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Italian literature --- Arcadia in literature. --- History and criticism.
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Klaus Garber ist zu seinem Lebenswerk zurückgekehrt: Der Erforschung der europäischen Arkadien-Utopie. Vor zwanzig Jahren hielt er einen mehrstündigen Vortrag im Bayerischen Rundfunk über Arkadien. Einst einer größeren Zuhörerschaft zugedacht, wird er nun in überarbeiteter und aktualiseirter Form einem interessierten Leserkreis zugänglich gemacht. Die mythischen Ursprünge werden umkreist, Vergil als Ahnherr der Vision porträtiert, das humanistische Arkadien an der Pegnitz einschließlich Standeskonflikten und Lob des weiblichen Geschlechts in Erinnerung gerufen und schließlich die großen Zeugen der Utopie im 18. Jahrhundert - Gessner, Voß, Goethe - aufgerufen. Mit einem Ausblick auf die Frühromantik und einige Gewährsleute des 20. Jahrhunderts - Musil, Benjamin, Bloch - schließt der Band. Er präsentiert sich zugleich als eine kommentierte Collage bedeutender Texte der abendländischen Tradition.
Arcadia in art. --- Arcadia in literature. --- European literature.
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Poetry --- Thematology --- French literature --- anno 1800-1899 --- anno 1700-1799 --- Golden age (Mythology) in literature --- Arcadia in literature --- Pastoral poetry, French --- French poetry --- History and criticism --- Golden age (Mythology) in literature. --- Arcadia in literature. --- History and criticism.
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Virgil's book of bucolic verse, the Eclogues, defines a green space separate from the outside worlds both of other Roman verse and of the real world of his audience. However, the boundaries between inside and outside are deliberately porous. The bucolic natives are aware of the presence of Rome, and Virgil himself is free to enter their world. This world is, in many ways, a poetic replication of the public and private gardens of Virgil's Roman audience, enclosed green spaces which afforded the citizen sheltered social and cultural activities, temporary respite from the turbulence of public life, and a tamed landscape in which to play out the tensions between the simple ideal and the complexities of reality. In Virgil's Garden Frederick Jones looks at the Eclogues in terms of the relationship between its contents and its cultural context, making connections between the Eclogues and the representational modes of Roman art, Roman concepts of space and landscape, and Roman gardens.--Book Jacket.
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"Long anticipated and hugely welcome, Paul Holberton’s A History of Arcadia is a close and thorough examination of a great number of original texts of classical and early and later modern pastoral poetry, literature and drama in ancient Greek, Latin, Italian, French, Spanish, Portuguese, Dutch, German and English, and of a wide range of visual imagery, ending just before 1800. The book analyses the development of pastoral as a means of representing human happiness on this earth in the requited wooing of girl and boy, to whose feelings early modern pastoral gives voice. This tremendous book is an iconographic study of Renaissance and Baroque pastoral and related subject matter, with an important chapter on the 18th century, both in the visual arts, where pastoral is very poorly understood, and in words and performance, about which many false preconceptions prevail. The study begins with Virgil’s use of Theocritus and an analysis of what basis Virgil provided for Renaissance pastoral and what, by contrast, stemmed from the medieval pastourelle. Pastoral developed notably in the Venetian High Renaissance. Its texts incorporated Petrarchist and Neoplatonic ideas of love, of which this book charts the development and evolution with unprecedented precision, considering also the female nude in art. There is a novel and polemical discussion of the development of landscape subjects in art, from Giorgione to Claude. The contributions of the most influential or representative authors – Petrarch, Sannazaro, Montemayor, Tasso, Guarino, Lope de Vega, Cervantes, Honoré d’Urfé, Cornelis de Hooft, Shakespeare and lastly Salomon Gessner – are considered beside many interesting more minor ones – Arsocchi, Bernardim Ribeiro, Clément Marot, Cieco d’Adria, John Fletcher, Fontenelle – and the verses of madrigals. There is a chapter on ‘Being Rural’ – what we can say about the reality of life in the country in the early modern period. There is a chapter on ‘Et ^in Arcadia Ego’ that introduces new evidence for the dating of Poussin’s famous work by reference to a neglected work by Sébastien Bourdon in Yale; another on a pastoral composition by Rubens that has not been considered as such. There is an important and bold discussion of self-projection (‘metachronic’ representation) by monarchs and courtiers across Europe in the 17th century, both within pastoral and without, which illuminates profound differences between Protestant and Catholic culture. Coming from the study of earlier periods, the author is able to throw new light on the Rococo – figures such as John Gay, Watteau, Gessner and Gainsborough – and to explain the termination of pastoral writing and art with the embrace of modernity in form and means of expression. All texts are given in the original language and all translated into English, while the visuals are beautifully reproduced: the book is also an anthology." --
Arcadia in art --- Art, Renaissance. --- Arcadia in art. --- Arcadia in literature. --- Pastoral fiction, European --- History and criticism.
