Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity.Selected contributors. Dahlak Brathwaite, adrienne maree brown, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu

Anti-racism --- Arts and society --- Arts --- ART / American / General. --- History --- Political aspects

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--

Racism and the arts --- Arts --- Arts and society --- Racial justice --- Anti-racism --- ART / American / General --- ART / American / Asian American & Pacific Islander --- History --- Political aspects --- United States --- Race relations

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Examines the multiple angles of the avant-garde poetry and art of Joe Brainard Joe Brainard’s work occupies the literal margins of New York school poetry, while also figuratively influencing its aesthetic margins, shaping the school from both within and without. Brainard was not only an important illustrator and friend to many New York school poets, he was also a respected collage artist, miniature artist, cartoonist, avid letter writer and serious poet. As the canon of avant-garde American poetry warmly embraces his poetry alongside his art, the field of literary criticism is freshly responding with enthusiasm to Brainard’s literary contribution with sophisticated scholarship and first-hand accounts which attend to both his textual and visual nuances. This collection offers the first place for the importance of Brainard’s poetry, collaborations and art to be recognised for their contribution and influence, all in one place.Key FeaturesFeatures series of established and new voices in contemporary American poetrySelected essays all focus on writing but transgress disciplinary lines to also incorporate consideration of Brainard’s visual practice at the same timeSuggests Brainard’s work informingly lined, bound , and shaped the poetics of American avant-gardeShifts critical attention to Brainard’s writing (while also attending to his well known comics and collages)Offers further analysis of Brainard’s art and work as uniquely queer in aesthetic practice

Brainard, Joe, --- Criticism and interpretation. --- Artistic collaboration --- Arts, American --- Collage, American --- Experimental poetry, American --- New York school of art. --- ART / American / General. --- History. --- History and criticism. --- New York School --- Art, American --- American experimental poetry --- American poetry --- American collage --- American arts --- Collaboration, Artistic --- Creation (Literary, artistic, etc.) --- Group work in art

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Wartime Kiss is a personal meditation on the haunting power of American photographs and films from World War II and the later 1940s. Starting with a powerful reinterpretation of one of the most famous photos of all time, Alfred Eisenstaedt's image of a sailor kissing a nurse in Times Square on V-J Day, Alexander Nemerov goes on to examine an idiosyncratic collection of mostly obscure or unknown images and movie episodes--from a photo of Jimmy Stewart and Olivia de Havilland lying on a picnic blanket in the Santa Barbara hills to scenes from such films as Twelve O'Clock High and Hold Back the Dawn. Erotically charged and bearing traces of trauma even when they seem far removed from the war, these photos and scenes seem to hold out the promise of a palpable and emotional connection to those years. Through a series of fascinating stories, Nemerov reveals the surprising background of these bits of film and discovers unexpected connections between the war and Hollywood, from an obsession with aviation to Anne Frank's love of the movies. Beautifully written and illustrated, Wartime Kiss vividly evokes a world in which Margaret Bourke-White could follow a heroic assignment photographing a B-17 bombing mission over Tunis with a job in Hollywood documenting the filming of a war movie. Ultimately this is a book about history as a sensuous experience, a work as mysterious, indescribable, and affecting as a novel by W. G. Sebald"--

ART / History / General. --- HISTORY / Modern / 20th Century. --- PHOTOGRAPHY / History. --- ART / American / General. --- Nineteen forties. --- Collective memory. --- Art and history. --- World War, 1939-1945 --- Historiography and photography. --- 1940s --- 40s (Twentieth century decade) --- Forties (Twentieth century decade) --- Twentieth century --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- History and art --- History --- History in art --- World War, 1939-1945, in motion pictures --- Photography and historiography --- Photography --- Motion pictures and the war. --- Photography. --- Art and history --- Collective memory --- Historiography and photography --- Nineteen forties --- 77.01 --- 791.43.01 --- Amerikaanse film ; 1936-1948 ; Wereldoorlog II --- Fotografie ; theorie ; beschouwing --- Kunsttheorie ; collectief geheugen --- Thema's in de film ; de oorlog --- Motion pictures and the war --- Fotografie ; theorie, filosofie, esthetica --- Filmkunst ; theorie, filosofie, esthetica --- Aircraft. --- Alfred Eisenstaedt. --- Andrew Marvell. --- Anecdote. --- Ann Carter. --- Anne Frank. --- Archibald MacLeish. --- Arsenic and Old Lace (play). --- Bertolt Brecht. --- Boeing B-17 Flying Fortress. --- Bomb bay. --- Bomb. --- Bosley Crowther. --- Cary Grant. --- Combat Mission. --- Command Decision (play). --- Confetti. --- Consolidated B-24 Liberator. --- Darryl F. Zanuck. --- Dick Powell. --- Donna Reed. --- Down on His Luck. --- Dr. Strangelove. --- Eddie Muller. --- Eloquence. --- Enola Gay. --- Erskine Caldwell. --- Fan magazine. --- Footage. --- G. (novel). --- Geoffrey de Havilland. --- Getty Images. --- Government Girl. --- Graflex. --- Gregory Peck. --- Henry Fonda. --- Hold Back the Dawn. --- Howard Hawks. --- Howard Hughes. --- I Wanted Wings. --- In the Woods. --- Instant. --- Intercom. --- Jack Warner (actor). --- James Agee. --- Jennifer Jones. --- Joan Fontaine. --- John Hersey. --- John Steinbeck. --- John Swope (photographer). --- Joseph Cornell. --- Lady, Be Good (musical). --- Lightness. --- Linhof. --- Los Angeles Times. --- Margaret Bourke-White. --- Margaret Herrick Library. --- Marx Brothers. --- Max Reinhardt. --- Meal. --- Memphis Belle (aircraft). --- Michelangelo Antonioni. --- Mickey Rooney. --- Mr. --- Nickname. --- North Africa. --- Olivia de Havilland. --- Patchwork. --- Paulette Goddard. --- Phonograph. --- Potion. --- Princess O'Rourke. --- Princeton University Press. --- Priscilla Lane. --- Report from the Aleutians. --- Roland Barthes. --- Rosie the Riveter. --- Seminar. --- Stanley Kubrick. --- Stardom. --- Swoon (artist). --- Sy Bartlett. --- Tamara Toumanova. --- The Adventures of Robin Hood (TV series). --- The Circus Animals' Desertion. --- The Curse of the Cat People. --- The Dark Corner. --- The New York Times. --- To His Coy Mistress. --- Toby Jug. --- Tom Conway. --- Toner. --- Top Gun. --- Twelve O'Clock High. --- Veronica Lake. --- William Wyler. --- Wing and a Prayer. --- Wings of the Navy. --- Writing.