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This book offers a comprehensive treatment of the city image in the Hebrew Bible, with specific attention to stylistics. By engaging with spatial theory (Lefebvre 1974, Soja 1996), the author develops a new framework to analyse the concept of ‘city’, arguing that a set of conceptual images defines the Biblical Hebrew city, each of them constructed using the same linguistic toolkit. Contrary to previous studies, the book shows that biblical cities are not necessarily evil or female. In addition, there is no substantial difference between the metaphorical images used for Jerusalem and those used for other cities. This book will be of interest to students and scholars of stylistics, urban studies, critical-spatial theory and biblical studies (especially Biblical Hebrew). Karolien Vermeulen is FWO Postdoctoral Research Fellow in the Institute of Jewish Studies at the University of Antwerp, Belgium. Her research interests include (cognitive) stylistics, Biblical Hebrew, critical spatiality, metaphor theory, and urban studies.

Cities and towns in the Bible. --- Language and languages—Style. --- Bible—Theology. --- Semantics. --- Semitic languages. --- Corpora (Linguistics). --- Stylistics. --- Biblical Studies. --- Semitic Languages. --- Corpus Linguistics. --- Corpus-based analysis (Linguistics) --- Corpus linguistics --- Linguistic analysis (Linguistics) --- Afroasiatic languages --- Formal semantics --- Semasiology --- Semiology (Semantics) --- Comparative linguistics --- Information theory --- Language and languages --- Lexicology --- Meaning (Psychology)

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This book offers a comprehensive treatment of the city image in the Hebrew Bible, with specific attention to stylistics. By engaging with spatial theory (Lefebvre 1974, Soja 1996), the author develops a new framework to analyse the concept of ‘city’, arguing that a set of conceptual images defines the Biblical Hebrew city, each of them constructed using the same linguistic toolkit. Contrary to previous studies, the book shows that biblical cities are not necessarily evil or female. In addition, there is no substantial difference between the metaphorical images used for Jerusalem and those used for other cities. This book will be of interest to students and scholars of stylistics, urban studies, critical-spatial theory and biblical studies (especially Biblical Hebrew). Karolien Vermeulen is FWO Postdoctoral Research Fellow in the Institute of Jewish Studies at the University of Antwerp, Belgium. Her research interests include (cognitive) stylistics, Biblical Hebrew, critical spatiality, metaphor theory, and urban studies.

Bible --- Christian theology --- Lexicology. Semantics --- Linguistics --- Semitic languages --- semantiek --- theologie --- bijbel --- linguïstiek

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The style of the Hebrew Bible has long been of significant interest to scholars and exegetes alike. Early Jewish and later Christian commentaries point out the importance of the exact wording in interpreting the text, and many an article has been written on features such as repetition and inclusio. With the rise of literary and narrative criticism in biblical studies, these features have received even more attention. The current book stands in the tradition of Robert Alter in that it focuses on how the text of Genesis is written and phrased. More explicitly, it is interested in why Genesis is formulated the way it is and how this affects the reader in his/her encounter with the text. Doubling and Duplicating is not only concerned with a style-as-analysis frame for interpreters but also with its role as a guide for any audience and its gateway to the ancient mind-set (ideological, ontological, and so on).All of the contributors to this collected volume focus on the form of the book of Genesis—that is, on its use of language and formulation. Yet, each author does this in his/her own way, depending on the most fitting tool for the specific research question or based on the researcher’s methodological background. Thus, the essays represent the various approaches in current literary and stylistic criticism as applied to the biblical corpus. Furthermore, the recurring duality of the features discussed in each of the contributions adds to the overall unity of the volume. This recurrence suggests the presence of a stylistic feature in the book of Genesis, the feature of doubling and duplicating, that surpasses the other features of the individual units or stories. This book offers insights about meaning-making on both the micro- and the macro-text levels.

Hebrew language --- Jewish language --- Jews --- Semitic languages, Northwest --- Parallelism --- Languages --- Bible. --- Be-reshit (Book of the Old Testament) --- Bereshit (Book of the Old Testament) --- Bytie (Book of the Old Testament) --- Chʻangsegi (Book of the Old Testament) --- Genesis (Book of the Old Testament) --- Sifr al-Takwīn --- Takwīn (Book of the Old Testament) --- Criticism, interpretation, etc. --- Language, style --- Literarischer Stil --- Textkritik --- Parallelism. --- Bibel --- Genesis --- Bereshit --- Berešit --- Mose --- Moses --- Gen --- Gn --- Ge --- <> erste Buch Mose --- Banjibun-i nomun --- Genèse --- Berešit --- Genèse --- Hebrew language - Parallelism - Congresses. --- Literaturstil --- Stil --- Stilistik --- Literatur

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"A handbook on reading the Bible that explores the interaction between the cues of the text and the context of the reader through key stylistic elements"-- "The Bible is interpreted in a variety of ways and through a myriad of lenses. But how we interpret Scripture depends first of all on how we read it. This handbook focuses on the process of reading itself, taking a cognitive-stylistic approach grounded in recent research on language and the mind. Through accessible explanations of twelve key stylistic elements, How We Read the Bible provides all who study Scripture with the tools to understand what happens when we read and draw meaning from biblical texts. Rather than problematizing the divide between authors from the ancient world and a modern-day audience, Karolien Vermeulen and Elizabeth Hayes bridge the gap by exploring the interaction between the cues of the text and the context of the reader. With numerous examples from the Old and New Testaments and helpful suggestions for further study, How We Read the Bible can be used within any framework of biblical study-historical, theological, literary, and others-as a pathway to meeting Scripture on its own terms"--

Bible --- Bible --- Bible --- Criticism, interpretation, etc. --- Language, style --- Hermeneutics

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In this volume twelve contributions discuss the relevance, accuracy, potential, and possible alternatives to a literary reading of ancient Jewish writings, especially the Hebrew Bible. Drawing on different academic fields (biblical studies, rabbinic studies, and literary studies) and on various methodologies (literary criticism, rhetorical criticism, cognitive linguistics, historical criticism, and reception history), the essays form a state-of-the-art overview of the current use of the literary approach toward ancient Jewish texts. The volume convincingly shows that the latest approaches to a literary reading can still enhance our understanding of these texts.

Midrash --- 221.015 --- 221.015 Oud Testament: literaire kritiek authenticiteit bronnenstudie Formgeschiche Traditionsgeschichte Redaktionsgeschichte --- Oud Testament: literaire kritiek authenticiteit bronnenstudie Formgeschiche Traditionsgeschichte Redaktionsgeschichte --- Jewish literature --- Jewish sermons --- Rabbinical literature --- Criticism, Textual --- Bible. --- Antico Testamento --- Hebrew Bible --- Hebrew Scriptures --- Kitve-ḳodesh --- Miḳra --- Old Testament --- Palaia Diathēkē --- Pentateuch, Prophets, and Hagiographa --- Sean-Tiomna --- Stary Testament --- Tanakh --- Tawrāt --- Torah, Neviʼim, Ketuvim --- Torah, Neviʼim u-Khetuvim --- Velho Testamento --- Criticism, interpretation, etc. --- Conferences - Meetings --- Hebrew literature --- 221.015 Oud Testament: literaire kritiek; authenticiteit; bronnenstudie; Formgeschiche; Traditionsgeschichte; Redaktionsgeschichte --- Oud Testament: literaire kritiek; authenticiteit; bronnenstudie; Formgeschiche; Traditionsgeschichte; Redaktionsgeschichte