Each passage presents a precise anthropological articulation: from the concept of commodity civilization of the Sixties to that of immateriality, from the concept of the metropolis to that of the anthropological territory, in which the infinitely small and the immensely large coincide, to the point of generating and passing beyond our commonly held concept of the city. Starting from the Andrea Branzi's reflection on the relationship civility-design, from the Radical's research on mass-production civilization to the "infinite territories", the book proposes new territories able to interpret and anticipate the new dynamics of society. In particular, if the first chapters review the historical/critical works of Andrea Branzi and of 'Radical Movement', the last opens a new parenthesis of research, right now never expressed: the issues ignored by Modernity, like life, death, destiny and the sacred: themes which underline the new drama and the fracture between tragedy and normality, between consumerism and death, between theology and technology, between the silence of reason and the voice of an irrational reality."
Architect-designed decorative arts --- Design --- History --- Branzi, Andrea, --- Analyse de l'architecture --- Planification urbaine --- Analyse de l'urbanisme --- Branzi, Andrea --- Archizoom --- Architecture --- Arts décoratifs conçus par des architectes --- Histoire --- Branzi, Andrea. --- 719.2 --- urbanisme --- stedenbouw --- steden --- planologie --- Memphis Group (Memphis Milano) --- architectuur --- Alchimia --- stadsontwikkeling --- Radical movement --- Decorative arts --- Creation (Literary, artistic, etc.) --- Architecture, Modern --- planologie-stedebouw, steden --- 72.07 --- 711.07 --- 749.07 --- Radical Architecture --- Radicale architectuur --- Memphis --- Branzi, Andrea °1938 (°Firenze, Italië) --- Architecten. Stedenbouwkundigen --- Stedenbouwkundigen --- Meubelontwerpers ; designers ; interieurarchitecten A - Z
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"SuperDesign' is the only comprehensive look at the short-lived but powerfully influential movement known as Italian Radical design. In numerous exclusive interviews, unreleased photographs, original drawings and artwork unearthed from personal archives, and newly commissioned photography of rarely seen works. What started as a largely student-led rally against the establishment and a rejection of accepted design norms became a movement that brought together some of the most dynamic and avant-garde thinkers and creative makers across the country. Through enigmatic, confrontational, and even distasteful objects and interiors, peppered with subversive performances and astonishingly innovative advertising campaigns, the Radicals projected design's new era as equal parts pop art, surrealism, play, and futurism. Alongside the exclusive primary source material, 'SuperDesign' features additional essays by top design scholars Deyan Sudjic and Catharine Rossi, as well as prominent collector Dennis Freedman. This book demystifies these fantastic works and tells the stories behind the often contentious relationships between the key figures of the movement (some of whom remain at odds still, nearly fifty years later)"--Publisher's description.
Design --- 749.038(450) --- Meubelen ; design ; Italië ; 20ste eeuw ; 1960-1985 ; Radical Design --- Superstudio --- Archizoom --- UFO ; Lapo Binazzi --- Gilardi, Piero --- Gruppo Sturm ; Pietro Derossi --- La Pietra, Ugo --- Pesce, Gaetano --- Pettena, Gianni --- Studio65 ; Studio 65 --- design --- architectuur --- twintigste eeuw --- Italië --- meubelkunst --- meubilair --- productdesign --- UFO --- Binazzi Lapo --- Gilardi Piero --- Derossi Pietro --- Gruppo Strum --- La Pietra Ugo --- Pesce Gaetano --- Pettena Gianni --- Studio65 --- 745.036 --- History --- Meubelkunst en design ; 1950 - 2000 ; Italië
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'Narrative Architecture' reveals a stream of remarkable architectural and urban visions in the twentieth century that culminated in the construction of one of the most powerful, misunderstood and underutilized weapons of architectural and urban critique, thinking and representation. This historical genealogy in three parts weaves inseparable modern architecture and narrative critique through never before seen images of half a century of utopian, heroic, commercial, ironic and critical projects by Le Corbusier, Team 10, Constant, Victor Gruen, Yona Friedman, Archizoom, Superstudio and Rem Koolhaas. Alluding to Diogenes, the ancient kynic who wandered with a lantern in search of an honest man, through narrative, archival and provocative images and texts, the book lays the groundwork in search of an honest architecture able to question the pressing challenges of our times.
72.049 --- 72.038 --- 72.07 --- 741:72 --- Cruz Garcia & Nathalie Frankowski --- Architectuurtheorie ; stedenbouw ; 20ste eeuw --- Steden ; architectuur ; utopische --- Visionaire architectuur en stedenbouw --- Architectuur ; verschillende onderwerpen --- Architectuurgeschiedenis ; 1950 - 2000 --- Architecten. Stedenbouwkundigen --- Tekenkunst ; architectuurtekeningen --- Architecture, Modern --- Visionary architecture --- Architecture --- Critical theory --- Idéologie --- Politique de l'architecture --- Critique architecturale --- Utopie architecturale --- Situationnisme --- Mouvement moderne --- Team ten --- Political aspects --- Le Corbusier, Charles-Edouard Jeanneret, --- Constant --- Gruen, Victor, --- Friedman, Yona, --- Koolhaas, Rem, --- Archizoom --- Superstudio --- History of civilization --- utopias --- visionary architecture --- Modern Movement --- Architecture, Modern - 20th century --- Architecture - Political aspects --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965 --- Gruen, Victor, 1903-1980 --- Friedman, Yona, 1923-2019 --- Koolhaas, Rem, 1944 --- -Architecture --- -72.049
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