Listing 1 - 10 of 106 | << page >> |
Sort by
|
Choose an application
Choose an application
Generations of scholars have meditated upon the literary devices and cultural meanings of The Song of Roland. But according to Andrew Taylor not enough attention has been given to the physical context of the manuscript itself. The original copy of The Song of Roland is actually bound with a Latin translation of the Timaeus. Textual Situations looks at this bound volume along with two other similarly bound medieval volumes to explore the manuscripts and marginalia that have been cast into shadow by the fame of adjacent texts, some of the most read medieval works. In addition to the bound volume that contains The Song of Roland, Taylor examines the volume that binds the well-known poem "Sumer is icumen in" with the Lais of Marie de France, and a volume containing the legal Decretals of Gregory IX with marginal illustrations of wayfaring life decorating its borders. Approaching the manuscript as artifact, Textual Situations suggests that medieval texts must be examined in terms of their material support—that is, literal interpretation must take into consideration the physical manuscript itself in addition to the social conventions that surround its compilation. Taylor reconstructs the circumstances of the creation of these medieval bound volumes, the settings in which they were read, inscribed, and shared, and the social and intellectual conventions surrounding them.
Manuscripts. Epigraphy. Paleography --- anno 500-1499 --- Great Britain --- 091 <41> --- 091 <41 LONDON> --- 091 <41 OXFORD> --- 091 <017.2 DIGBY, KENELM> --- 091 <017.2 HARLEY, ROBERT> --- 091 <017.2 HARLEY, ROBERT> Handschriftenkunde. Handschriftencatalogi--Private verzamelingen--HARLEY, ROBERT --- Handschriftenkunde. Handschriftencatalogi--Private verzamelingen--HARLEY, ROBERT --- 091 <017.2 DIGBY, KENELM> Handschriftenkunde. Handschriftencatalogi--Private verzamelingen--DIGBY, KENELM --- Handschriftenkunde. Handschriftencatalogi--Private verzamelingen--DIGBY, KENELM --- 091 <41 OXFORD> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--OXFORD --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--OXFORD --- 091 <41 LONDON> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland--LONDON --- 091 <41> Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Handschriftenkunde. Handschriftencatalogi--Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland --- Smithfield decretals --- Books and reading --- Literature, Medieval --- Manuscripts, Medieval --- Transmission of texts --- Literary transmission --- Manuscript transmission --- Textual transmission --- Criticism, Textual --- Editions --- Manuscripts --- History --- Bodleian Library. --- British Library. --- Smithfield decretals. --- England --- Intellectual life --- Catholic Church. --- Manuscripts, Medieval - England --- Books and reading - England - History - To 1500 --- Literature, Medieval - Criticism, Textual --- England - Intellectual life - 1066-1485
Choose an application
The intellectual relationship between Henry James and his father, who was a philosopher and theologian, proved to be an influential resource for the novelist. Andrew Taylor explores how James's writing responds to James Senior's epistemological, thematic and narrative concerns, and relocates these concerns in a more secularised and cosmopolitan cultural milieu. Taylor examines the nature of both men's engagement with autobiographical strategies, issues of gender reform, and the language of religion. He argues for a reading of Henry James that is informed by an awareness of paternal inheritance. Taylor's study reveals the complex and at times antagonistic dialogue between the elder James and his peers, particularly Emerson and Whitman, in the vanguard of mid nineteenth-century American Romanticism. Through close readings of a wide range of novels and texts, he demonstrates how this dialogue anticipates James's own theories of fiction and selfhood.
Fathers and sons --- Fathers and sons in literature. --- Father figures in literature. --- Autobiography in literature. --- Philosophy in literature. --- Fathers in literature. --- Self in literature. --- James, Henry, --- Dzheĭms, G. --- Dzheĭms, Genri, --- Jeimsŭ, Henri, --- Джеймс, Генри, --- ג׳יימס, הנרי, --- ג׳ײמס, הנרי, --- Τζειος, Χενρι, --- جميس، هينري، --- جيمز، هنرى --- Philosophy. --- Influence. --- Family. --- Arts and Humanities --- Literature --- James, Henry
Choose an application
Choose an application
Richard Sheale, a harper and balladeer from Tamworth, is virtually the only English minstrel whose life story is known to us in any detail. It had been thought that by the sixteenth century minstrels had generally been downgraded to the role of mere jesters. However, through a careful examination of the manuscript which Sheale almost certainly "wrote" (Bodleian Ashmole 48) and other records, the author argues that the oral tradition remained vibrant at this period, contrary to the common idea that print had by this stage destroyed traditional minstrelsy. The author shows that under the patronage of Edward Stanley, earl of Derby, and his son, from one of the most important aristocratic families in England, Sheale recited and collected ballads and travelled to and from London to market them. Amongst his repertoire was the famous Chevy Chase, which Sir Philip Sidney said moved his heart 'more than with a trumpet'. Sheale also composed his own verse, including a lament on being robbed of £60 on his way to London; the poem is reproduced in this volume. Andrew Taylor lectures in the Department of English, University of Ottawa.
Minstrels --- Poetry, Medieval --- Jongleurs --- Bards and bardism --- Manners and customs --- Poets --- History --- History and criticism. --- Sheale, Richard, --- Great Britain --- England --- History. --- Music --- Criticism and interpretation. --- Musicians --- Ballads. --- minstrels. --- music. --- songs.
Choose an application
Choose an application
Choose an application
Choose an application
Choose an application
Listing 1 - 10 of 106 | << page >> |
Sort by
|