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Museology --- Art --- Kunstkritiek ; Janneke Wesseling (NRC Handelsblad) --- Janneke Wesseling --- Kunstbeschouwing --- kunst --- Aitken, Doig --- kunstkritiek --- Andriesse, Jan --- NRC Handelsblad --- Boetti, Alighiero --- Broodthaers, Marcel --- Aitken Doug --- Buren, Daniel --- Andriesse Jan --- Byars, James Lee --- Alighiero e Boetti --- Broodthaers Marcel --- Emin, Tracey --- Buren Daniel --- Feldmann, Hans-Peter --- Fischli, Peter en David Weiss --- Byars James Lee --- Giotto --- Emin Tracey --- Graham, Dan --- Feldmann Hans-Peter --- Kelly, Ellsworth --- Fischli Peter --- Matisse, Henri --- Weiss David --- Merz, Mario --- Graham Dan --- Mik, Aernout --- Kelly Ellsworth --- Newman, Barnett --- Panamarenko --- Matisse Henri --- planten --- Saenredam, Pieter --- tekenkunst --- Turrell, James --- installaties --- Tuymans, Luc --- De Hooch, Pieter --- schilderkunst --- Vermeer, Johannes --- botanica --- Merz Mario --- Villevoye, Roy --- Mik Aernout --- West, Franz --- Thema's in de kunst ; het naakt --- Newman Barnett --- 7.01 --- Saenredam Pieter --- Turrell James --- Tuymans Luc --- de Hooch Pieter --- Vermeer Johannes --- Villevoye Roy --- West Franz --- naakt --- naaktportret --- auto's --- videokunst --- video --- documentaire video --- 7.038 --- 7.03 --- Kunst ; theorie, filosofie, esthetica --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Museologie. --- Kunst. --- Art, Primitive

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See it Again, Say it Again sheds light on the phenomenon of research in the visual arts. In artistic research, practical acts (the making) and theoretical reflection (the thinking) go hand in hand, in a manner similar to creating and thinking being inextricably linked with artistic practice. This volume has been written from the perspective of art as practice. The majority of the authors are artists, while several artists provided visual contributions that elucidate the phenomenon of research in art. There are also contributions from theoreticians, who analyse how artistic research works (and how it is productive). What do artists actually do when they carry out research? What does artistic research yield for art? Does it propagate better art or a new type of art, or perhaps even a new type of artist? 

With contributions by Jeroen Boomgaard, Jeremiah Day, Siebren de Haan, Stephan Dillemuth, Irene Fortuyn, Gijs Frieling, Hadley+Maxwell, Henri Jacobs, WJM Kok, Aglaia Konrad, Frank Mandersloot, Aernout Mik, Ruchama Noorda, Vanessa Ohlraun, Graeme Sullivan, Moniek Toebosch, Lonnie van Brummelen, Hilde van Gelder, Philippe van Snick, Barbara Visser, Janneke Wesseling, Kitty Zijlmans en Italo Zuffi.


Iconography --- Art --- research [function] --- art theory --- onderzoek in de kunsten

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What happens between a spectator and an art work? How do we experience 'meaning' in an art work? How can the process of interpretation be understood and articulated? To address these questions, the author explores the field of reception aesthetics, with its central premise that the contemplation of art is a matter of interaction between the art work and the observer. The research is focused on unravelling and problematising the theoretical terminology of the interaction between art work and spectator, deriving from reception aesthetics as well as from hermeneutics and phenomenology, with the aim of building a new theoretical foundation for this terminology. Additionally, different concepts of spectatorship are extensively discussed. 'I believe it is more productive to research how the art work works or signifies than what it shows or might signify. This 'how' reveals itself mainly in the performative act of experiencing the work.' This book addresses scholars and students in the fields of art history, aesthetics and visual and cultural studies, as well as artists and art students, and all those art spectators who wish to develop a deeper understanding of the experience of art.

viewers [observers] --- Art --- art [fine art] --- art appreciation --- interpretation --- psychology --- aesthetics --- Tuerlinckx, Joëlle --- kunst --- kunsttheorie --- Tuerlinckx Joëlle --- 7.01 --- esthetica --- receptie-esthetica --- Art appreciation. --- Arts --- Reader-response criticism --- Spectators. --- Hermeneutics --- Reader-response criticism. --- Hermeneutics. --- Psychology. --- In art. --- Psychologie. --- Art appreciation --- Visual Perception --- Aesthetics --- Spectators --- Esthétique --- Rapport du spectateur à l'objet créé --- Perception de l'art --- Psychology --- In art --- Psychologie --- Tentoonstellingen ; 20ste en 21ste eeuw ; participatie van de toeschouwer --- Kunst; waardering; toeschouwers/publiek --- Kunst ; theorie, filosofie, --- Kunsttheorie ; over interactie ; participatie ; dialoog met het publiek --- Kunsttheorie ; visuele waarneming ; betekenis --- Kunsttheorie ; over interpretatie --- Arts - Psychology --- Reader-response criticism - In art --- Hermeneutics - In art --- Arts - Psychologie --- art [discipline]

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The world today faces overwhelming ecological and social problems and the concern for material existence on earth is more pressing than ever. Making Matters spells out various roles that visual artists and designers play facing these issues. Collective action is necessary and inevitable.Collective action often changes the artist’s identity and working habits: from individuality and autonomy to collectivity and collaboration, both locally and globally. These developments have given rise to new kinds of collective art and design practices: artists work together with non-artists, make products for their local environment and take on multiple identities, such as researcher, community activist, computer hacker or business consultant. Making Matters looks at art practices across all continents that do not conform to a Western concept of art nor to traditional distinctions between art, design, research and activism—where the boundaries between art, design, research and activism become blurred or are dissolved.The entries in this vocabulary experiment with concepts and keywords of current art practices that may no longer be recognizable as art.

Art --- art [fine art] --- ecology --- community art --- designs [artistic concepts] --- human ecology --- artists' collectives --- cooperation --- activists --- Kunsttheorie : over artistieke samenwerking ; werking --- Massacultuur ; globalisering ; kritiek op --- Kunst en activisme --- Kunsttheorie ; interactieve kunstpraktijk --- Architectuurtheorie ; over het collectieve en het individuele --- Kunstcollectieven --- 7.01 --- Kunst ; theorie, filosofie, esthetica --- art [discipline]

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Art --- art [discipline] --- public spaces --- dokken --- openbare ruimte --- kunst --- Amsterdam