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Authorship --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Semiotics
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Lit from Within offers creative writers a window into the minds of some of America's most celebrated contemporary authors. Witty, direct, and thought-provoking, these essays offer something to creative writers of all backgrounds and experience. With contributions from fiction writers, poets, and nonfiction writers, this is a collection of unusual breadth and quality. Contributors: Lee K. Abbott, Rick Bass, Claire Bateman, Charles Baxter, Ron Carlson, Billy Collins, Peter Ho Davies, Carl Dennis, Stephen Dunn, Robin Hemley, Tony Hoagland, David Kirby, Maggie Nelson, Francine
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No matter where you live, this book explains everything you need to know to break into the challenging and profitable magazine market. In this accessible, informative guide, two experienced freelancers, Mark Zuehlke and Louise Donnelly, explain the basics of writing non-fiction magazine articles. Mark Zuehlke has published more than 100 articles in magazines since 1981 and has taught several magazine-writing courses. He produces a continuing education magazine, and has appeared in Canadian Business, The Financial Post, Profit, Canada and the World and Canadian. Louise Donnelly began writing from rural B.C. in 1987, and founded her one-day workshop "Magazine Writing From the Boonies" in 1989. She has appeared in such magazines as The Financial Post, Moneywise Magazine and Canadian among others.
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Literary Non-Fiction: A Writers' & Artists' Companion is an essential guide to writing in a wide range of genres, from travel writing to feminist polemic and writing on nature, history, death, friendship and sexuality. Part 1 explores the full range of genres and asks the question: what is literary non-fiction? Part 2 includes tips by such bestselling literary non-fiction writers as: Lisa Appignanesi, Rosemary Bailey, Gillian Beer, Bidisha, Lizzie Collingham, William Dalrymple, Stevie Davies, Colin Grant, Rahila Gupta, Philip Hoare, Siri Hustvedt, Alice Kessler-Harris, Barry Lopez, Richard Mabey, Robert Macfarlane, Sara Maitland, Neil McKenna, Caroline Moorehead, Susie Orbach, Jennifer Potter, Susan Sellers, Dava Sobel, Diana Souhami, Dale Spender, Francis Spufford, Daniel Swift, Colin Thubron, Natasha Walter, Sara Wheeler and Simon Winchester. Part 3 offers practical advice - from planning and researching to writing a proposal and finding an agent or a publisher when your work is complete.
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Auch nach den Diskussionen über den "Tod" und die "Rückkehr des Autors" bleibt Autorschaft für die Literatur und ebenso für die Künste und Wissenschaften eine grundlegende, sinnstiftende Kategorie; sie erhält noch mehr aktuelle Brisanz unter den Bedingungen der Mediengesellschaft. Der Sammelband widmet sich dem spezifischen Verhältnis von literarischer und künstlerischer Autorschaft zu Religion und Politik in fächer- und epochenübergreifender Weise: Wie definiert und legitimiert sich Autorschaft in wechselnden politischen, sozialen und religiösen Einflussfeldern? Welche Rollen, Rhetoriken und Schreibweisen entfalten sich? Gefragt wird nach Autorisierungen durch Ikonen (d. h. durch unterschiedliche Rollenmuster und ihre historischen Funktionalisierungen), durch Stile, durch Institutionen, in denen Autorschaft mit dem Anspruch auf Deutungshoheit und 'Amtsautorität' wahrgenommen wird. Von der Antike bis zur Gegenwart werden diese Fragen von namhaften Vertretern ihres Faches interdisziplinär diskutiert - aus dem Blickwinkel der Klassischen und Mittellateinischen Philologie, der Germanistik und Romanistik, Theologie, Geschichte, Kunstgeschichte und Musikwissenschaft. Der Band entstand im Rahmen des Exzellenzclusters "Religion und Politik der Vormoderne und Moderne" an der Westfälischen Wilhelms-Universität Münster.
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The articles presented in On-line/Off-line: Between Text and Experience... concern the status of words and literature in contemporary culture. Opinions about 'the death of words', words displaced by pictures, are no longer formulated with equal firmness as in the past. Word and image do not compete, they rather act as equally important 'ingredients' of today's culture. To revise popular judgments which reduce the meaning of the Word there is no need for detailed analysis, just observation of daily practices. The vast number of text messages, e-mails, tweets, comments, blogs' or social networking's posts written day by day confirms the strong position of words (language) in the new media. As the articles in this collection make clear, this is especially true of writing in our time, when old and new, online and offline, are mixing, mashing up and recombining so prolifically, no single theory could ever explain it all, let alone foretell its evolution. So it's fitting that what we have in this volume is not a collection of definitive, supersession-like answers, but a multiplicity of fascinating questions explored in depth. Are microblogs a new literary genre? What happens when Japanese haiku leap across cultures? Is writing inherently an act of individuality or a modern, technology-rooted innovation? Such questions will swirl around us for decades to come, and to make our way forward we will need intellectual roadmaps with the wide-ranging curiosity, high aspirations and serious intent of this one.
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