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Das Buch liefert neue Perspektiven auf Schlüsselwerke der spanischen Kunst der Frühen Neuzeit und analysiert diese unter der Prämisse transkultureller Aneignungsprozesse.Pedro Berruguete gilt als der erste Renaissancemaler Kastiliens. Nach einem Aufenthalt am Hof des Herzogs von Urbino schafft er in Spanien überwiegend Gemälde, die in riesige Altarretabel integriert werden. Diese Bildwände unterscheiden sich aufgrund ihrer Monumentalität und ihrer ausdifferenzierten Bildstruktur fundamental von Altarbildern in anderen Regionen Europas. Um die vielfältigen Dimensionen transkultureller Aneignungsprozesse erfassen zu können, werden die Altarretabel erstmals auf das Zusammenwirken von Form und Inhalt hin untersucht.
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Altarpieces, Renaissance --- Panel painting, Renaissance --- Grünewald, Matthias,
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Christian saints in art --- Panel painting, Gothic --- Panel painting, Italian --- Panel painting, Renaissance
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Panel painting, Italian --- Panel painting, Renaissance --- Peinture sur panneau italienne --- Peinture sur panneau de la Renaissance --- Piero, --- Piero, --- Piero,
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This study examines medieval Christian views of non-Christians and their changing political and theological significance as revealed in late-medieval and early-modern visual culture. Taking as her point of departure Hieronymus Bosch's famous Epiphany triptych housed in the Prado Museum in Madrid, the author analyzes how representations of Jews, Saracens (later Turks), Ethiopians, and Mongols for centuries shaped western Christian attitudes towards salvation history, contemporary political conflicts, and the declining status of the Roman Church. She argues that Bosch's innovative pictorial warning of the coming of Antichrist and the threat posed by non-Christians gained its power and authority through intervisual references to the medieval past. Before and after Bosch, imaginative constructions that identified Jews and Turks with Gog and Magog, or the Pope with Antichrist, drew upon a long-established range of artistic and rhetorical strategies that artists and authors reconfigured as changing political circumstances demanded. Painted at a pivotal moment on the eve of the Reformation, the Prado Epiphany is a compelling lens through which to look backwards to the Middle Ages, and forwards to Martin Luther and the ideological significance of escalating Christian/non-Christian conflicts in the formation of the new Protestant church.
Painters --- Panel painting, Renaissance --- Christian art and symbolism --- Peintres --- Peinture sur panneau de la Renaissance --- Art et symbolisme chrétiens --- Bosch, Hieronymus,
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Michel Sittow (c. 1469-1525) was the greatest Estonian artist of the Renaissance. As his renown as a portraitist spread among the royal courts of Europe in the late fifteenth century, Sittow led the life of the itinerant artist, leaving his native Reval, the Hanseatic port city known today as Tallinn, to reside at courts in Spain, The Netherlands, and Denmark. Michel Sittow: Estonian Painter at the Courts of Renaissance Europe is the first monographic exhibit of this masterful artist's oeuvre. The 144-page catalog with 90 illustrations features rare paintings by Sittow and other art works by his contemporaries, along with insightful essays by leading European and American scholars including John Oliver Hand of the National Gallery of Art, Washington, and Greta Koppel of the Art Museum of Estonia, Tallinn....Provided by publisher.
Exhibitions --- Portrait painting, Renaissance --- Panel painting, Renaissance --- Panel painting, Netherlandish --- Sittow, Michel, --- Sittow, Michel --- Painters --- Art, Netherlandish --- hofkunst --- renaissance --- Europa --- Tallinn --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Painters - Estonia - Biography --- Portrait painting, Renaissance - Exhibitions --- Panel painting, Renaissance - Exhibitions --- Panel painting, Netherlandish - Exhibitions --- Sittow, Michel, - 1469?-1525 - Exhibitions --- Sittow, Michel, - 1469?-1525 --- hofkunst. --- Sittow, Michel. --- Europa. --- Tallinn.
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Altaarstukken [Italiaanse ] --- Altarpieces [Italian ] --- Italiaanse altaarstukken --- Italiaanse retabels --- Italian altarpieces --- Retabels [Italiaanse ] --- Retables italiens --- Altarpieces --- History --- Histoire --- Panel painting, Medieval --- Altarpieces, Italian --- Panel painting, Renaissance --- Panel painting, Italian --- Altarpieces, Medieval --- Altarpieces, Renaissance --- Catalogs --- -Altarpieces, Medieval --- -Altarpieces, Renaissance --- -Panel painting, Italian --- -Panel painting, Medieval --- -Panel painting, Renaissance --- -Renaissance panel painting --- Medieval panel painting --- Italian panel painting --- Renaissance altarpieces --- Medieval altarpieces --- -Catalogs --- Renaissance panel painting --- Altarpieces [Medieval ] --- Italy --- Panel painting, Medieval - Italy - Catalogs --- Altarpieces, Italian - Catalogs --- Panel painting, Renaissance - Italy - Catalogs --- Panel painting, Italian - Catalogs --- Altarpieces, Medieval - Italy - Catalogs --- Altarpieces, Renaissance - Italy - Catalogs --- Catalogs.
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