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Architectuur en stedenbouw --- België --- Oostende --- 20ste eeuw.

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Architecture --- Study and teaching --- VA&S (Vakgroep Architectuur en Stedenbouw, UGent).

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"Paul Virilio is an innovative figure in the study of architecture, space, and the city. Virilio for Architects primes readers for their first encounter with his crucial texts on some of the vital theoretical debates of the twenty-first century, including: - Oblique Architecture and Bunker Archeology - Critical Space and the Overexposed City - The Ultracity and Very High Buildings - Grey Ecology and Global Hypermovement In exploring Virilio's most important architectural ideas and their impact, John Armitage traces his engagement with other key architectural and scientific thinkers such as Claude Parent, Benoit B. Mandelbrot, and Bernard Tschumi. Virilio for Architects allows students, researchers, and non-academic readers to connect with Virilio's distinctive architectural theories, critical studies, and fresh ideas"--

Architecture --- Philosophie --- Virilio, Paul, --- Critique et interprétation --- 72.01 --- Architectuur ; stedenbouw ; Virilio, Paul --- Grote gebouwen ; hoogbouw ; wolkenkrabbers --- Architectuur en stedenbouw --- Philosophy. --- Architectuur ; theorie, filosofie, esthetica --- Virilio, Paul. --- Philosophie. --- Philosophy --- Critique et interprétation

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In de architectuur is een maquette een toegankelijke visualisatie van een bouwproject. Er wordt dankbaar gebruik van gemaakt bij het ontwerpen, bij de communicatie met de bouwheer, bij wedstrijden voor prestigieuze projecten en in tentoonstellingen, of om stadsvernieuwingsprojecten bespreekbaar te maken.Vaak verdwijnen deze maquettes uit het zicht wanneer de projecten waarvoor ze werden gemaakt gerealiseerd zijn. Miniatuurversies van de omgeving oefenen een grote aantrekkingskracht uit op mensen. Deze STAMtentoonstelling benadert maquettes als de tot de verbeelding sprekende objecten die ze zijn. Het (bouw)project wordt in beeld gebracht, maar de focus ligt op de maquette zelf. Maquettes. Verbeelding op schaal laat zien voor wie de maquettes werden gemaakt, wie ze heeft gebouwd, hoe ze werden gebruikt en waarom ze werden bewaard.0Exhibition: STAM, Ghent, Belgium (14.11.2014-26.4.2015).

architectuur --- architecture [discipline] --- architectural models --- Architecture --- maquettes [sculptures] --- maquettes --- 72.02 --- 930.25 --- 741:72 --- Maquettes en stadsgezichten --- Architectuur en stedenbouw ; schaalmodellen --- Tentoonstellingscatalogi ; Gent ; STAM --- Architectuur ; presentatie ; representatie --- Presentatietechnieken (architectuur) --- Architectuurmaquettes --- Architectuurmodellen --- Modellen (architectuur) --- Maquettes (architectuur) --- Archiefwetenschap. Archivistiek 7 --- Tekenkunst ; architectuurtekeningen --- Architectural models --- Exhibitions --- MAD-faculty 15 --- kunst en architectuur --- essays

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This book which accompanies the exhibition is an effort to begin to assemble the photographs and texts which will make it somewhat easier for future authors to deal with the diversity of Simonds's work, most of which has not even been photographed or otherwise documented. (There are also various kinds of private works which he makes for himself and friends which have not been considered here.) The photographs are arranged according to Simonds's categories and the section headings are based upon his written descriptions. The categories are not mutually exclusive; it would have been equally possible to group certain projects together as "Cosmological" and "Organic Architectures," an option which the artist may exercise in the future. The three essays reflect the variety of responses that Simonds's Little People have elicited over the last decade. Simonds's work first appeared in the charged, politicized context of the early 1970s, which often focused upon the implications of his street works with regard to the conventions of the New York art world. Subsequent critiques questioned the apparent contradictions of his also making unique, salable works. John Beardsley's essays focuses on the question of the public works, while Daniel Abadie's evokes the myriad associations of fantasy and reality that we encounter through the range of Simonds's activities as an artist. The third essay alternates between a reading of the sculptures as objects and an introduction to some of the diverse ideas which contribute to their meaning; the notes can be read separately as suggestions for further exploration. The Commentaries are a personal tour of Circles and Towers Growing, again concentrating on the presence of the sculptures themselves in the exhibition. Reprinted in its entirety is Simonds's text Three Peoples, which relates the histories and beliefs of the Little People.

Simonds, Charles, --- Exhibitions. --- sculpting --- Sculpture --- public art --- art [fine art] --- public spaces --- outdoor sculpture --- Architecture --- architecture [discipline] --- Art --- Simonds, Charles --- United States --- Beeldhouwkunst ; kleimodellen --- Architectuur en stedenbouw ; schaalmodellen --- Architecturale modellen ; miniatuurformaat --- Simonds, Charles °1945 (°New York, Verenigde Staten) --- Installaties ; beeldhouwkunst ; 1970-2003 ; Charles Simonds --- 7.07 --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z --- art [discipline] --- United States of America