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Designing exhibitions.
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ISBN: 0850722233 Year: 1988 Publisher: London The Design Council

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De kunst van het tentoonstellen
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ISBN: 9789081403481 Year: 2017 Publisher: Gent Kunstwerkt

What makes a great exhibition ?
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ISBN: 9780970834614 0970834616 Year: 2006 Publisher: Philadelphia Philadelphia Exhibitions Initiative Philadelphia Center for Arts and Heritage

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- Introduction : Practice makes perfect / Paula Marincola##- Show and tell / Robert Storr##- In lieu of higher ground / Lynne Cooke##- You talking to me? On curating group shows that give you a chance to join the group / Ralph Rugoff##- The unstable institution / Carlos Basualdo##- With our faces to the rising sun / Thelma Golden with Glenn Ligon##- Mies's new national gallery : empty and full / Detlef Mertins##- Design and architecture / Paola Antonelli interviewed by Bennett Simpson##- Who's afraid of gift-wrapped kazoos? / Jeffrey Kipnis##- Handy-crafts : a doctrine / Glenn Adamson##- Temple/White cube/Laboratory / Iwona Blazwick##- Making space for art / Mary Jane Jacob##- Questions of practice / Mark Nash##- Wall text / Ingrid Schaffner.

Designing exhibitions : museums, heritage, trade and world fairs.
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ISBN: 0566083175 Year: 2001 Publisher: Aldershot Ashgate


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Exhibition design : theory and practice
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ISBN: 0289700086 Year: 1971 Publisher: London Studio Vista


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Exhibition design
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ISBN: 9063691327 9789063691325 Year: 2006 Publisher: Amsterdam BIS

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Today, exhibitions have to compete in an increasingly sophisticated leisure market. Consequently, the way in which the contemporary exhibition is designed is changing fast; previously aloof cultural institutions are making use of technologies and techniques more commonly associated with film and retail. Exhibition-making is now synonymous with image-making, communication, and the creation of a powerful experience. Exhibition Design features examples of a wide variety of exhibitions from around the world, from major trade and commerce fairs to well-known fine-art institutions and small-scale artist-designed displays. The introduction gives an historical perspective on the development of exhibitions and museums, with particular focus on the developments of the twentieth century. The book is divided into two parts: Approaches and Techniques. Approaches is devoted to the conceptual themes of narrative space, performative space, and simulated experience. Techniques covers the practical concerns of display, lighting, color, sound, and graphics. To illustrate these themes the book features photographs, drawings, and diagrams of exhibitions from around the world, including the work of such internationally renowned architects and designers as Ralph Appelbaum Associates, Atelier Bruckner, Casson Mann, Frank Gehry, Zaha Hadid, Imagination, METStudio, and Jean Nouvel.


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Conceptual Art in a Curatorial Perspective : Between Dematerialization and Documentation
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ISBN: 9789078088769 9078088761 Year: 2018 Publisher: Amsterdam Valiz

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Conceptual Art in a Curatorial Perspective: Between Dematerialization and Documentation focuses on the curatorial practice of exhibiting conceptual art. The fact that conceptual works are not object-based, creates challenges in exhibiting or re-exhibiting them. This book offers various perspectives on how to handle conceptual art in the context of the museum, based on three detailed case studies and an extensive introduction in which the paradox of conceptual art is analyzed. It also elaborates on the history of exhibiting conceptual artworks, and on the influence of curators in their canonization.The aim of the book is not to offer clear-cut practical solutions, but to raise awareness of the issue and the different ways of dealing with it within the traditional curatorial field. It is relevant for students of art and culture (particularly in museum and curatorial studies), art and museum professionals, and everyone interested in the art of the 1960s and 1970s.


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Affordable exhibition design.
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ISBN: 9780061968822 Year: 2010 Publisher: New York HarperCollins

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Despite our economic climate, the level of sophistication and ambition has increased visibly in store window, kiosk, showroom, gallery and museum displays across the globe. By using cheap materials in unexpected ways (e.g. origami cubes, grass installations, undulating fiberglass walls, or gargantuan ribbon displays), designers are figuring out ways to display merchandise in an eye-catching yet cost-effective manner. Whether you're working with only 130 square feet or 1,000 square feet, this volume will show retailers, vendors, and curators how to fill their exhibition spaces with dynamic, sustainable, and budget-friendly design.

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