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Since 1911, The Yale Review has been publishing new works by the most distinguished contemporary writers - from Virginia Woolf to Vladimir Nabokov, from Robert Frost to Eudora Welty. The journal's pages have, for almost a century, been filled with the most exhilarating and astute writing of our times. Under the editorship of J. D. McClatchy, himself a prize-winning poet, The Yale Review presents up-and-coming writers, explores the broader movements in American thought, science, and culture, and reviews the best new books in a variety of fields.

Literature --- American literature --- Littérature américaine --- History and criticism --- Periodicals --- Histoire et critique --- Périodiques --- Social sciences --- Social sciences. --- #BIBC:tijdschradm --- #ANTILTP9506 --- Arts and Humanities --- General and Others --- Social Sciences --- Journalism, Mass Communication, Media & Publishing --- Arts and Humanities. --- Literature. --- Littérature américaine --- Périodiques --- EJLITTE EPUB-ALPHA-Y EPUB-PER-FT WILEY-E --- Social sciences - Periodicals --- Literature - Periodicals

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Theatrical science --- Theater --- Theater and society --- Dramatists --- Experimental theater --- JEX14 --- Arts and Humanities --- Literature --- Performing Arts, Travel and Leisure --- Periodicals --- Dramatists. --- Experimental theater. --- Theater. --- Theater and society. --- Actors --- Society and theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Alternative theater --- Avant-garde theater --- Playwrights --- Authors --- Social status --- Social aspects --- Theater - Periodicals --- Theater and society - Periodicals --- Dramatists - Periodicals --- Experimental theater - Periodicals

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Inverting rules with obvious relish, Florentine artist Piero di Cosimo (1462& 1522) is known today& as he was in his own time& for his highly personal visual language, one capable of generating images of the most mesmerizing oddity. In this book, Dennis Geronimus overcomes the scarcity of information about the artist's life and works& only one of the nearly sixty known works by Piero is actually signed and dated& and pieces together from extensive archival research the most complete and accurate account of Piero's life and career ever written. Unfettered imagination was the sign under which Piero exercised his pictorial invention, and yet the complicated artist was also a product of his culture. The book fills gaps in the artist's biography and provides intensive analysis of Piero's protean imagery, discusses his various patrons and commissions, and lists his extant, lost, and uncertainly attributed works.

Piero, --- Criticism and interpretation.

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Architecture, Postmodern --- Classicism in architecture --- Deconstructivism (Architecture) --- Architecture postmoderne --- Classicisme en architecture --- Déconstructivisme (Architecture) --- Congresses. --- Congrès --- Eisenman, Peter, --- Krier, Léon --- Aesthetics --- Déconstructivisme (Architecture) --- Congrès --- Krier, Léon

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Trade regulation --- Zonder onderwerpscode --- Arts and Humanities --- Law --- Social Sciences --- Human Rights, Women's Studies & Child Welfare --- General and Others --- Political Science --- Public Policy & Administration --- Regional and International Studies