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Roger Allen provides a comprehensive introductory survey of literary texts in Arabic, from their unknown beginnings in the fifth century AD to the present. The volume focuses on the major genres of Arabic literature, dealing with Islam's sacred text, the Qur'an, and a wealth of poetry, narrative prose, drama and criticism. Allen reveals the continuities that link the creative output of the present day to the illustrious literary heritage of the past and incorporates an enormously rich body of popular literature typified most famously by The Arabian Nights. The volume is informed by Western critical approaches, but within each chapter the emphasis is on the texts themselves, with extensive quotations in English translation. Reference features include a chronology and a guide to further reading. A revised and abridged version of Allen's acclaimed study, The Arabic Literary Heritage, this book provides an invaluable student introduction to a major non-Western literary tradition.
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Arabic literature --- Arabic language --- History and criticism. --- Semantics --- History. --- Arabic literature - History and criticism. --- Arabic language - Semantics - History.
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Ce travail interroge l’universalité du fantastique, tel qu’il est usuellement défini. Il le fait en considérant le fantastique selon deux contextes : un contexte occidental et un contexte auquel le fantastique est étranger, au moins en termes de définition et d’approches critiques, celui des littératures arabes. Les critiques arabes empruntent la terminologie critique occidentale mais ne revendiquent pas l’existence d’un genre fantastique. Au regard d’un corpus critique et littéraire occidental, le fantastique se caractérise par deux fonctions essentielles : il est le révélateur et le ressort de la pensée qui le fonde. Les nouvelles fantastiques d’Aymé, de Buzzati et de Pellerin montrent une articulation problématique du singulier et du commun qui défait la mécanique d’une pensée binaire ; en même temps, elles montrent la possibilité de résoudre les paradoxes de cette pensée par l’évocation d’un dehors indéterminé. Le contexte arabe, à travers les nouvelles de Tâmir, de Nasr et de Tûbyâ, et à travers les discours de la critique arabe contemporaine, suggère une réflexion sur les limites de certaines déterminations du fantastique occidental et conduit à envisager une pensée du fantastique qui propose une nouvelle articulation du singulier et du commun et permette de construire une configuration partagée de deux contextes littéraires, étrangers l’un à l’autre. Cela suppose que l’on lise l’imaginaire de ces écrivains arabes comme le dehors et comme l’interprétant du fantastique occidental, mais, par là-même, caractérisable sous le signe d’un universel.
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Wissensvermittlung im Gespräch ist die erste Monographie über die Verwendung der Dialogform in der arabischen Literatur. Regula Forster untersucht dazu ein umfangreiches Korpus klassisch-arabischer Dialoge ganz unterschiedlichen Inhalts (Religion, Jurisprudenz, Alchemie, Geschichte et cetera) aus der Zeit zwischen dem 8. und der Mitte des 11. Jahrhunderts. Sie zeigt auf, dass arabische Dialoge nicht einfach als dialogisierte Abhandlungen zu verstehen sind. Vielmehr erschaffen Dialoge eigene literarische Universen, indem sie Figuren in Zeit und Raum agieren lassen und spezifische Formen der Argumentation und Textstrukturierung verwenden. Durch die spezifische literarische Form des wissensvermittelnden Dialogs wird auch der Inhalt der Texte gelenkt. This is the first book-length study about the usage of the form of literary dialogue in Arabic literature. Regula Forster studies an extensive corpus of Classical Arabic didactic dialogues on very different subjects (religion, jurisprudence, alchemy, history, et cetera) from the 8th to the mid-11th centuries. She shows that Arabic dialogues are by no means dialogised treatises. Rather, they create a literary universe of their own. In this universe, figures are shown to be acting and speaking in time and space. Therefore, the dialogues use specific forms of argumentation and structuring. Through the use of the literary form of dialogue the content of these texts is shaped and the knowledge presented channelled.
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As essential ingredients of the good life, food and literature are intimately connected, and Arabic literature in particular is filled with references to food and wine. In "God's banquet", Geert Jan van Gelder explores the mainstays and byways of classical Arabic literature with wit and aplomb as he traces food's many manifestations in texts ranging from pre-Islamic poetry to the Koran, from the "Thousand and One Night" to social satires. "God's banquet" reveals that food may act as a marker of a multitude of things - time, place, class, status, nationality, ethnicity, religion, gender, character, and, of course, "taste" in several senses. Be it a metaphor, a symbol, a vehicle of allusion and insinuation or of praise and blame, food condenses the mores and social contours of an Arab ethos through the ages and reveals the treasures of this rich heritage.
Food in literature --- Gastronomy in literature --- Arabic literature --- History and criticism --- Arabic literature - History and criticism --- Littérature arabe --- Aliments --- Gastronomie --- Histoire et critique --- Dans la littérature
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Arabic philology --- Arabic literature --- History and criticism --- Islamic Empire --- History --- Arabic philology. --- History and criticism. --- History. --- Arabic literature - History and criticism --- Islamic Empire - History
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Roger Allen provides a comprehensive introductory survey of literary texts in Arabic, from their unknown beginnings in the fifth century AD to the present day. The volume focuses on the major genres of Arabic literature, dealing with Islam's sacred text, the Qur'an, and a wealth of poetry, narrative prose, drama and criticism. Allen reveals the continuities that link the creative output of the present day to the illustrious literary heritage of the past and incorporates an enormously rich body of popular literature typified most famously by The Arabian Nights. The volume is informed by Western critical approaches, but within each chapter the emphasis is on the texts themselves, with extensive quotations in English translation. Reference features include a chronology and a guide to further reading. A revised and abridged version of Allen's acclaimed study, The Arabic Literary Heritage, this book provides an invaluable student introduction to a major non-Western literary tradition.
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