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Pedro Berruguete und das Altarbild in Spanien Um 1500 : Zur Ästhetik und Semantik Transkultureller Aneignungsprozesse
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ISBN: 3846763942 Year: 2019 Publisher: Paderborn, Deutschland : Wilhelm Fink Verlag,

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Das Buch liefert neue Perspektiven auf Schlüsselwerke der spanischen Kunst der Frühen Neuzeit und analysiert diese unter der Prämisse transkultureller Aneignungsprozesse.Pedro Berruguete gilt als der erste Renaissancemaler Kastiliens. Nach einem Aufenthalt am Hof des Herzogs von Urbino schafft er in Spanien überwiegend Gemälde, die in riesige Altarretabel integriert werden. Diese Bildwände unterscheiden sich aufgrund ihrer Monumentalität und ihrer ausdifferenzierten Bildstruktur fundamental von Altarbildern in anderen Regionen Europas. Um die vielfältigen Dimensionen transkultureller Aneignungsprozesse erfassen zu können, werden die Altarretabel erstmals auf das Zusammenwirken von Form und Inhalt hin untersucht.


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Retable d'Issenheim un regard nouveau : "notre conscience est de la lumière"
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ISBN: 9782371720213 2371720216 Year: 2016 Publisher: Strasbourg : Vent d'Est,

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Dipinti italiani del XIV e XV secolo : in una raccolta milanese : catalogo
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ISBN: 8836601928 Year: 1987 Publisher: [Milano] : Silvana,

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Indagini su Piero : il Battesimo, il ciclo di Arezzo, la Flagellazione di Urbino
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ISBN: 8806051954 Year: 1981 Volume: 1 Publisher: Torino : G. Einaudi,

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Los Hernandos : pintores 1505-1525/c. 1475-1536
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ISBN: 9788476358191 Year: 2011 Publisher: Madrid : Arco/Libros,

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The epiphany of Hieronymus Bosch : imagining antichrist and Oohers from the Middle Ages to the Reformation
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ISBN: 9782503530369 Year: 2015 Publisher: Turnhout : Brepols,

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This study examines medieval Christian views of non-Christians and their changing political and theological significance as revealed in late-medieval and early-modern visual culture. Taking as her point of departure Hieronymus Bosch's famous Epiphany triptych housed in the Prado Museum in Madrid, the author analyzes how representations of Jews, Saracens (later Turks), Ethiopians, and Mongols for centuries shaped western Christian attitudes towards salvation history, contemporary political conflicts, and the declining status of the Roman Church. She argues that Bosch's innovative pictorial warning of the coming of Antichrist and the threat posed by non-Christians gained its power and authority through intervisual references to the medieval past. Before and after Bosch, imaginative constructions that identified Jews and Turks with Gog and Magog, or the Pope with Antichrist, drew upon a long-established range of artistic and rhetorical strategies that artists and authors reconfigured as changing political circumstances demanded. Painted at a pivotal moment on the eve of the Reformation, the Prado Epiphany is a compelling lens through which to look backwards to the Middle Ages, and forwards to Martin Luther and the ideological significance of escalating Christian/non-Christian conflicts in the formation of the new Protestant church.


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Pintura del Renaixement al ducat de Gandia : imatges d'un temps i d'un País
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ISBN: 840006111X Year: 1985 Volume: 23 Publisher: [Valencia] : Institució Alfons el Magnànim, Institució Valenciana d'Estudis i Investigació,


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Altdeutsche Tafelmalerei
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Year: 1941 Publisher: München : Verlag F. Bruckmann,


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Michel Sittow : Estonian painter at the courts of Renaissance Europe
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ISBN: 9780300232868 0300232861 Year: 2017 Publisher: New Haven, Conn. Yale University Press

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Michel Sittow (c. 1469-1525) was the greatest Estonian artist of the Renaissance. As his renown as a portraitist spread among the royal courts of Europe in the late fifteenth century, Sittow led the life of the itinerant artist, leaving his native Reval, the Hanseatic port city known today as Tallinn, to reside at courts in Spain, The Netherlands, and Denmark. Michel Sittow: Estonian Painter at the Courts of Renaissance Europe is the first monographic exhibit of this masterful artist's oeuvre. The 144-page catalog with 90 illustrations features rare paintings by Sittow and other art works by his contemporaries, along with insightful essays by leading European and American scholars including John Oliver Hand of the National Gallery of Art, Washington, and Greta Koppel of the Art Museum of Estonia, Tallinn....Provided by publisher.

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