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Architecture, Modern --- Architecture and science --- Architecture --- Architecture et sciences --- Congresses. --- Congresses. --- Congrès --- Congrès
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Architecture --- Architecture --- Architecture and science. --- Architecture et sciences --- Cognitive science. --- Sciences cognitives --- Human factors. --- Facteurs humains
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The spaces of science are understudied by the spatial disciplines and studies of science and technology. This book examines this multidisciplinary overlap through a comparative study of four of the world's most important radio telescopes. Through detailed analysis, historical research, interviews, personal observations, and various conceptual manoeuvres, the author reveals the depth of spatial process active at these scientific sites and the territories they traverse. Through the conceptual frameworks of territory, hyper-concentration, and contingency, the book examines the telescope as one exploded across space and time, present in multiple connected sites simultaneously, and active in the production of space. It develops a historiographic and contemporary analysis of the Atacama Large Millimeter/submillimeter Array (ALMA, Chile); the Five-hundred-meter diameter Aperture Spherical Array (FAST, China); the Arecibo Observatory (Puerto Rico); and the MeerKAT/SKA (South Africa). These case studies are global exemplars of the different spatial transformations that occur through science. Their relationships to surrounding communities and landscapes reveal deeper constitutional processes embodied in each institutional and spatial form. This book spans the modern history of architecture and science, the studies of science, technology and society, and urban theory. It is of specific interest to architects and designers expanding their analysis of spatial production, scholars in the study of geography, landscape, science, technology, and astronomy, and people fascinated with how these radio telescopes were conceptualised, built, and operate today.
Radio telescopes. --- Radio astronomy. --- Architecture and science. --- Radiotélescopes. --- Radioastronomie. --- Architecture et sciences.
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Philippe de La Hire est un savant trop peu étudié. Ses travaux de géométrie le font entrer à l’Académie royale des sciences puis d’architecture. Il va jouer un rôle central en tissant des liens entre l’architecture et les sciences à la charnière des XVIIe et XVIIIe siècles.
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Qui niera que l'arche de la Défense à Paris soit un "cube", la pyramide du Louvre une "pyramide" et la géode de la Villette une "sphère"? Mais ces formes géométriques sont-elles architecturales? Et en quoi sont-elles plus "géométrique" que les formes architecturales conçues par Frank Gehry ou les figures fractales conçues par Benoît Mandelbrot? Comment penser ce qui rapproche et en même temps sépare la "géométrie" de l'architecte et la géométrie du mathématicien? Descartes, Pascal, Desargues, Gauss, Bolzano, Poincaré, Mandelbrot, Serfati et autres mathématiciens philosophes, Jean-Jacques Gardies, Gilles-Gaston Granger, Jules Vuillemin, Ludwig Wittgenstein et autres philosophes des mathématiques, nourrissent les espaces de référence à partir desquels ce livre a été conçu, à la recherche d'une géométrie, "commode" pour l'architecture, en référence aux figures d'Aalto, Brunelleschi, Durand, Gehry, Kahn, Le Bernin, Le Corbusier, Palladio, Philibert de l'Orme, Rietveld, Serlio, Utzon, Villard de Honnecourt, Viollet-le-Duc, Wright...
Géométrie --- Composition architecturale --- Perspective --- Sémiologie --- Théorie de l'architecture --- Composition (architecture) --- Architecture --- Espace (architecture) --- Architecture et sciences --- Philosophie --- Géométrie --- Perspective. --- Géométrie. --- Architecture et sciences. --- Architecture and science. --- Space (Architecture) --- Geometry. --- Philosophie. --- Géométrie.
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Forschung in und über Architektur ist so komplex wie die Disziplin mit ihren Fachgebieten selbst, und oft bleiben die Ergebnisse deshalb separat. Der Band Research Culture in Architecture vereint digitale und analoge Forschungsfragen und zeigt, wie wichtig cross-disziplinäres Zusammenarbeiten in der Architektur heute ist. Die Komplexität und die zunehmende Spezialisierung werden in den einzelnen Kapiteln entfaltet und anschließend mit dem Kern der Architektur, dem Entwerfen, verknüpft. Wissenschaftler aus Theorie und Praxis präsentieren Forschungsergebnisse zu folgenden Themenfeldern: "Entwurfsmethodik", "Architektonischer Raum, Wahrnehmung und menschlicher Körper", "analoge und digitale Holzkonstruktionen", "Visualisierung", "Robotik", "Architekturpraxis und Forschung" sowie "Nachhaltigkeit". Research in and on architecture is as complex as the discipline itself with its different specialist fields, and therefore the results often remain unconnected.Research Culture in Architecture combines digital and analog research issues and demonstrates how important cross-disciplinary cooperation in architecture is today. The complexity and increasing specialization are elaborated on in the various chapters and then linked to the core of architecture, i.e. design.Scientists from the theoretical and practical fields present research results in the following subjects: "design methodology", "architectural space, perception, and the human body", "analog and digital timber construction", "visualization", "robotics", "architectural practice and research", and "sustainability".
