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Litterature francaise --- Romans francais --- Auteurs noirs --- Auteurs noirs --- Litterature francaise --- Romans francais --- Auteurs noirs --- Auteurs noirs
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Litterature francaise --- Auteurs noirs --- Litterature francaise --- Auteurs noirs
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LITTERATURE ZIMBABWEENNE --- AUTEURS NOIRS --- LITTERATURE ZIMBABWEENNE --- AUTEURS NOIRS
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LITTERATURE --- AUTEURS NOIRS --- LITTERATURE --- AUTEURS NOIRS --- HISTOIRE ET CRITIQUE
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Nouvelles américaines --- Auteurs noirs américains --- Nouvelles américaines --- Auteurs noirs américains
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Written at the height of the Harlem Renaissance (the first sustained artistic movement by African Americans) and of Jim Crow (one of this cultural group’s greatest obstacles), Nella Larsen’s 1929 novel Passing is easily among the most penetrating, skillfully composed explorations of race and gender in the twentieth century. It focuses on two estranged friends, Irene Redfield and Clare Kendry, who, after years apart, are joltingly thrown back together, their lives transformed radically through one of the most scandalous and intriguing social phenomena of Larsen’s time—racial passing. Today, Larsen is ranked as one of the leading novelists of her generation; this novel, her masterpiece, demonstrates why.Appendices include material on the novel’s composition and reception, as well as legal documents relating to mixed-race individuals and a selection of recent critical work on the novel’s afterlife and the 2021 film adaptation.
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Litterature francaise --- Poesie francaise --- Auteurs noirs --- Auteurs noirs --- Litterature francaise --- Poesie francaise --- Auteurs noirs --- Auteurs noirs --- Anthologies
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Max Reddick, a novelist, journalist, and presidential speechwriter, has spent his career struggling against the riptide of race in America. Now terminally ill, he has nothing left to lose. An expat for many years, Max returns to Europe one last time to settle an old debt with his estranged Dutch wife, Margrit, and to attend the Paris funeral of his friend, rival, and mentor Harry Ames. Among Harry's papers, Max uncovers explosive secret government documents outlining 'King Alfred', a plan to be implemented in the event of widespread racial unrest and aiming 'to terminate, once and for all, the Minority threat to the whole of the American society'. Realizing that Harry has been assassinated, Max must risk everything to get the documents to the one man who can help. Greeted as a masterpiece when it was published in 1967, The Man Who Cried I Am stakes out a range of experience rarely seen in American fiction: from the life of a Black GI to the ferment of postcolonial Africa to an insider's view of Washington politics in the era of segregation and the Civil Rights Movement. John A. Williams and his lost classic are overdue for rediscovery.
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Africa --- Eastern Hemisphere --- Literary collections. --- Auteurs noirs
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LITTERATURE ANGLAISE --- LITTERATURE ANTILLAISE DE LANGUE ANGLAISE --- AUTEURS NOIRS --- AUTEURS NOIRS --- LITTERATURE ANGLAISE --- LITTERATURE ANTILLAISE DE LANGUE ANGLAISE --- AUTEURS NOIRS --- AUTEURS NOIRS
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