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This beautifully designed monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs and precious stones are the cosmic architectural inhabitants that unveil the artist’s fantasies. Wild began her prolific collage production in her seventies while living in Basel shortly before she moved to Guatemala—another in a series of significant transatlantic crossings undertaken in her life. In 1938, at the age of sixteen, her family fled Vienna to Buenos Aires to escape the Nazi threat. She continued her fine-art studies in her new home, later working as a textile designer. In 1962, Wild and her family traveled back across the Atlantic, to Basel, to escape the Perón dictatorship. There she ran an antique shop. In 1996, she left for Panajachel, Guatemala, where she lived with her daughter, the artist Vivian Suter, and continued working on her collages until her death in 2020.

Collage --- Wild, Elisabeth --- Art --- collages [visual works] --- collagists --- kunst --- Argentinië --- Guatemala --- Zwitserland --- collages --- 7.071 --- Wild Elisabeth --- twintigste eeuw --- eenentwintigste eeuw --- Collages --- Found objects (Art) --- Handicraft --- Montage --- Wild, Elisabeth,

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The documenta 14 guide will take the form of a daybook, emphasizing the 163 calendar days of the exhibitions in Athens and Kassel - a first-time extension of the usual 100-day project of past documenta - and the personal and subjective nature of the spectator's relationship to them. Each documenta 14 artist will be granted a day in this daybook, which will be accompanied by a newly commissioned text on that artist's practice, as well as an image of artwork commissioned by the artist specifically for the publication. The critical texts will be authored by a wide variety of practitioners - critics, curators, novelists, historians, and poets - and the images will be singular and created by the artists especially for the daybook itself.

kunst --- eenentwintigste eeuw --- Athene --- 7.039 --- kunst en politiek --- Documenta --- Kassel --- Exhibitions --- exhibition catalogs --- Art --- Kunstgeschiedenis ; 2000 - 2050 --- Art, Modern --- Arts, Modern --- Arts --- Exhibitions. --- Expositions --- Documenta (Exhibition) --- Beeldende kunst ; Documenta XIV (14) (2017) --- Kassel ; Documenta XIV ; curator Adam Szymczyk --- Kunst en politiek --- Kunsttentoonstellingen ; internationale --- art [fine art] --- political art --- refugees --- Art, Modern - 21st century - Exhibitions --- Photographie --- Exposition --- Art contemporain --- Manifestation artistique --- art [discipline] --- dekolonisatie

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Germany

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Art --- Film --- installations [visual works] --- art [discipline] --- video art --- Hiller, Susan --- United States of America

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Šedá, Kateřina,