Architecture --- Interdisciplinarité --- Philosophie --- Architecture and science --- Architecture et sciences --- Research --- Recherche --- Research. --- Science --- architecture [discipline] --- research [function] --- Interdisciplinarité
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"Naturalizing Architecture" is the new edition of Archilab 2013. Today, through recourse to the most advanced digital tools, architects envisage projects which evolve according to principals similar to those found in nature. The architecture is therefore designed like an organism in constant adaptation, with the ability to evolve in close interaction with the material conditions of its environment. Broadly exceeding the boundaries of their practice, architects now develop a practice at the crossroads of design, computer science, engineering and biology. Conditions for production in the domain of architecture are radically redefined by this convergence, as well as by the constant evolution of the processes and tools for digital manufacturing.
Architecture, Modern --- Architecture and science --- High technology --- Organic architecture --- Sustainable architecture --- Architecture --- Architecture et sciences --- Technologie de pointe --- Architecture organique --- Architecture durable --- Exhibitions --- History --- Expositions --- Histoire --- ArchiLab Conference --- Forme --- Naturalisme --- Nature --- Archilab --- Exhibitions. --- Morphologie
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Global warming and concerns about sustainability recently have pushed ecological design to the forefront of architectural study and debate. As Peder Anker explains in From Bauhaus to Ecohouse, despite claims of novelty, debates about environmentally sensitive architecture have been ongoing for nearly a century. By exploring key moments of inspiration between designers and ecologists from the Bauhaus projects of the interwar period to the eco-arks of the 1980s, Anker traces the historical intersection of architecture and ecological science and assesses how both remain intertwined philosophically and pragmatically within the still-evolving field of ecological design.The idea that science could improve human life attracted architects and designers who looked to the science of ecology to better their methodologies. Walter Gropius, the founder of the Bauhaus school, taught that designed form should follow the laws of nature in order to function effectively. With the Bauhaus movement, ecology and design merged and laid the foundation of modernist architecture.Anker discusses in detail how the former faculty members of the Bauhaus school--including László Maholy-Nagy and Herbert Bayer--left Nazi Germany in the mid-1930s and engaged with ecologists during their "London period" and in the U.S. A subsequent generation of students and admirers of Bauhaus, such as Richard Buckminster Fuller and Ian McHarg, picked up their program, and--under the general banner of merging art and science in the design process--Bauhaus-minded architects began to think ecologically while some ecologists lent their ideas to design.Anker charts complicated currents of ecological design thought spanning pre- and post-World War II and through the cold war, including pivotal changes such as the emergence of space exploration and new theories on closed-system living in space capsules, space stations, and planetary colonies. Space ecology, Anker explains, inspired leading landscape designers of the 1970s, who used the imagined life of astronauts as a model for how humans should live in harmony with nature. Theories of how to design for extraterrestrial living impacted design and ecological thinking for earth-based living as well, as evidenced in Disney's Spaceship Earth attraction as well as in the Biosphere 2 experiments in Arizona in the early 1990s.Illuminating important connections between theories about the relationship between humans and the built environment, Anker's provocative study provides new insight into a critical period in the evolution of environmental awareness.
72.504 --- 72.504 Architecture and the environment. Sustainable architecture --- Architecture and the environment. Sustainable architecture --- Architecture and science --- Architecture, Modern --- Architecture --- Science and architecture --- Science --- History --- Environmental aspects --- Environmental aspects. --- Bauhaus --- Influence. --- Architecture et sciences --- Aspect environnemental --- histoire
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Cet ouvrage explore l'arrivée des sciences biologiques - notamment les sciences de la "vie" impliquant les études de botaniques et de zoologie ainsi aue l'écologie , la science de l'évolution, la physiologie, la psychologie.. - au XIXe siècle et leur impact sur l'architecture et l'architecture du paysage en Grande-Bratagne. Ce livre explore l'idée de l'environnement artificiel comme un objet de spéculation à la fois scientifique et la réflexion esthétique. Il amorce également l'actuelle préoccupation de l'homme pour son environnement et la question du bien-être humain dans le débats sur un logement convenable ainsi que la popularité croissante des jardins domestiques et publics au XIXe siècle.
Architecture et sciences --- Art des jardins --- Jardins --- Aménagement végétal --- Gardens - Great Britain - History - 19th century --- Greenhouses - Great Britain - History - 19th century --- Landscape design - Great Britain - History - 19th century --- Aménagement végétal --- Gardens --- Greenhouses --- Landscape design
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