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Apocalypse in literature --- Arcadia in literature --- German literature --- Prophecies in literature --- Utopias in literature --- History and criticism
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Klaus Garber hat sich während seines Forscherlebens mit der europäischen Arkadien-Utopie befaßt. Im Laufe der Jahrzehnte sind dafür eine Reihe von grundlegenden historiographischen und kulturphilosophischen Studien entstanden. Sie blieben bislang unpubliziert und werden hier erstmals in aktualisierter Form vorgelegt. Damit bietet der Band einen gewichtigen Beitrag zu den aktuellen kulturgeschichtlichen Diskussionen der verschiedenen historisch orientierten Disziplinen und reintegriert darin die bleibenden Anteile einer sozialgeschichtlichen Forschung, die ebenso unverzichtbar für die aktuelle Forschung sind. Eröffnet wird das Werk mit einer historiographischen Studie zum Absolutismus, der alteuropäischen Welt des Adels und der marxistischen Kritik der feudalabsolutistischen Gesellschaft. Ihm korrespondiert am Schluß eine weit ausholende sozialphilosophische Untersuchung zur Konstellation von Innerlichkeit und bürgerlicher Gesellschaft im Frühwerk Hegels mit flankierenden Betrachtungen zu Kant auf der einen, dem jungen Marx auf der anderen Seite. In der Mitte des Werkes sind Abhandlungen zu Leben und Werk Martin Opitzens und zum Nürnberger Hirten- und Blumenorden vereinigt.
Modernism (Literature) --- Arcadia in literature. --- Utopias in literature. --- Utopian literature --- Cultural Theory. --- History of Literature. --- History of Science. --- Martin Opitz. --- Premodern Europe.
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Pastoral art. --- Pastoral poetry. --- Pastoral literature. --- Arcadian literature --- Bucolic literature --- Literature, Pastoral --- Literature --- Arcadia in literature --- Country life in literature --- Bucolic poetry --- Eclogues --- Idyllic poetry --- Rural poetry --- Country life --- Poetry --- Arcadian art --- Art, Pastoral --- Bucolic art --- Art --- Pastoral art --- Arcadia in art. --- Arcadia in literature. --- Arcadie dans l'art --- Arcadie dans la littérature --- Influence.
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Aus dem Inhalt: Vorwort / Einleitung R. Faber: Arcadia und Utopia. Über politischen Idyllismus / N. Wokart: Nemo in Arcadia. Eine Kritik / I. Alter Orient und Okzident: M. Leutzsch: Transformationen des Paradieses. Wandlungen eines biblischen Topos / H. Harich-Schwarzbauer / J. Hindermann: Garten und Gesellschaft in der römischen Literatur. Sozialer und ästhetischer Diskurs bei Vergil und Plinius dem Jüngeren / II. Europäische Neuzeit und Moderne: C. Holste: "Der Grotta Grundriss gar klärlich vor Augen gestellt". Über manieristische Garten-Grotten / N. Schalz: Eine besondere Pastorale. Zum Eingangs-Chor aus Johann Sebastian Bachs Matthäus-Passion / C. Albert / A. Disselnkötter: Die falschen Versprechen der Gärten: Liebesutopien und -enttäuschungen in der französischen Literatur des 18. Jahrhunderts / M. Niedermeier: Freimaurer und Geheimbünde in den frühen Landschaftsgärten der Aufklärung / W. Reif: Die Alpen und die Schweiz in Literatur und Kunst von der Aufklärungszeit bis zur klassisch-romantischen Epoche.
Arcadia in art. --- Arcadia in art. --- Arcadia in literature. --- Arcadia in literature. --- Architecture des jardins. --- Cultural landscapes --- Cultural landscapes. --- Gardens in literature. --- Gardens in literature. --- Jardins --- Landscape architecture --- Landscape architecture. --- Landscape gardening --- Landscape gardening. --- Pastoral art --- Pastoral art. --- Paysage --- History --- Dans la littérature. --- History --- History --- History --- Dans l'art. --- Europe.
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Comparative literature --- Thematology --- Classical literature --- Fantasy literature --- Golden age (Mythology) in literature. --- Mythology, classical, in literature. --- Utopias in literature. --- Arcadia in literature. --- History and criticism. --- Classical literature - History and criticism. --- Fantasy literature - History and criticism.
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