Listing 1 - 2 of 2 |
Sort by
|
Choose an application
Goetz' wildes Denken zwischen Friedrich Nietzsche und Niklas Luhmann setzt sich mit der Kommunikation der Gesellschaft auseinander - bruchstückhaft, radikal subjektiv, fast schon universalpoetisch. Seine erkenntnispoetische Literatur versteht sich als Kunst, die das Aufbrechen des Verstehens in einer unübersichtlichen Welt des Geredes begreiflich macht, indem sie das Unbestimmte, das Vieldeutige und das Widersprüchliche einschließt. Die literarische Anverwandlung philosophischer Ansätze u.a. von Nietzsche, Luhmann, Adorno und Derrida bildet das Fundament des ekstatischen Denkens bei Rainald Goetz. Grundlegend für die literarische Erkenntnis ist das dialektisch angelegte Wechselspiel zwischen dionysischer Leidenschaft und apollinischer Analyse. Durch das Offenhalten des Sinns versteht sich der Text als dialogischer Beitrag zur gesellschaftlichen Reflexion im Sinne der Aufklärung.
Literature --- Aesthetics --- Aesthetics. --- Goetz, Rainald --- Goetz, Rainald. --- Criticism and interpretation. --- (Friedrich) Nietzsche --- (Friedrich) Schelling --- (Niklas) Luhmann --- (Theodor W.) Adorno --- Apoll --- Dialektik --- Dionysos --- Rainald Goetz --- literarische Ästhetik --- Epistemologie --- Erkenntnistheorie
Choose an application
The absolute was one of the most significant philosophical concepts in the early nineteenth century, particularly for the German romantics. Its exact meaning and its role within philosophical romanticism remain, however, a highly contested topic among contemporary scholars. In The Romantic Absolute, Dalia Nassar offers an illuminating new assessment of the romantics and their understanding of the absolute. In doing so, she fills an important gap in the history of philosophy, especially with respect to the crucial period between Kant and Hegel. Scholars today interpret philosophical romanticism along two competing lines: one emphasizes the romantics' concern with epistemology, the other their concern with metaphysics. Through careful textual analysis and systematic reconstruction of the work of three major romantics-Novalis, Friedrich Schlegel, and Friedrich Schelling-Nassar shows that neither interpretation is fully satisfying. Rather, she argues, one needs to approach the absolute from both perspectives. Rescuing these philosophers from frequent misunderstanding, and even dismissal, she articulates not only a new angle on the philosophical foundations of romanticism but on the meaning and significance of the notion of the absolute itself.
History of philosophy --- Novalis --- Schelling, von, Friedrich W.J. --- Schlegel, Friedrich --- Germany --- Absolute, The --- Philosophy, German --- German philosophy --- Metaphysics --- Ontology --- One (The One in philosophy) --- History --- Novalis, --- von Schelling, Friedrich Wilhelm Joseph --- Schlegel, Friedrich von, --- Schlegel, Friedrich von --- Shlegelʹ, Fridrikh --- Schlegel, Karl Wilhelm Friedrich von --- Von Schlegel, Karl Wilhelm Friedrich --- Schlegel, Federico --- Schlegel, Frederick von --- Schelling, Friedrich Wilhelm Joseph von --- Schelling, F. W. J. --- Schelling, Friedrich Wilhelm Joseph --- Schelling, Federico Guillermo José --- Novalis, Friedrich --- von Hardenberg, Friedrich Ludwig, --- Hardenberg, Friedrich, --- Hardenberg, Georg Friedrich Philipp, --- Hardenberg, Georg Philipp Friedrich von, --- Absolute, The. --- Schelling, Friedrich Wilhelm Joseph von, --- the absolute, germany, romanticism, philosophy, being, knowing, kant, hegel, epistemology, metaphysics, friedrich schelling, schlegel, novalis, subjectivity, self, hemsterhuis, whole, nature, idealism, ontology, transcendentalism, becoming, freedom, romantic novel, spinoza, fichte, art, identity, nonfiction, goethe, jacobi, von hardenberg, mind, spirit.
Listing 1 - 2 of 2 |
Sort by
|